SCOTT STAPP Fuels A Frenzy In Kentucky With MESSER & WEAPONS OF ANEW [Review & Photo Gallery]

Wednesday night ROCKED in Lexington, Kentucky! Scott Stapp (you know, the voice of multi-platinum selling, Grammy Award-winning Creed, Scott Stapp? Yeah, that one) brought his incredibly talented band along with a couple of equally talented and hard-hitting metal bands, Messer and Weapons of Anew, to Manchester Music Hall. All three bands tried their best to blow the windows out of the building with some loud, aggressive, in-your-face rock n’ roll! It was a good night to be a rock fan in Lexington. Continue reading

John 5 On Ace and Peter joining Kiss On Farewell Tour “Would Be Icing On The Cake”.

John 5 is a renowned guitarist who has graced many well-known musical acts with his unique playing skills including Marilyn Manson, David Lee Roth, and Rob Zombie.  As a solo artist with his own band, John 5 and the Creatures,  In the vein of Joe Satriani, Yngwie Malmsteen, Steve Vai, and others who sit upon similar thrones, 5 takes on the role of guitar aficionado, or “shredder” with the confidence and (seemingly) the greatest of ease. His latest album, Invasion, is out now via 60 Cycle Hum Records.  Continue reading

KNOTFEST ROADSHOW Plows Through Nebraska [Review & Photo Gallery]

 

Slipknot’s “Knotfest Roadshow” made huge news throughout the metal community when it was announced back in March. That twenty-nine cities run is now in full swing and Pinnacle Bank Arena in Lincoln, Nebraska had the opportunity to host a brilliant night of music. The line-up is certainly a global affair as it featured the extreme metalists from Poland, Behemoth, the technical powerhouse Gojira from France, and the hard rocking outfit Volbeat from Denmark. Slipknot would close to the show in a fashion of chaotic perfection that only they can deliver. Continue reading

State Of The Art: Delaware’s BASTION’S WAKE [Album Stream]

*This is part of our State Of The Art series, showcasing bands every Monday from the featured state. This month’s state is Delaware.*

This is a change of pace from my usual metal fare, but Delaware’s Bastion’s Wake are an enigmatic power/symphonic band that piqued my interest with the fantasy artwork of their first album, ‘Sea Creatures and Sky Pirates’. Continue reading

MEMORIAM Guitarist Founds New Project, AS THE WORLD DIES [Video Teaser]

Scott Fairfax, of Memoriam (English death metal, signed to Nuclear Blast Records) fame, has been churning out a record for his new project, As the World Dies. Chris McGrath, a lifelong friend of Fairfax, will be behind the kit. McGrath has been involved with Ashen Crown (another English death metal outfit) and has also helped out Memoriam as their drummer for one live show. On bass guitar is Phil Milman (also from Ashen Crown), and second guitarist is Topher O’Meagher, from English metal band Gehtika. On vocals is former The Face of Ruin singer, Alex Mumford. Continue reading

Louder Than Life Festival Spotlight: THE PINK SLIPS [Official Videos]

Welcome back to our ongoing series of LOUDER THAN LIFE 2019 artist profiles, our weekly guide through the lineup of acts who’ll take the stage at Louisville, Kentucky’s Highland Festival Grounds at Kentucky Expo Center September 27-29 in what’s sure to be one of the biggest concert events of the year. This week, we’re taking a closer look at the Los Angeles based synth-punk band The Pink Slips.

 

Louder Than Life is bringing a wide variety of musical genres to Louisville, Kentucky this year. From Celtic punk rock and hair metal to southern sludge and the synth-punk rockers The Pink Slips. Formed in 2013 in the City Of Angels aka Los Angeles The Pink Slips have been building their sound and their fan base along the way. The band cut their teeth in legendary Hollywood venues like The Troubadour and the Viper Room, well before the band’s members could legally drink at the bar. The Pink slips is led by vocalist Grave aka Grace McKagan the daughter of Guns N Roses bassist Duff McKagan. Duff has also showcased his vocal talents on his side project Loaded, and he is also a member of several other talents bands like Velvet Revolver, Hollywood Vampires and various others. So it’s easy to that musical talent courses through her veins. The remainder of the band is filled out with Trent Peltz on keyboard and backing vocals, Keenan Bevans behind the drum kit and Desi Scaglione  on guitar. Continue reading

PhD in Heavy Metal Music: Australian University

The University of Newcastle, Australia, has always been an attractive place for young Aussies to study. With the announcement that it would offer a PhD program in heavy metal, it became cooler than ever. This is one of the best universities in the country, which consistently ranks among the top 10. To get such recognition for heavy metal music is awesome, but expected as well.

The problem with this genre is that it rarely gains recognition among scholars. People want to learn more about it. There are many passionate musicians who would love to study heavy metal from an academic point of view. But so far, they haven’t had such a chance.

The PhD program at the University of Newcastle will be supported by a scholarship, and it will be available for two domestic and one international candidate.

This is a highly challenging program. The candidates have to be ready to approach heavy metal music with a studious and serious attitude. They will have to write a research proposal and an actual PhD dissertation. But hey; at least the topic will be fun and they will be required to listen to music while writing.

About the Program

Professor Simon Springer is the person in charge of the program, which will be conducted under the direction of the Centre for Urban and Regional Studies. This Centre is committed to research on complex political, cultural, social, economic, and environmental policies and relations that transform regions and cities.

