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Review: TESSERACT – ‘Sonder’ [Video Stream]
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Mouth
Floating
Tonzonen Records
Released March 23, 2018
The latest release from Cologne, Germany’s Mouth, the intoxicating Floating, marks the group as one of the most unique and singular in the wide world of retro rock. Like the very best of the genre, they take a pile of classic influences and combine them into something fresh and new and vital. A vibrantly kaleidoscopic blend of prog, pop, krautrock, and psych that pulses and throbs with a bright, crackling electricity, Floating clearly displays the musical telepathy the trio have developed in their near-twenty year existence. The eight songs here offer the full range of sonic experience, intricate structures and full, lush orchestration combining with joyful exuberance and rock-solid musicianship to make Floating one of the most rewarding listens you’ll have this year.
Ride the bleak train coming out of Sweden, with Egonaut, a band of black-hearted minstrels. They have been around since 2005, conjuring their audio Doom/Alt magic. The group is made up of Mikael Bielinski on bass, Dennis Zielinski on keyboards, Markus Johansson on drums, Fredrik Jordanius on guitars/vocals and Emil Kyrk on vocals. They have an impressive body of art, including the albums ‘Electric’ (2011), ‘Mount Egonaut ‘(2013), ‘Deluminati‘ (2015).
Hey y’all! Get ready with that bullet belt around your waist, some tattered jeans and a beer mug(not sure if going to war with a beer belly is a good idea though) in your hand, cause today we go to war. Yes, today I bring to you an exclusive video premiere of the Indian underground band, WARMARSHAL‘s all new track “This Is War“. Hailing from down south, Hyderabad, the band is a trio and doesn’t shy away from planting that boot on your face, firm. Without much ado, let me introduce you WARMARSHAL, for those who might be unaware of them and think ‘where next to conquer‘, *wink* in your never ending search for uncharted territories.
War and metal have always been friends that have relied on each other and have proved to be the perfect amalgamation. The intensity, atrocious and the bestial nature of both death metal and war have never failed to amaze fans. Thus, being the reason why there are still a plethora of rising bands that chose to walk along the path that was paved already by the likes of legends such as BOLT THROWER, BESTIAL WARLUST etc. WARMARSHAL is no different as well. Combining elements of war, atrocity, politics and belting it with pure old school death metal intensity, they are adamant on establishing their name in the Indian metal scene.
Metal and tattoos, it’s a perfect marriage isn’t it? This July Inkcarceration Music and Tattoo Festival will bring to you the ultimate summer holiday getaway. It is a a one-of-a-kind destination event that presents to you heavy and hard rock music from over 30+ plus bands on two stages, with some big names from the industry, such as the likes of RISE AGAINST, A DAY TO REMEMBER, BUSH, BLACK LABEL SOCIETY, CLUTCH and many more. It’s a star studded line-up. Adding more to the festival’s appeal, it will also host a tattoo festival inside of one of the country’s most infamous prisons, plus so much more. Continue reading
Last Friday evening I found myself traveling to Baltimore to cover Cradle of Filth’s Cryptorania World Tour, supported by Jinjer and Uncured. The doors opened a little late, and then at the very last minute Cradle of Filth cancelled their performance as Dani Filth had to be admitted to a local hospital due to some health issues. Chaos reigned supreme as soon as the news broke out. The disappointment of much of the crowd was palpable and many left the entry line to get into the immediately to head down to the nearest waterfront bars to douse their grief and sorrows of a ruined Friday evening. Cryptoriana – The Seductiveness of Decay is a superlative piece of work, IMHO one of the best metal releases from last year, so nonetheless it was really dissappointing that I wouldn’t be able to experience Cradle Of Filth live on stage on this night. However, Jinjer and Uncured with little time to prepare decided to play extended sets in an effort to entertain the crowd and thus the night wouldn’t be a total waste.
Uncured, a progressive death metal quartet from New York City, was the first band of the night. I was very happy to hear them play a slightly longer set. Last year I had covered the very first show these young lads played as a band, when they had opened for Katatonia in the iconic 9:30 Club in Washington DC. (See that review here) On that occasion, the band was a largely an unknown entity to the crowd, having released their EP ‘Medusa’ only days before the show in DC. Well, much has changed since that show. These guys have been constantly on tour supporting bigger bands like Children of Bodom and Soulfly since that show, and have seen a remarkable growth in their fan base. The growing confidence clearly shows in their stage presence and interactions with the crowd. The Cox brothers delivered the harsh vocals and riffs with aplomb, and bassist Jon Kita kept the energy on the stage without the ebb. Their show is always a welcomes site to see and hear, their intrinsic riffage and heavy groove is always a great kick start to any show. They have been working as a supporting band, but with their talents increasing I could see this band headlining shows in the near future. I spoke with the band’s bassist Jon Kita after the show and he made mention about some upcoming releases in the near future. Additionally, they are set to play in some large festivals in Europe this summer, no mean feat given how young the band and it’s members are. Keep up the good work guys, we can’t wait for some new stuff!
