SHINEDOWN & BADFLOWER Bring Their “Attention, Attention” To Chicago [Review & Photo Gallery]

On Sunday, July 14th, hard rockers ShinedownBadflowerDinosaur Pile-Up, and Broken Hands came together for an electric evening of rock music at the Hollywood Casino Amphitheatre in Chicago. Each band brought something unique to the bill while meshing together extremely well. Check out our review and photo gallery below.

The evening began with the first of two English rock bands on the bill with Broken Hands. The quintet from across the pond brought their heavy, riffing sound to the Tinley Park stage to get the crowd warmed up for the rest of the evening. Vocalist Dale Norton waltzed from each side of the stage to the other as they whipped through a six song set consisting of material from their first major label debut album, ‘Split In Two’. The album doesn’t drop until August 9th, but the singer was cool enough to throw out a copy of the album to a lucky member in the audience. The band closed the set with their freshly debuted track “Wrong Track” as the crowd began to fill in for the evening.

After Broken Hands, one of our favorite bands here at Metal Nexus, Dinosaur Pile-Up, took the stage to round out the British bands for the night. Dinosaur Pile-Up has been on our radar since playing Louder Than Life in 2016 when they showed off their dynamic garage/alternative rock sound that was blistered with energy during their life performance. “11:11” was a huge hit to kickstart their career in the states and they have grown quickly since then. Vocalist and guitarist Matt Bigland and bassist Jim Cratchley entered the stage each with a beer in their hand before ripping into “Arizona Waiting”, from their 2013 album ‘Nature Nature’.  Aside from that and “11:11”, the set was primarily material from the trio’s new album, ‘Celebrity Mansions’. Through a set filled with headbanging and slamming English riffs, Dinosaur Pile-Up delivered exactly what was expected from us, a great, energetic set that continued to raise the bar for the night.

Rising quickly in the ranks of mainstream rock radio, Badflower has already made their way to the direct support slot for Shinedown. This is extremely impressive when you really put it into perspective. They’ve only just put out their debut album and they’re already almost at the top of the genre. They also just announced their first large headlining tour in the United States. Badflower has always been known for putting everything they have into their live performances, and their show at Chicago was no exception. Firing on all cylinders, the California quartet decimated the crowd with “x ANA x”, one of their heaviest songs to date. It’s a great crowd pleaser and really set the tone for the rest of their set. Vocalist/Guitarist Josh Katz glided across the stage on his back while strumming through the end of the song. The drive and emotion that pours out of these guys during their shows is amazing to witness. The band made sure to play all of their more popular songs throughout the set like the recent single “Promise Me”, “The Jester”, and “Heroin”. They saved their biggest songs for last as Josh hopped into the crowd and surfed across everyone in the pit during “Animal”. While he was out in the crowd, guitarist of Shinedown, Zach Myers, was kind enough to step in for guitar duties while Josh explored the crowd. After that, he made his way back to the stage to close out the evening with their most popular song to date, “Ghost”. The band puts on an electrifying, memorable set that will build a fan base for a lifetime. I highly recommend getting out to see these guys on their fall tour with Weathers and Dead Poet Society.

Over the last few years, Shinedown has grown to be one of the biggest bands in rock music today. Headlining several music festivals in the US, the band has solidified themselves as strong performers and crowd-pleasers. Their stage production has grown immensely since the last time I saw them in 2016. With fireworks, pyrotechnics, and large screens, the band delivers a live spectacle that is now bigger than just their music. The band kicked off their set with a curtain drop and sent the crowd into a frenzy with “Devil”, one of three singles from their 2018 album ‘ATTENTION ATTENTION’. Fitting the theme of their new album, the band also had screens in the shape of exclamation marks on the stage behind them. Along with the pyro and curtain drop, this made for quite the introduction. As expected, the band fully delivered the “boom” for “Diamond Eyes (Boom-Lay Boom-Lay Boom)”. After finishing that song, vocalist Brent Smith encouraged all of us in the crowd to shake hands with one another to get to know our seat neighbors. He followed suit with this as well by shaking hands with all of the photographers in the pit. At a Shinedown show, the band makes it a priority to make the crowd feel like a big family. Once we all got familiar with each other, the band gave us a throwback track to ‘Amaryllis’ with “Enemies”. The band then played their current hit on the radio right now, “Monsters”. The crowd roared with applause as they executed it to perfection. Whether you like their music or not, you can’t deny how close Shinedown sounds to their records when performing live.

After playing a few more songs on the main stage, the band made their way out to the crowd, each playing in different quadrants under the pavilion. They played four songs out in the crowd, including “Amaryllis”, “Second Chance”, and even “Save Me” for the old school Shinedown fans that are still supporting the band to this day. Once they made their way back to the stage, they began to bring the night to a close with their world famous cover of Lynyrd Skynyrd‘s “Simple Man”. They brought the dynamic energy (along with some sick laser lights) back into the venue with “Cut The Cord”. Everyone in the venue made sure to hold up their lighters for “Get Up”. The atmosphere was nothing short of incredible, almost breath-taking with the calm piano and Brent‘s powerful voice. To close off the evening, Shinedown sent everyone home happy by giving them the “Sound of Madness” followed by “Brilliant” from their new album. “Brilliant” was kind of strange for a closer but they made it work in a way that only Shinedown could.

