Picking the Right Kind of Music for Your Event

Choosing the right music for your event is a big responsibility and can enhance the overall success of the function. Similarly, choosing the wrong type of music or failing to properly prepare can be a disaster. In this article we’ll share a few tips to consider as you start looking for the perfect musical performance for your next event. 

Event

First things first, what kind of an event are you planning? Many times, the event itself will help predetermine the kind of music that should be included. At the very least, it will give you a rough idea of the sound and genres to be considered. 

Is this a big corporate event or a small family gathering? Is it a highly publicized production for the general public or a smaller private affair by invitation only? These are all questions to be considered. 

Another thing to consider is whether the music will be a primary focus or if it’s going to be in the background. For example, if you were organizing a community festival then you’ll probably want an upbeat band that will draw people’s attention and keep them entertained so that they are interested to stay longer. However, if you are planning to host an art show at a local gallery, then you probably don’t want a musical selection that’s going to steal attention from the featured art exhibit. If that’s the case, then choosing a violinist for hire might help create the right vibe for your art showing. 

Audience

Think about the audience who will likely be in attendance. Will it be a younger crowd or an older crowd? Will they be more open minded and willing to experience something new or do you think they’ll be a bit more conservative with their musical interests? Are they looking to have fun and will they engage with the musical act or not?

Venue

What is the venue like? Does the venue typically have music performances or is this something new? This will also help determine if you need to rent sound equipment as well, unless the band has their own. 

Speak with the venue in advance to see if they have any prerequisites when it comes to bringing in music performers. The venue might have specific requirements that need to be met. 

Money

When you’re searching for the right musical act to book for your event, you’ll certainly need to consider your expenses. Whether you’re looking to book a full band, a solo musician, or a DJ, you’ll need to remember that these people are professional musicians and will charge accordingly. As noted above, if you need to also rent sound equipment then this will be an added expense to consider. 

Schedule Early

Finally, remember to book your musical act early. If you’re booking professionals then it’s important to remember that performing music is their job. That means they likely book gigs weeks or event months in advance. Some bigger acts might even book a full year in advance, especially if they perform outside of their local area. Get in contact with the musician early to ensure they are available. Take the necessary steps to make it official, whether that means signing a contract or placing a down payment, so that they are committed to your event and won’t get booked elsewhere.  

How to Choose the Perfect Axe for Your Next Metal Project?

If you’re an aspiring metal guitarist, then you need to make sure that you choose the perfect axe for your next project. It’s important that you choose a guitar that you’re comfortable with so that your performance isn’t negatively impacted. If you’re uncomfortable with any instrument, you won’t be able to give your performance your all. Finding a guitar can be particularly tricky, because you need to find one that you like the look, feel, and sound of.

In this article, you will find out how you can choose the perfect electric guitar for your next metal project.

Taking Time to Read Reviews

One of the first things that you need to do when you’re searching for a guitar, is to read reviews. If you don’t read reviews then you won’t be able to gauge how good a guitar really is. You can’t just rely on the manufacturer’s guidance and advice. Reading reviews like this ESP guitars review will help you to assess how good a guitar really is. Only read reviews that are authored by people who know what they’re talking about, such as musicians and longtime music fans.

Learning a Guitar’s Components

Another important thing that you need to do is to learn a guitar’s components. If you don’t know what makes a guitar, then you won’t be able to select one in an educated and informed way. When you know what components to look for, you can choose the perfect instrument.

Electric guitars usually have six metal strings, varying in thickness and length. Contrary to common belief, guitar strings are not all the same. It’s worth doing some research on them before you buy a guitar, so you know what you’re buying.

In addition to strings, electric guitars have knobs called volume knobs that allow you to adjust the guitar’s output volume. There are also tone knobs, which allow you to alternate between low and high frequencies in your pick-up. Your pick-up is a device that converts your guitar’s vibrations into electrical signals.

Other components include your guitar’s output jack, which is generally found at a guitar’s base, and cut-off switches and selector switches.

