New Jersey’s Toothgrinder have announced their third album ‘I Am.’ The album, produced by Matt Squire (Ariana Grande, Panic! At the Disco, Underoath), drops October 11 via Spinefarm Records. It’s available for pre-order HERE. Continue reading
Swiss Metal act KRANE bring instrumental darkness across their 2017 sophomore effort, ‘Pleonexia.’ Combining elements of droning guitar efforts and driving drum rhythms to compile towards a sound that is both unique and dark all together, it’s a hopeful ambition that KRANE continue to make music that fulfills listening pleasure to fans across the world apart from their Russian home audience. Deriving elements from their three members styles to incorporate and eerie sound unlike most things that many bands in their genre can achieve, while thus continuing their efforts from their first release in 2013, it’s no secret as to how simply talented these guys are just by simply listening to the music. Continue reading
Words By: Masen Smith
For nearly a decade, DC prog metallers and forerunners of Djent; Periphery have been churning out album after album of tasty riffs and inventive songwriting. Few bands in the genre have been able to continuously and fluidly evolve for this long, constantly leaving fans guessing on which direction they’ll take next. No sentiment could be truer regarding their latest record, ‘IV: Hail Stan.’ After shockingly departing from Sumerian Records and subsequently launching their own label 3Dot Recordings, their creativity as a band was allowed to take centre stage. On their revamped writing process, guitarist Jake Bowen explained that this record was unique in that it took an entire year to write- something that the rushed schedule of major labels simply didn’t allow. The result is a polished, purposeful, textured and masterfully crafted album, one that was certainly worth the wait. Continue reading
*This is part of our State Of The Art series, showcasing bands every Monday from the featured state. This month’s state is Kansas.*
Originally forming in May of 2010, Existem have emerged as a progressive force in the Kansas City music scene, combining bursts of technicality, subtle progressions, ambient instrumental passages and jazz phrasing to express their unique sound. Existem was formed by Brad Trinkl on guitar, Chris Gochis on guitar/vocals, Ben Chipman on bass/vocals, and Matthew Chipman behind the drum kit. The band released their self titled debut EP on April 21, 2011 that consisted of 4 tracks. The band went on to release their first full length ‘Years Of Winter’ on September 14, 2012. They would follow that up with another EP in February of 2014 titled ‘Phoenix’ and also a single “Closed Eyes” in November the same year. Continue reading
Metalcore is a genre that continues to reinvent itself. Though it may seem like another lifetime since the mid-2000’s, new ideas infiltrate, artists reinvent and arguably somehow create these intricate subgenres of subgenres. Sub-subgenres? Progressive metalcore has been on the up and up since. Exquisite musicianship and sophisticated songwriting allow these tremendous new acts to standout in a crowd where everything is tucked under one umbrella. Continue reading
Thomas Giles Rogers Jr. has made a name for himself musically, there’s no doubt about that. His tenure with the mighty Between The Buried And Me may have already cemented his legacy as one of the pioneers of new-age progressive rock, however, outside of BTBAM’s extensive discography, there’s still much to be heard in the frontman’s arsenal. With the upcoming release of his fourth SOLO studio album, “Don’t Touch The Outside,” (via Sumerian Records) we have one of your first looks at the next chapter of his solo career, and, what an ambitious effort it is!
Between The Buried And Me are probably a step ahead of many bands in terms of songwriting, and Tommy doesn’t hit the brakes when it comes to his solo work either. Don’t Touch The Outside dives deeper into the frontman’s musical endeavors with music that will send chills down your spine from the into to the last song. His grand scheme of songwriting is a persistent wave of emotion that crosses all musical boundaries with no intent on slowing down. Songs like “Incomplet,” with spiraling guitar riffs from the start into melodies that will put you under a trance, underneath Tommy’s distant vocals that draw you to the edge of your seat while you’re listening. Heading into songs such as, “I Win,” featuring experimental vocalist, Carley Coma (Candria) with heavy synth-driven beats with Carley’s aggressive voice and rhyme schemes as the cherry on top. “Sway,” a song that stuck out with its drum-heavy backbeat, light-hearted vocals to make this an immersive listening experience.
