EXODUS, OBITUARY Slay The Stage In Baltimore! [Photo Gallery]

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Exodus

Here is a scenario, Baltimore city lay amidst ruins engulfed by flames and black smoke. As a raven flies over the city towards the inner harbor, it watches the fires and flames gradually intensify. The exact epicenter being 124 Market Place, the street address of Baltimore Soundstage. Surely this must have happened in one of the infinite alternate universes that exist. The cause behind this mayhem are two bands, Exodus and Obituary. On a balmy Saturday night, the two bands blew the lid off Baltimore Soundstage with the heaviest performance I have seen in a very long time. The tour titled “Battle of The Bays” is possibly the heaviest tour of the Fall, and I was not going to miss it. Continue reading

Columbus, Ohio: Slayer, Testament, Carcass @ Express Live!

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slayer2

Slayer playing shows by themselves is more than enough to get metal heads out to a show. When you add Testament and Carcass to the bill that makes the tour a must see. Any of these 3 bands could headline a show or festival and draw a massive crowd. I knew we were in store for a massive turnout at Express Live in Columbus, Ohio. The first band of the night to take the stage was the Liverpool band Carcass. They quickly came out and got the crowd’s attention opening the show with their song “Unfit for Human Consumption”. When you are in the crowd it’s always great to catch a guitar pick, drum stick or really anything the band throws out at you. Bassist and singer Jeff Walker threw out more picks that night than I have ever seen anyone throw. The crowd kept growing and growing with each song Carcass played. By the time they were playing “Cadaver Pouch Conveyor System” there wasn’t even enough room to scratch your own ass. Carcass sounded flawless on stage. Note after note everything was perfection. It’s always amazing when the opening band is on stage and they blow you away. Carcass then played one of my favorite songs which is “Heartwork” the title track of their 1993 release. The song just has this fast paced shredding guitar riffs that flow into some slowed down groove section of the song makes you want to move around the mosh pit and tackle people. I am not the only person that feels this way, because during this song the pit was going absolutely insane. Continue reading