Choosing the Perfect Guitar

When you’re searching for the perfect guitar, there are a lot of things to consider. If you don’t think about everything properly, then you might end up buying an instrument that’s not suited to you. You need to consider:

  • Appearance is something that you need to think about. If you’re not happy with the way that your guitar looks, then you won’t be able to rock out on it. Your guitar becomes an extension of you, so it should reflect who you are as a person;
  • The body style is also very important. There are different body styles, including solid-body guitars, which are suited to all styles of music including heavy metal; semi-hollow guitars which are more acoustic and are used in genres like soul, jazz, and the blues, and hollow body guitars which are resonant in tone and are used in genres like blues and jazz.

Material

Another thing that you need to think about is the material that you want your guitar to be made out of. Cheap guitars are usually made from imitation wood. If you want a quality guitar, then find one that’s made from actual wood. A guitar’s sound differs depending on the type of wood that it is made from. Basswood produces a balanced sound and is perfect for metal; mahogany is usually expensive but has good resonance; maple is a versatile wood that’s suited to multiple genres, including rock.

Brand Names

Don’t be fooled into thinking that popular brand names are any better than lesser-known ones. You should judge a guitar by the craftsmanship that went into it and its quality, not by the brand that’s printed on its box. A good place to find lesser-known brands is on review sites and forums. In addition, you can also watch YouTube videos and take the advice of influencers on social media. With all of that said, some brands are popular because of the quality of the instruments that they produce, but you should still do your own research.

Second Hand

On a final note, if you’re on a budget, you can still pick up the perfect axe second-hand. You can use websites like Craigslist and eBay to find quality guitars looking for a new owner. Make sure that you still conduct your research and view the guitar in person, before buying it.

Buying the perfect axe doesn’t need to be difficult. In fact with this article, it’s never been easier. Make sure to follow our advice when you’re searching for a guitar, so you can get the best guitar possible.

Want To Publish Your Content And Keep It Safe? Here Are Some Tips

There are many different types of online content, from music to videos. Unfortunately, the internet is overrun with fraudsters and thieves who will steal your content given the opportunity. In addition, it’s very difficult to publish content and bring positive attention to it, which is what deters a lot of would-be content creators. 

If you devise a carefully thought-through strategy for publishing your content online, then you’ll be able to keep it safe and draw interest to it. In this article, we are going to present several tips for how you can publish your content online, and keep it safe:

What’s Your Content’s Purpose?

Before you begin publishing content online, you need to know what your content’s purpose is. Everything needs a purpose, whether it’s to increase your popularity or to make yourself money. When you’ve established what your content’s purpose is, you’ll be more motivated to advertise and share it. There’s very little point in doing anything that’s purposeless, because not only will you lack motivation but you will also lack direction. A lack of motivation and direction can be fatal to the success of your content.

Where Is Your Audience?

A fundamental part of creating successful online content is researching one’s audience. If you don’t know where to find your audience, you won’t be able to advertise and market your content to them. Browse social media pages, blogs, forums, and online communities to find your content’s key demographic. If you’re really struggling, then you can employ a marketing service to help you. According to the music marketing gurus from Indiefy, not only can these services aid in distribution, but also in artist development. Opting to employ a marketing service could be your best option when it comes to finding your audience.

Who Are Your Competition?

The amount of competition that you have depends entirely on your content’s niche. If you make informational videos about cement, then you would have fewer competitors than if you made hip-hop beats. Whatever your niche is, make sure you do your research and establish who the industry leaders are. You should always create content that’s unique to your platform, but at the same time, you can benefit from employing the same tactics that your competitors use. Don’t for a second think that they won’t do the same thing to you.

Copyrighting Your Content

As our title suggests, your content’s security is also very important. Because of intellectual property law, your content is immediately copyrighted whenever you publish it on your website, or on a platform like YouTube. However, it’s still worth copyrighting your content anyway. The reason for this is that if your website closes, frauds might be able to exploit intellectual copyright law and republish your content. Copyrighting your content won’t cost a lot of money and it will give you the security of knowing that your creations are safe and can’t be stolen or sold to other people without your consent.