For all of our readers that are fans of the elite musicality of Raleigh, North Carolina’s Between The Buried And Me, be sure to check out vocalist Tommy Giles’ impressive, mesmerizing fourth solo effort entitled, Don’t Touch The Outside, releasing this Friday (November 9th) via Sumerian Records.
*This is part of our State Of The Art series, showcasing bands every Monday from the featured state. This month’s state is Florida.*
Groovy. Progressive. Symphonic. It sounds like it comes straight out of Scandinavia. However, this all comes from the brain of one man from Jacksonville, Florida. His name is Andrew Howington and his project is called Chorosphere. Howington plays every instrument, programs, writes, sings and probably gives exceptional life advice. The amount of depth and flavor in Chorosphere is akin to the orchestration done by Ayreon, Epica, Sonata Arctica and Mayan. Continue reading
Smart, yet intoxicating riffs travel through the speakers as an easy brush of arpeggios lift one into another world where all things are neatly and perfectly packaged into sonic bites of progressive wonder. Charleston, West Virginia is the homeland of Astraeus. If you can’t already tell, they are excellent. Continue reading
Primus
The city of Nashville, Tennessee has always been a household name for famous music cities around the globe; as a matter of fact it may just be the music CAPITOL of the world. Legendary venues such as the Grand Ole Opry have hosted some of the most famous names in music like Johnny Cash and Chet Atkins, but there’s no shortage of Metal in the country music capitol of the world. On May 15th, 2018, the Primus rolled into town on their summer tour with support from Mastodon and All Them Witches at the Nashville Municipal Auditorium. The tour started on May 6th in Denver, Colorado and ends on July 7th in Phoenix, Arizona.
All Them Witches
Getting the night started off the RIGHT way, All Them Witches didn’t hesitate to make their presence felt early. As an opening band, you don’t have a lot of room on stage to perform, but for these three gentlemen, space was not an issue. Sludgy, muddy guitar tones and thunderous drums roaring throughout the venue set the tone for the rest of what was an incredible bill to be a part of. Their set was incredibly well received for an opening band, and if you weren’t a fan going into the show, you definitely were when you left.
Mastodon
Rolling into the second performance, the mighty Mastodon showed Nashville why they are some of the masters of their craft. Intelligent songwriting, cut throat guitar and bass tones, and the bouncing vocals of all the members roar through the speakers and bring Nashville off their feet. Their set was diverse, containing songs from multiple records released through their storied career. From the ominous chimes on the intro of the opening song, “Sultan’s Curse,” to the heavy outro to the final song, “Steambreather,” both off their new record, ‘Emperor of Sand,’ Mastodon proved why hardships in their personal lives served as fuel for them to continue on to make music that pleases them and all their fans, and they proved it with a murky stage presence. Mastodon are veterans of the road and made sure Nashville left this concert with a new favorite artist.
Primus
The headliner of the evening, Primus, brought that of what you expect from a band of this stature. Opening their set with, “Too Many Puppies,” every voice in the auditorium was singing along with Les Claypool and moshing along to the complex rhythmic patterns of Primus’ music. At this point, it’s hard to not love this band, or at least heard of them. Technical difficulties on Ler’s end at one point couldn’t even stop them from performing. An impromptu bass solo from Claypool along with comedic stories kept Nashville enthused the entire night. The stage presence of Tim Alexander is astounding even behind his mountain of drums, along with in your face rhythms that are the core part of Primus’ music. All the fans were engaged throughout every song, and even at lower points of the evening, the cheery Nashville crowd were involved with every set, singing along, moshing and pushing, proving why their city is THE music capitol of the world even for this genre.
Hey, all you tech and prog nerds! Look here, German progressive tech death band OBSCURA are back with a brand new single, “Diluvium” from their eponymous upcoming studio album. I’ve been hooked onto OBSCURA ever since I fell in love with their masterpiece of an album, ‘Cosmogenesis‘, well every album they do is fucking masterpiece. None the less, the German quartet today release their title track from ‘Diluvium‘, which is due out on 13th of July, via Relapse Records. I couldn’t have asked for a better birthday gift!
Pre-order for the upcoming record opens today along with the release of the single. A bit over a year ago, OBSCURA put out ‘Akroasis‘, an absolute chart buster and a monumental landmark in their catalog. It’s not been much long and we already have a new song and an album lined up the sleeve.
