When it comes to Doom Metal there are few figures who have had a career as illustrious as Vocalist/ Guitarist Scott “WINO” Weinrich. The man is a LEGEND plain and simple. With a career spanning 40+ years, Wino has effectively set the standard for Stoner Rock and Doom Metal with standout albums like ‘Mother-Teacher-Destroyer’ by The Hidden Hand, ‘Born Too Late’ by Saint Vitus, and even the Self titled debut from the short lived band Shrinebuilder (which featured members of bands such as The Melvins, SLEEP, and Neurosis). Of course Wino is most commonly remembered for his time in a little band knows as The Obsessed! For those not familiar, The Obsessed was formed in 1976 (originally under the name War Horse). In 1983 They released the ‘Sodden Jackal’ EP and had one track (“Concrete Cancer”) featured on Metal Blade’s ‘Metal Massacre VI’! The band broke up in the late 80’s after Wino moved to California to join Saint Vitus, although different versions of The Obsessed have existed since then with the current line up consisting of Wino (vocals/guitar), Reid Raley (bass), and Brian Costantino (drums). Continue reading
Uncle Acid and the Deadbeats
Vol 1 (Reissue)
Rise Above Records
Vol 1, the first album to carry the Uncle Acid and the Deadbeats moniker, has acquired a near-mythic status since its original release in February 2010 (not coincidentally, 40 years to the day after Black Sabbath was unleashed upon an unsuspecting world). Written, performed, and recorded entirely by then-unknown mastermind Kevin Starrs, the no-budget album’s entire production run consisted of 30 self-distributed CD-R’s. Starrs used what little profits there were to help fund the recording of the now-classic follow-up effort Blood Lust, and Uncle Acid and the Deadbeats (now a full band) were well on their way to becoming one of the darkest stars in the stoner metal universe. As their popularity grew, so did the reputation of Vol 1; it became highly sought by ravenous collectors, and highly exploited by unscrupulous bootleggers. Despite constant overtures from fans and label executives, Starrs refused to allow its reissue until he was able to personally oversee a thorough remixing and remastering; “It was a DIY project from the beginning,” Starrs explains, “so I wasn’t going to give it up and let someone else mess with it.” After six years on the record-tour treadmill, and with Uncle Acid on a well-deserved break, he fortunately found the time to mess with it himself, and Vol 1 will finally be hitting shelves (via Rise Above Records) and streaming services this Friday the 13th.