Review: DRIVETRAIN – ‘Muscles Big’ [Album Stream]

The 70s and 80s were both staple decades in the evolution of rock that most consider as the “classic” era for rock bands. Killer riffs and heavy drums are what made the music, and Portland, Maine’s Drivetrain are continuing those great characteristics that made the 70s and 80s rock. Since forming the group in 2012, Drivetrain has decided to unleash their killer debut album, ‘Muscles Big.’ Taking inspiration on the traditional aspects of loud cars and even louder rock, this debut is one of my favorite first albums from a band. With Kevin Beling handling vocals and rhythm guitar, Alex Fabish beating the hell out of the drums, Butch Fabish tackling lead guitar duties, and Ben Philbrick on the thunderous bass, they have released this mayhem on January 21, 2019. Continue reading

Review: LORD DYING – ‘Mysterium Tremendum’ [Video Stream]

Portland, Oregon’s Lord Dying is set to release their third full-length album ‘Mysterium Tremendum’ on April 26th, 2019 via Entertainment One. Not unlike previous releases, their sludgey roots remain intact while, this time around, the sound has noticeably evolved to welcome a wider range of varying influences. The ever-present prog elements have been kicked up several notches along with some serious genre-hopping style shifts. If you’re a fan of metal in general, and can easily enjoy bands from multiple sub-genres, ‘Mysterium Tremendum’ is the answer to which record to put on when you just can’t decide. This album has it all – from melodic to brutal, and everything in between while delivering a punishing arsenal of inventive riffage. The variation is most evident in the vocals which can, from one moment to the next, alternate stylistically anywhere from the likes of Geoff Tate to Chuck Shuldiner. Like an appetizer sampler platter, ‘Mysterium Tremendum’ offers some of the best of several metal favorites, while helping to define Lord Dying’s signature sound through experimentation. Continue reading

Review: APE CAVE – ‘Language of the Earth’ [Album Stream]

Ape Cave are a talented band from the musically rich city of Portland, Oregon. The band’s debut release was on May 31, 2015 in the form of an EP titled ‘Primordium’. It was engineered by Ryan Grunest and The Human and mixed/mastered by The Human at Human Studios. ‘Primordium’ has been described as an eighteen minute long embarkment spanning over bountiful sonic landscapes – listeners will find themselves immersed in formidable singing, kaleidoscopic guitar solos and rigid rhythms. I have become addicted to their unique sound since hearing their 2016 release ‘Pillars of Evolution’ which also made my best of album list for that year. It was engineered/mixed by Fester at Haywire Studios and mastered by Stephan Hawkes at Interlace Audio. The band describes the album “Prepare to undertake a momentous odyssey through Kashmir’s bluffs, devastating Egyptian plains and volcanic panorama in Ape Cave’s LP ‘Pillars of Evolution.’ The psychedelic guitar work, roaring bass lines, thunderous percussion and dark vocals soaring to pyramidal heights are just a fraction of the elements that will leave listeners captivated. The tale of a wanderer experiencing an intensely hallucinogenic, trans-continental journey is yet to be unraveled.” The band has now released their follow up to that album with ‘Language of the Earth’ which like the last album released on January 1st. Ape Cave continues to bring amazing gifts on January 1st with their album releases and though it’s the first day of the year when December rolls around it will still be in your album rotation. This was true with ‘Pillars of Evolution’ and I’m sure the same will be true with ‘Language of the Earth’. This album was Engineered/mixed/produced by Billy Anderson who has worked with notable acts like The Melvins, Neurosis, Swans, Brutal Truth and many more. Continue reading

State Of The Art: APE CAVE [Album Stream & Behind The Scenes Video]

*This is part of our State Of The Art series, showcasing bands every Monday from the featured State*

This month’s State is Oregon!

Ape Cave are a talented band from the musically rich city of Portland, Oregon. The band’s debut release was on May 31, 2015 in the form of an EP titled ‘Primordium’. It was engineered by Ryan Grunest and The Human and mixed/mastered by The Human at Human Studios. “Primordium” has been described as an eighteen minute long embarkment spanning over bountiful sonic landscapes – listeners will find themselves immersed in formidable singing, kaleidoscopic guitar solos and rigid rhythms. I have become addicted to their unique sound since hearing their latest release ‘Pillars of Evolution’. It was engineered/mixed by Fester at Haywire Studios and mastered by Stephan Hawkes at Interlace Audio. The band describes the album “Prepare to undertake a momentous odyssey through Kashmir’s bluffs, devastating Egyptian plains and volcanic panorama in Ape Cave’s LP ‘Pillars of Evolution.’ The psychedelic guitar work, roaring bass lines, thunderous percussion and dark vocals soaring to pyramidal heights are just a fraction of the elements that will leave listeners captivated. The tale of a wanderer experiencing an intensely hallucinogenic, trans-continental journey is yet to be unraveled.” Continue reading

State Of The Art: WITCH MOUNTAIN

 

*This is part of our State Of The Art series, showcasing bands every Monday from the featured State*

This month’s State is Oregon!

