13 September 2019
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Life is a short span of time for each of us. Things go up and things come down. There are moments of strife that we can’t seem to see the end of and times of pure joy that we hope will never end. There are tragic times that we can never forget like the assassination of J.F.K, the Space Shuttle Challenger disaster, 9/11 and the like; and quiet, personal times like getting married, the birth of a child and loss of someone close to us that shake and shape who we are and what we become. For many of us, music has been our catharsis through the thick and thin of life. The one thing that can raise our spirits or give us something to relate to. Something that makes us know that we are not the only ones experiencing what life throws our way. To us, music is heart-felt and soul mining.
For Americans, Woodstock is largely known as an iconic cultural event in the history of popular music that would leave its mark for generations to come. Even though the festival itself took place years before many of us were even born (myself included), its impact can still be seen in many ways today, especially on the way we experience live music. The modern concert crowd may glow in a sea of iPhones rather than Zippos, but the sense of community brought together by music, in many ways, still remains the same. While today’s age of annual festivals such as Coachella, Lollapalooza, SXSW, and others (touted fervently on social media by hashtag-craving, attention-seeking attendees) take the concept of a massive, multi-day concert to rake in boatloads from inflated entry fees, concessions, and merch, Woodstock, on the other hand, became something much deeper than the latest big trend in pop music – it was a movement. In 1969, during the heart of the Vietnam war, sexual politics, and civil rights struggles, Woodstock and the music of its time represented a call for change in America. During a peaceful gathering of nearly 500,000 people on a small dairy farm in upstate New York, Woodstock would, in fact, change history. This documentary, Woodstock: Three Days That Defined a Generation is an in-depth look, featuring never-before-seen footage, into the landmark event told by those who helped create it and those who experienced it firsthand. Continue reading
“Hair I Go Again” is the story of director Steve McClure and longtime friend Kyle Kruger’s journey to reunite their 25-years defunct, eighties hair metal band Tryxx in hopes to achieve commercial success today. The now middle-aged Steve and Kyle have already done the unthinkable and quit their day jobs in order to pursue the possibility of finally making their rock star dreams come true, but is it too late? Continue reading
Director and writer Bob Nalbandian, who is probably best known for his compelling ‘Inside Metal’ documentary series, returns as the director and producer of the new documentary “Band vs Brand.” The new film, which will be coming to DVD and digital streaming outlets in March 2019 via Cleopatra Entertainment, covers the topic of making the comparison between the artistic integrity of a band vs the often exploitative business side of the music industry. It’s an interesting deeper dive into a topic that’s been heavily discussed lately among music enthusiasts, especially fans of classic hard rock and metal bands of the seventies and eighties. With many of these now “legacy” acts having, in one way or another, endured multiple lineup changes, deaths of key members, breakups, legal battles, and other turmoil, the idea of when a band is still the same band worthy of carrying on their original namesake logically comes into question. Well-known names such as Dave Ellefson (Megadeth), Jack Russell (Jack Russell’s Great White), Frank DiMino (Angel), Dave Lombardo (Sucididal Tendencies, ex-Slayer), Marc Ferrari (Keel, Ferrari), Nik Turner (Hawkwind), and other notable veterans of the music industry weigh in to offer their personal insights on the “Band vs Brand” debate. Continue reading
Today (September 15th), ENSIFERUM release their seventh full-length, ‘Two Paths‘, worldwide via Metal Blade Records. Produced by Anssi Kippo, the master was recorded on tape, for a true analog experience, that gives you the sort of raw, unadulterated sonic boom. In anticipation of this release, the band has now launched a “making of” documentary video for the album, which can be viewed at below. The documentary walks one through various interviews with the band members where they talk about the recording process, the recording process itself. Clocking in half an hour, it is a short but deep insight of what goes in during the recording of an album in a studio. The fans will love this video.
Motograter have released a new 30 minute, career spanning video that chronicles the band’s entire history. The band was famously fronted by former member Ivan Moody (Five Finger Death Punch) but has since resurrected and made a full comeback with James Anthony Legion at the helm!
Misery Signals got their start in 2002 and quickly gained notoriety after the release of 2004’s critically acclaimed record ‘Of Malice and the Magnum Heart’; an album which breathed fresh life into the genre with the band’s signature style of aggressive riffs, melodic bridges and atmospheric elements and went on to be one of the most influential metalcore albums of the last decade. Following the departure of vocalist Jesse Zaraska, the band went on to release three more albums, Mirrors (2006), Controller (2008) and Absent Light (2013) with Karl Schubach taking over vocal duties, which were all praised by fans within the metal/hardcore scenes.
Over the last decade influential hardcore band Misery Signals has undergone overwhelming changes involving the departure of their founding singer and infighting that nearly left the band in complete shambles. In a new documentary, directed by Matthew Mixon, titled “Yesterday Was Everything,” the band takes viewers on an intimate journey of reconciliation as they find healing in the present by confronting the demons of their past. The documentary will be available on June 30th at iTunes, Google Play and Amazon. The band will be doing an in-theater screening of the documentary in Edmonton, AB on June 20th (7:00pm at Metro Cinema at the Garneau, 8712 109th Street, Edmonton AB) with partial proceeds being donated to Mothers Against Drunk Driving. Continue reading