Store Your Content Securely

A grey area when it comes to intellectual copyright law is content that hasn’t been published. If somebody was able to access your content folder, they could potentially steal and publish content that you haven’t released yet. If this happens, you’ll have to take them to court for plagiarism, which can be very expensive. Even then, you’re not guaranteed to receive compensation. The court could find in favor of the thief, which has happened before. The best way to secure your content is to keep it either on a hard drive that only you have access to or inside a secure Cloud database, like Google Drive.

Plan Your Content Effectively

There is a multitude of content creation guides online that you can use to create engaging and effective content. If you’re going to release online content, especially videos, then you need to read and research these guides. These guides provide tips that you can incorporate into your content creation process. There are guides for every type of online content, from videos to blogs. Make sure that you plan every single step in the content creation process and meticulously craft and polish your creations.

Optimize for SEO

If you’ve got a website that you publish your content on, then make sure that you optimize it for SEO. SEO is an abbreviation for search engine optimization, which is the internet’s premier method of marketing. With SEO, you manipulate Google’s algorithm and increase your website’s ranking on the search listings. There are many ways to optimize your website, from making it mobile-friendly to creating regular quality content. If you don’t feel confident optimizing your own website, then you can employ an SEO marketing agency to handle it for you. When it comes to marketing your content, never overlook SEO.

If you want to publish your content online, then you need to make sure that you keep it safe and create engaging content. Employ all of the tips suggested in this article and your content’s sure to succeed.

New York’s Traditional Irish Music Scene: Back With A Bang

Traditional Irish music in New York is exciting, and you should experience the excitement too. You step into the music scene, and it hits you: there is a fiddle, a guitar, a concertina, and a bodhran. You also find a flute, a tin whistle, and a banjo. Your body starts moving, you order a pint, and you are settling on for music assembling images of a damp.

Irish traditional music is typically played in sessions. These sessions are the lifeblood of this type of music. The sessional vary in quality, size, and instrumental combination; the format is fixed: A consistent musical grouping in a bar anchored by several musicians.

In Ireland, music scenes act as a social network and a training ground for practitioners of old musical tradition. Invited friends join in; also visiting artists from other towns might show up too. The popularly played instrument in these gatherings is the flute, from a reliable Irish Flute store.

McNeela’s Favorite Place

Dublin-based Irish flute maker Peraic McNeela lists the Irish pub scene as his favorite place outside Ireland for a music session. However, in this communal set up of public performance, with a familiar atmosphere with drinks and stories mixed, keeping this tradition booming and preserving its local styles, together with countless tunes.

The Irish music session nourishes the community, sustaining the art form by continuing a very extensive repertory. A top-rated flute player and singer and a professor from a top-rated university said in an interview.

Learning To Become Mastery

There are various techniques to technical mastery that include group classes, private lessons, and YouTube tutorials or videos. But at some point, the same singer said, it would help if you sit with a group and learn physically. There is no perfect way of becoming fluent in the wordless communication between flute players: the amiable loop of melodies played in unison, the spark igniting an incredible solo and the subtle cues of leader.

When it comes to the diaspora, music sessions are also a way to preserve Irish identity. Leah Ranking, a rare instrumentalist in the trad scene, said they were a perfect example of how some cultures maintain their identities within the traditional conflation and fusion of New York City. Making a space for these cultures to be practiced, she proclaimed, “implies offering a place for the preservation of identity, and sometimes for individuals to find their identity.”

A traditionally trained instrumentalist performs on a carbon-fiber instrument in puns since beer spills may pose a risk to her favorite wooden instrument. The instrumentalist became hooked on Irish flute music through the work of an Irish virtuoso marinade in the sweetly lithe tradition of Easy Clare Flute playing.

At a precursory glance, a session appears laid-back, casual, and open. Yet, there are pecking orders under spinning both the citywide scene and each persona session. Some are overcrowded with beginners, compromising the quality of music. But formulating your Irish Flute session is a process.