Everyone should’ve went home happy with an incredible performance from an artist they know and love while also discovering some new rock music as well. With three newcomers in the rock scene and an established headlining act, this was a tour that couldn’t be missed. Check out these bands the next time they’re out on the road near you. Be sure to check out our photo gallery below. Follow us on Facebook for more coverage of all things rock and metal.

Bourbon & Beyond Festival Spotlight: THE WHITE BUFFALO [Official Videos]

The White Buffalo will be one of the upcoming acts at this year’s Bourbon and Beyond. The festival now has a new home. It is still in Louisville, Kentucky of course, but will call a new festival grounds home. This year, Bourbon and Beyond will take place at the Highland Festival Grounds at the Kentucky Expo. The previous location, Champions Park, had a terrible flood last year and day 2 of Bourbon and Beyond was cancelled. However, to make up for that, Bourbon and Beyond is now a 3-day festival. This means an additional day of bands, bourbon and best friends! How awesome is that? This will be The White Buffalo’s debut at the Bourbon and Beyond Festival. If you have never heard The White Buffalo before, prepare yourself to be astonished! With that said, let’s discuss The White Buffalo. Continue reading

KADAVAR Release New Single/Video “The Devil’s Master” and Announce Pre-Order Info for ‘For the Dead Travel Fast’

German stoner rock trio KADAVAR will release their fifth studio album, For the Dead Travel Fast (Nuclear Blast), on October 11. In advance of this highly anticipated work, the band has just released a video for the lead single, “The Devil’s Master.”

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LIVE & BUSH Extend The Alt-imate Tour!

 

LIVE and Bush are back on U.S. soil after a successful UK tour! And to top it all, it’s the original line-up of LIVE, featuring, Ed Kowalczyk (vocals, guitar), Chad Taylor (guitar, backing vocals), Patrick Dahlheimer (bass) and Chad Gracey (drums, percussion). The enough can’t be said about Bush who have been keeping ALT rock alive since the 90’s. Led by frontman Gavin Rossdale the band still sounds as good if not better than they did well over 2 decades ago.

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Review: ENTOMBED A.D. – ‘Bowels of Earth’ [Video Stream]

Entombed A.D. – the band who rose from the ashes of Swedish death metal legends, Entombed, in 2014 – return with their third studio album, ‘Bowels of Earth.’ Set to release on August 30th, 2019 via Century Media Records, ‘Bowels of Earth’ continues the tradition of groove-laden death metal that defined the Swedish scene back in the 90s. With buzzsaw guitars chugging out string tension-defying, ultra-downtuned riffage, and the monstrous growls of vocal veteran LG Petrov – along with Victor Brandt (bass), Nico Elgstrand (guitar), and Olle Dahlstedt (drums) – Entombed A.D. are keeping the spirit of death n’ roll alive and devastating in 2019. Continue reading

NARCOTIC WASTELAND Feat. Former NILE Frontman Dallas Toler-Wade Kicks Off Tour!

 

Extreme metal four-piece Narcotic Wasteland – the full-time project of former Nile frontman Dallas Toler-Wade – hit the stage in Columbus, OH tomorrow, launching a 20+ city North American tour supporting San Diego Death Metal band Pathology on select dates. Select dates will also feature support from Contrarian and Malignancy. Continue reading

State Of The Art: Delaware’s CANCER PRIEST [Track Stream]

*This is part of our State Of The Art series, showcasing bands every Monday from the featured state. This month’s state is Delaware.*

Known for being the first state in the union, Delaware is also home to a brutal band of maniacs called Cancer Priest. Since discovering the death metal/hardcore quintet consisting of Dennis McGonigal (vocals), Rich Strohm (guitar), Brent Lafferty (guitar), Adam Siatkowski (bass), and Evan Williams (drums), their music has been ripping up my headphones ever since. ‘Worldwide Cemetery,’ the band’s 2018 EP, is angry, violent, and chaotic to say the least. With just a five-song track list, whose total runtime is under 10 minutes, Cancer Priest delivers enough explosive riffage and verbal hatred to decimate a small city. Continue reading

NEW YEARS DAY Prove Unbreakable in Minnesota [Review & Photo Gallery]

 

 

New Years Day has been extremely busy this past year. They have supported bands like Halestorm and Godsmack and will be making a run with In This Moment later this year. They found time to record their fourth full-length album, ‘Unbreakable,’ which was released earlier this year. The album kept true to the bands sound that blends metal and goth, but there was a definite push to become more accessible and plant themselves into the modern rock arena. The new record seems to have invigorated the California based outfit and armed with a fresh outlook the live shows have never been better. The Amsterdam Bar and Hall in St. Paul, Minnesota was treated to a New Years Day headline set that took fans back to where New Years Day began but more importantly where they are trying to go. Before New Years Day took the stage, two Minnesota bands, Plague Of Stars and Time Keeper, were given the challenge to entertain a crowd that was clearly waiting for the headliner. Continue reading

THE CONTORTIONIST Keyboardist “Great Music Is Able To Remove You From Your Surroundings And Put You In A Place”

Indianapolis IN may not be the first place that comes to mind as a hot bed for progressive metal, but it’s where the members that make up The Contortionist call home. While their 2010 debut, Exoplanet, had more of a traditional metalcore sound it would also prove to be more of a one off sound for the band as they would experiment with their sound going into the more prog realm they’ve become known for on albums like 2014’s Language and 2017’s Clairvoyant respectively.  Their upcoming EP, Our Bones, continues the evolution of the bands sounds with more emphasis on atmosphere and includes a take on the Smashing Pumpkins hit, 1979. Continue reading