Jinjer, a metalcore band from Ukraine, played an extended set consisting of thirteen songs. Jinjer’s style is a cornucopia of metalcore, progressive metal and nu metal. The main attraction of the set was the performance of vocalist Tatiana Shmailyuk who screamed and growled through the set. The stage presence of Tatiana was impeccable, with the rest of the band playing second fiddle to her relentless energy. I had no familiarity with Jinjer’s music prior to this show and have listened to ‘Cloud Factory’ and ‘King of Everything’ a few times since then. Their sound is unique and implements a ton of groove which bodes well with Tatiana’s complex vocal range which goes from incredible low harsh tones to a beautiful and melodic singing. The crowd had tons of Jinjer fans, and they made those die hard fans very happy with their performance.
It sure was disappointing not to be able to see Cradle Of Filth. I am sure cancelling a show is a last resort for them, and we certainly wish Dani Filth to get well soon. As per the supporting bands, the tour vehicle of Cradle Of Filth broke down the night before on the way to Baltimore from Pennsylvania and the band had to move everything to Baltimore by hiring a U-Haul truck. One can’t blame anyone for this unforeseen sequence of events. The rest of the lineup did their best to make up for it. While Jinjer had the better stage presence with Tatiana’s remarkable talents on vocals and her limitless energy on stage, Uncured delivered the more intense set. Cradle Of Filth is back on the road, with plenty of shows still left. Catch them if and when you get a chance. Signing off now, until the next review!
*This is part of the “World’s Loudest Month” segment where we branch out and focus on bands that fans can see at this year’s biggest music festivals during the month of May, 2018. This week, we’re checking out Joyous Wolf.*
Appearing on both the Rock on the Range and Carolina Rebellion festival’s roster this May are Southern California’s throwback rockers, Joyous Wolf. Since forming the band in 2014, they have been wowing audiences with their refreshing brand of bluesy, modern-style, classic hard rock sound and electrifying live performances. A huge part of that onstage electricity is powered by lead vocalist Nick Reese who impressively channels his inner James Brown and Jim Morrison as he shakes and shimmies like a bonafide old soul frontman – ladies beware. Throw in some jumps, a flip, and a few splits that would make David Lee Roth stand up and take notice, a tremendous voice that are equal parts Eddie Vedder, Bob Seger, and Robert Plant, and you have one dynamically entertaining individual in Reese. Continue reading
Los Angeles California’s metal band Butcher Babies has been entertaining crowds since their formation in 2010. Leading the charge are vocalists Heidi Shepherd and Carla Harvey, who were inspired by pioneering metal vocalist Wendy O. Williams of Plasmatics. The band is named after the track “Butcher Baby” from the Plasmatics 1980 debut album ‘New Hope for the Wretched’. Butcher Babies debut album, ‘Goliath’, was released on July 9, 2013 via Century Media Records. It sold 3,300 copies in its first week. The band was off too an incredible start and things weren’t about to slow down anytime soon. The band toured with notable bands like Marilyn Manson, Danzig, A Pale Horse Named Death and several others. Up until this point the vocalists Heidi and Carla had performed wearing only nipple tape as a way to pay tribute to the late Wendy O. Williams, it was in late 2013 they decided to ditch the nipple tape and let their look evolve. This didn’t effect the bands fan base in any way and may have even strengthened their connection with fans. In 2015 the band released their sophomore album ‘Take It Like a Man’ which was produced by Logan Mader (Once Human, Machine Head, Soulfly). The album charted even higher than the bands debut and from the album came three amazing singles “Monsters Ball”, “Never Go Back” and “Igniter”. Around this time the band was dominating the festival circuit playing at Louder Than Life, Carolina Rebellion, Rock On The Range and various others. The band is highly known for their incredible live performances and welcomes crowd surfing. During a recent tour with Hollywood Undead the band encouraged fans to crowd surf to the front and high five the vocalists as they came over the rail. In October of last year Butcher Babies released their most recent album ‘Lilith’. This album seen a major progression in the bands sound as both vocalist have increased the amount of clean vocals on the album. The band is currently preparing for the ‘Kings & Queens Tour’ which will be co-headlined with Nonpoint and support from Cane Hill and Sumo Cyco. The tour kicks off on April 25th in Dallas, Texas and runs through June 8th in Jerome, Idaho. This is a tour you won’t want to miss. Continue reading
Heidi Shepherd (Butcher Babies) guests this week on the podcast. Heidi and I discuss the ups and downs of being a lady in the music business. Heidi talks about the journey from cover band to one of the most rising bands in metal. We talk about Wendy O Williams (Plasmatics) and the famed nipple tape. We also discuss our love of Garth Brooks. Heidi and I also talk about the latest album “Lilith” and the jam of all jams “POMONA”!!
Robb Rivera of Nonpoint gives his weekly “Pick From The Kit”
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“Shit out your soul/Day by day/Accepting lies they throw your way…”
The quote above is quite bleak, isn’t it? Well if you were expecting something upbeat and swinging, then ‘Rotting Civilization’ by Septic Tank is definitely not for you! However, if you’re a fan of bleak, pissed off 80’s influenced grind core, then prepare to have your face melted! Septic Tank which features members of Cathedral, Trouble, and Repulsion was originally formed in the 90’s as a way for frontman Lee Dorrian to express his love of bands such as Discharge and Siege. A handful of live shows were played during these times, but it wasn’t until 2013 when Septic Tank finally released a self titled 7′ EP, the only problem, it was only released in Japan and even then it was limited to 900 copies. From that release we got ‘The Slaughter’ an early Celtic Frost sounding track that honestly could have fit on earlier Cathedral albums.