The scholarship program is not specifically focused on heavy metal music. It’s open to those who want to study the “Geographies of Homelessness, Veganism, Unschooling, or Heavy Metal Music.” We’ll have to admit: all these niches sound cool, but who could resist studying heavy metal at university?
The deadline for applications is 15 August 2019. You better hurry up! The successful scholars will start their studies between 01 January 2020 and 31 August 2020.

Two domestic students will receive an annual living allowance of $27,596. The scholarship for one international student will also cover the cost of tuition fees (that’s not necessary for domestic Aussie students, since the Research Training Program covers their tuition).

The course will be mostly focused on the geography of heavy metal. As a global music phenomenon, the genre and its subgenres represent unique subcultures and unique scenes. Australia, despite its distance from the geographical heart of the culture, has deep connections with the countries it originated from.

The researchers who gain this scholarship will focus on exploring the relationship between Australian heavy metal and colonialism, the lyrical themes in Aussie metal bands, the cultural diversity within the heavy metal scene, gender issues, and many other concepts that turn the genre into something worthy of academic research.

How Do You Qualify?

This is the hard part. You need at least a BA Honours degree to apply for the program. The candidates with an MA degree in Geography or a related field will have a priority during the selection process. The related fields include Political Science, Media Studies, International Studies, Sociology, etc. To apply for the program, you need to send your CV and a research proposal to Professor Simon Springer’s email.

Since the application deadline is coming close, you might consider the option to ask for proposal writing help. Giving up is not an option when the opportunity is so attractive. If you collaborate with a professional writer, researcher or editor, you might have that proposal done on time. It’s just a preliminary project that would set the track of your PhD dissertation.

Are You Interested?

Heavy metal music doesn’t get too much recognition in the stiff world of academic studies. They are focused on classical music and modern sounds that appeal to the general masses. We’re finally seeing a reputable university offering a great program that would advance the research and knowledge in this field. This PhD program will help us understand the origins of metal music, and the way the Australian subculture is influenced by colonialism and other factors.

If you’re ready to approach the genre with such a studious mindset, you might be the perfect candidate for the program. It’s a scholarship offer, so the least you could do is try.

BIO: Connie Elser is a writer, researcher, and editor for her own blogs. She maintains several online projects on music, culture, and film. Connie is committed to getting more people involved in the world of music, and she chose blogging as a way to achieve that goal.

Review: KILLSWITCH ENGAGE – ‘Atonement’ [Song Stream]

 

If you’ve not heard of Killswitch Engage by now, number one: you are severely missing out on some of the best music out there, and number two: you definitely live under a rock. Killswitch has been releasing perfect album after album since 1999; they hail from Massachusetts. They are credited as one of the most successful bands from the New Wave of American Heavy Metal movement. They have continued to headline international tours and have massive festival appearances. “Atonement” will be their eight LP and the follow-up to the masterpiece, “Incarnate” from 2016. The aforementioned album will be their very first release via Metal Blade Records on August 16. Killswitch Engage is metalcore perfection. If it is not already obvious, KSE is one of my all time favorite bands and I may or may not have shed a tear whilst at their shows. 

As it should, “Atonement” begins with a roar- it really does! “Unleashed” is the opening track and the first single the band shared. The first thing that many Killswitch fans will recognize is how flawless singer, Jesse Leach’s vocals sound. Many know that he underwent vocal surgery last spring, and to say he’s made a recovery is an understatement. Perhaps some of his strongest recorded performances yet are found on the new album. “Unleashed” doesn’t particularly stray too far from the tried and true Killswitch Engage formula, but that’s okay because they do it so goddamn well. The song has a verse that sticks and a chorus that ends with a sick breakdown. What more could you need?

The second track is something that many KSE followers have dreamed about for years and it has finally happened. Jesse Leach and the band’s former frontman, Howard Jones (who should need no introduction at all, but it anyone was wondering, he currently fronts Light the Torch) on one song together. This, I believe, will solve all the worlds’ problems. “The Signal Fire” comes in hot, with a deathcore introduction and it’s thrashy in your face feel. The chorus is a total earworm with such conviction. Jesse and Howard together is every girls dream… or maybe it’s just mine? Regardless, these two sound perfect and this is a standout track. 

“The Crownless King,” is such a fist pumping pit starter. This one will go over extremely well live. A great mid tempo track with soaring vocals, “As Sure as the Sun Will Rise.” Of course it’s impossible to review “Atonement” without addressing the song with the first video from the record, “I Am Broken Too.” Leach has been very forthcoming with his personal struggles with mental health in past lyrics and this one is no acception. It’s stripped down and a little more simple and incredibly powerful. Killswitch Engage both on record and live, is a great balance. Songs like this one, and older tracks like “Arms of Sorrow” and “Rose of Sharyn” deal with heavy topics and then there are just some straight up bangers. The ever amusing guitarist Adam Dutkiewicz brings the comedic relief to their sets, dawning headbands that read, “TRASH” and spurting out lewd and insane remarks. Killswitch knows when it’s time to be serious and when it’s time to be Adam.  

Like every album before and like every album will be, “Atonement” is fantastic. Currently in first place for metalcore album of the year, curated by myself. It’s out August 16 on Metal Blade and currently up for preorder. A European tour is in order for the fall, but if you are in the states you can catch them (along with many others) at the first inaugural Exit 111 Festival in October, taking place in Tennessee. This record will not disappoint and if you haven’t seen Killswitch Engage live, you’re dead to me.