It is essential to a set of rules to play in an Irish group of musicians, for newcomers depending on etiquette and egos. This article will able you to learn that New York traditional Irish music is trending now, and you can purchase a quality instrument from the best Irish Flute store.

MEGADETH, LAMB OF GOD, TRIVIUM & HATEBREED Bring Metal To Minnesota [Review & Photo Gallery]

The Metal Tour of the Year came to its conclusion at the Armory in Minneapolis, Minnesota after a little over a month run across the United States. The bill featured co-headliners Megadeth and Lamb Of God with special guests Triviumand Hatebreed. Thankfully this tour didn’t succumb to cancellations like many other tours trying to cross the country. A sold-out venue waited for a heavy dose of fist pounding metal and this tour didn’t disappoint. 

Hatebreed came out with every intention of destroying the place. Led by vocalist Jamey Jasta the band blistered through a ten-track set that opened with “Empty Promises.” Jasta told the crowd it was Hatebreed’s job to warm up the crowd, and they did a lot more than that. Circle pits ignited to counter the massive energy coming off the stage. It’s impossible not to love and appreciate what they bring to the table every time they step onto the stage. The only thing that matches the intensity is how much fun they have and how they attack every second they have to play. The music is aggressive but the attitude is 100% positive and they have a way of uniting everybody in the building. The only true way to experience who and what they are, is too take in show and hear the material in its truest form, loud, unapologetic and without mercy. A couple of my favorite songs made the cut with “This Is Now” and “Looking Down the Barrel of Today” were highlights. The band ended the night with “I Will Be Heard.” 

Trivium has a brand-new album set for release called ‘In The Court Of The Dragon” and that’s where the band started as they took the stage. Kicking off with the title track the Florida based unit hit with a musical precision that sliced though the building. I thought the bands last release in 2020, ‘What The Dead Men Say,” was one of the best albums released that year and this was our first taste of hearing some of those songs live. Along with the title track we also got “Catastrophist’ which sounded amazing and left me wanting to hear more of that record. Plagued with a shortened time-slot and so much material the play, they went with “Strife,” “The Heart From Your Hate” and another brand new song off the upcoming album “Feast Of Fire.” It’s hard not to get anything from ‘Ascendancy’ or ‘Shogun’ but understandable giving the slot they are in. This set delivered everything you have come to expect from a Trivium show, lots of passion, energy and songs executed with perfection. The show ended with “In Waves” and now we wait for the next album to drop (October 8th) and I would assume there will be a tour right around the corner to support it. 

To put into the simplest words, the band that took over the stage next, was an absolute beast! Lamb Of God took the roof off with a set that any adrenaline junky would have enjoyed. The cement floor was bouncing like a mini-trampoline because everybody was jumping up-and-down as the chaos that was on the stage was seeping into the crowd. The energy that engulfed the Armory is something you just have to feel, and be part of, to understand its magnitude. They opened with “Memento Mori” and never looked back as they obliviated a twelve-song set. When vocalist Randy Blythe introduced the song “Walk With Me In Hell,” the stage became a fiery inferno. Flames shot up into the air throughout the stage as he stomped from side to side. The band provided its own fire that didn’t need pyro to fuel it. They were tight and ferocious and built the musical landscape to which Blythe used as his own personal playground as he leaped off anything, he could use to take flight and taking moments to windmill his dreadlocks. Some of songs that made it on to the list were “Now You’ve Got Something To Die For,” “Set To Fail,” “512,” “Ruin” and “Laid To Rest.” It was an explosive set that had fans absorbing every note as people sang, screamed, fist pumped and jumped into circle pits. The closer, “Redneck,” brought the house down and whatever energy people had left, they spent it happily. Lamb Of God put on an exhilarating show and after a long period of no concerts, people were clearly ready to go from the moment they took the stage. 