Witch Mountain was formed in 1997 and became a household name in the city that keeps it weird, Portland, Oregon. The doom crew had just released mostly likely the best album thus far since the formation of the band in the 2014 release ‘Mobile of Angels’ their 8th album. Singer Uta Plotkin was belting out all the vocals on the most recent albums. Her voice became the definition of doom to most within the scene. Uta announced she would be leaving the band prior to the release of ‘Mobile of Angels’ in September of 2014. If that wasn’t already enough bassist Charles Thomas was leaving the band as well. This left only drummer Nathan Carson and guitarist Rob Wrong. Uta left some huge shoes to fill for whoever would eventually take her place. The band had a few months to look around for a singer prior to Uta leaving the band. They were in no immediate hurry to fill the spot and just wanting to ensure they had the right person. Less than a week after receiving a video audition from Kayla Dixon she was to become the new singer of Witch Mountain. Dixon spent some time with the Cleveland based band Demons Within, but the majority of her career was in theatre acting. The 19 year old Dixon was flown out to join the band and newly added bass player Justin Brown from the Portland band Lamprey. Once again the band was complete. Continue reading

Review: Ape Cave “Pillars of Evolution” [Album Stream]

apecave

Artwork: Jason Raines

Ape Cave are a talented band from the musically rich city of Portland, Oregon. This month makes a year the band has been together and unlike other bands who take their sweet ass time releasing material Ape Cave doesn’t waste any time. Back in May the band released their debut which was a 3 song EP entitled ‘Primordium’. The moment I heard the EP I became obsessed with their sound. Just a little over 6 months the band is now releasing their full length album ‘Pillars of Evolution’.

Continue reading

Witch Mountain – Johnson City, TN

Photo Credit: Wilbur Kilb Hunter

Photo Credit: Wilbur Kilb Hunter

Witch Mountain was formed in 1997 and became a household name in the city that keeps it weird, Portland, Oregon. The doom crew had just released mostly likely the best album thus far since the formation of the band in the 2014 release “Mobile of Angels”. Singer Uta Plotkin was belting out all the vocals on the most recent albums. Her voice became the definition of doom to most within the scene. Uta announced she would be leaving the band prior to the release of Mobile of Angels in September of 2014. If that wasn’t already enough bassist Charles Thomas was leaving the band as well. This left only drummer Nathan Carson and guitarist Rob Wrong. Uta left some huge shoes to fill for whoever would eventually take her place. The band had a few months to look around for a singer prior to Uta leaving the band. They were in no immediate hurry to fill the spot and just wanting to ensure they had the right person. Less than a week after receiving a video audition from Kayla Dixon she was to become the new singer of Witch Mountain. Dixon spent some time with the Cleveland based band Demons Within, but the majority of her career was in theatre acting. The 19 year old Dixon was flown out to join the band and newly added bass player Justin Brown from the Portland band Lamprey. Once again the band was complete. A tour was soon announced and Witch Mountain would be opening for the doom power house YOB.

Photo Credit: Wilbur Kilb Hunter

   Photo Credit: Wilbur Kilb Hunter

Photo Credit: Wilbur Kilb Hunter

Photo Credit: Wilbur Kilb Hunter

Metal Nexus was lucky enough to catch Witch Mountain in Johnson City, Tennessee on March 27th. Just 5 days into that tour. The show was at The Hideaway which is one of the most intimate settings anyone could see a show. The stage is close quarters, up close and personal with very good sound. Kayla seemed very composed and eager to take stage. The whole crowd had yet to hear her sing as nothing had been released, so we were all going into this deaf and blind not knowing what to expect out of the new singer. Once the show started she seemed in her own world, the left handed shredder Rob started in on guitar and she began to sing. Immediately she had everyone in the room’s attention. Her vocals stand out, much different than anything we have heard in some time. Her singing would go from hitting these very high notes in perfect fashion to these deathly growls. After the first song the crowd was more than ready for more of the new Witch Mountain. Her stage presence made it seem like she had been the leader of the band for decades. Not one person in the room could look away. New bassist Justin and Kayla were showing that they belonged in this band. The great partnership of Rob Wrong and drummer Nathan Carson had correctly added an amazing new element to the band in Kayla Dixon. They began to play one of our favorites in the song “Beekeeper”. The song sealed the deal for us. Of course we love the old Witch Mountain stuff, but this new era is here and we love it. We went into this show not knowing what to expect and by the time it was over we were begging for more. Chemistry is hard to build within a band and sometimes takes a long time. The band looked like they had been playing with this lineup for years. For 45 minutes they captured the attention of every soul in the room, and may have even kept a few souls for themselves. Sometimes doom has a beautiful voice…

Photo Credit: Wilbur Kilb Hunter

Photo Credit: Wilbur Kilb Hunter