The legendary and proud member of the Big 4, Megadeth, would take the stage to close out the night. They opened the show with a track from one of the most important albums in metal history, ‘Rust In Peace,” the thrash classic “Hanger 18.” Just like the bands before them, you could hear the roar of the crowd as they took the stage. Dave Mustaine is the only original member left that created some of the most iconic and influential metal every recorded but the band he had assembled was flawless. Kiko Loureiro on guitar, Dirk Verbeuren was on the kit and James LoMenzo, recently tapped to cover bass for the tour, excecated the material that met the high standards of Megadeth fans. It was really a breath of fresh air to see Mustaine on stage and ripping through those massive riffs and shredding those blazing solos. We all know of the cancer battle he went through and then the pandemic shut the world down from concerts. I wondered if we had seen the last of Megadeth, but this tour, and seeing this band back on stage, is a heavy indicator that there is still gas in the tank. The perfect set-list could be debated for days but to close out the final date we got “The Threat Is Real,” “Sweating Bullets,” “Trust,” “She-Wolf” and the massive hit “Symphony Of Destruction.” The best was saved for last as, for me, the two most important songs in catalog came next. “Peace Sells,” was the tune that pulled me into the band, and “Holy Wars…The Punishment Due,” a genre defining song, that never gets old live. As the lights went down on this show and the tour, I can only hope that this is just the beginning of tours to come. If you were born metal, live and breathe metal, this is exactly where you needed to be and where you need to go in the future.

SHINEDOWN, SEETHER, MAMMOTH WVH & AYRON JONES Shine in Minnesota [Review & Photo Gallery]

After eighteen long months, the Target Center in Minneapolis, Minnesota, opened its doors for its first concert. Greeting the thousands of people that flocked into the venue was the 93X Family Reunion which featured Shinedown along with special guests SeetherMammoth WVH and Ayron Jones.

Hitting the stage first was Seattle’s singer, songwriter and guitarist Ayron Jones. He is out supporting his fantastic album ‘Child of the State.’ From the opening note of “Boys From The Puget Sound” he had my attention. Immediately his connection to the guitar and what came pouring out of it took hold of me and held me memorized. He is a product of so many influences and through that he encompasses various genres to create a sound that is uniquely him. There are elements of rock, grunge, soul and hip-hop fused throughout his songs. It becomes trivial to try to pin-point who or what he sounds like because as soon as you think he is this, he quickly morphs into something else. The real tragedy of the night was his extremely short set. He only got four songs that included “Supercharged,” “Mercy,” “Take Me Away” along with opening cut. He assembled a fantastic backing band that brought a ton of energy and fun to the stage and allowed Jones to take control with his singing and playing.  I would suspect Ayron Jones was the unknown entity on the bill but hopefully more people become aware of him as he is a fantastic artist that needs to be heard. 

The biggest buzz about the night hit the stage next. Mammoth WVH, featuring Wolfgang Van Halen, struck with “Don’t Back Down” to a rousing cheer from the crowd. The self-titled debut album was released back in June and Mammoth WVH have been on the road ever since supporting it. Just like the artist that played before him, Wolfgang knows there is strength in numbers and has put together a fantastic band to help bring his song to life on stage. Mammoth WVHblistered through six songs that included “Mammoth,” “You’ll Be The One,” “Your To Blame,” the ballad “Distance” and closed with “Epiphany.” The musical attack was precise and Wolfgang, playing both guitar and keyboard, sounded great vocally. There has been a real thrust of new bands playing rock/hard rock music but many of these young acts tend to pull form the seventies vibe for influence, but that is not the case with Mammoth WVH. They are an unapologetic arena rock band that have crafted songs with all the musical trappings, big choruses, catchy hooks, infectious melodies, that fit nicely on rock radio and appeal to mass audiences. This was another set that ended way too soon and I’m sure many people are hoping they come back on a headline set real soon. 

The band that formed in 1999 in Pretoria, Gauteng, Seether, took to the stage next and opened with ‘Gasoline.’ The bands longest serving member, lead vocalist and guitarist Shaun Morgan was flanked stage right while bassist Dale Stewart roamed the center section. Stage left was guitarist Corey Lowery and on the kit was drummer John Humphrey. The band’s style revolves around post-grunge, alternative, nu metal and hard rock. They have built up a tremendous mainstream audience with continued success of numerous singles that have charted on various charts. Many of those hits, ‘Country Song,’ ‘Fine Again,’ and ‘Fake It’ were scattered throughout the set. The song ‘Broken’ was stripped down with just Stewart on acoustic guitar and Morgan with his electric guitar while the other two guys left the stage. Seether released their eighth studio record, ‘Si Vis Pacem, Para Bellum,’ back in 2020 and that album was represented with ‘Bruised and Bloodied,” “Wasteland,” and ‘Dangerous’ all included in the twelve-song set. Seether has been a very consistent band and has a very loyal following and you could hear those people throughout the night and especially when the band cranked into the big hit ‘Remedy.’ It was a solid set that I’m sure fans of the band were delighted to see them and hear those songs again. 

The crowd let out a tremendous roar as the lights went out with the anticipation of Shinedown taking the stage. That anticipation quickly changed into euphoria as the song ‘Cut The Cord’ ripped through the Target Center air. The quartet featuring Brent Smith(vocals), Barry Kerch (drums), Zach Myers (guitar) and Eric Bass (Bass), despite the layoff, seemed like a well-oiled machine. The energy they had was infectious and it came right off the stage and engulfed the crowd. The band was all in and so was the crowd, it had a been a long eighteen months since the last show here and everybody was determined to take the roof off of the place. Shinedown has a thick catalog of chart success that built this machine to the arena level act they are.They have been a Billboard Mainstream Rock chart mainstay and have generated a mass appeal to people of all ages. The setlist contained so many favorites, songs like ’45,’ ‘Diamond Eyes,’ ‘Bully’ and ‘Enemies’ are brilliant and people sang every word with the band. I can truly appreciate a small intimate club show with one of my favorite artists but there is also something to be said about arena shows. It wasn’t that long ago that rock and metal acts made up the bulk of the music schedule for arenas across the country but things have slowed down and big shows like this are getting less common. It’s such an amazing experience and environment, the sound thundering through the crowd while the lights dance around the sound. That massive stage with the pyro and explosions, all these are staples of a live music show that only can happen here, the big venues, and its magical. Shinedown understands that, when your giving this opportunity, built up a tremendous fan base like they have, you must deliver every night, and this performance did just that. The night came to close with ‘Sounds Of Madness’ with fists pumping from the front row to the ceiling and flames shooting into the air…that’s what it’s all about. 

BEARTOOTH & WAGE WAR Bring The Below Tour to Minnesota [Review & Photo Gallery]

Beartooth brought the highly anticipated ‘The Below Tour’ to The Fillmore Minneapolis in Minneapolis, Minnesota. The tour also featured Wage War in support. Dragged Under, who is also featured on this run, was unable to perform as they have momentarily stepped away from the tour for safety reason and hope to rejoin it in the near future. It was a packed house and you could feel the anticipation building as fans counted down the minutes until the lights went out.

Coming to the stage to a tremendous roar from the crowd, the band hailing from Ocala, Florida, was Wage War. Knowing the energy the headliner would bring, they were determined from the opening note not to be outdone. Opening with “Stitch” and then into “Who I am” the onslaught was on. The crowed returned that energy as a circle pit was quickly put into motion. Vocalist Briton Bond paced the stage as he ignited the fans to give the band everything they had. Flanking the singer were guitarist Seth Blake and Cody Quistad. The rhythm section consisted of bassist Chris Gaylord and drummer Stephen Kluesene. Two of the highlights from the set were the tracks “High Horse” and newly released single “Circle The Drain.” Both songs are featured on the upcoming album release, ‘Manic’, that will be dropped on October 1, 2021. Powering through a blistering set consisting of ten cuts, the band said goodnight with the closer “Low.” This was my first-time catching Wage War live and they were impressive, I look forward to hearing the new record and hope to catch them again real soon. 

With the intermission over, the lights dropped to the sound of ‘Break Stuff” by Limp Bizkit blaring through the sound system of The Fillmore. What came next was nothing short of a purple tidal wave that engulfed the room with a sonic audio assault that could that hardly be contained by the walls that held the venue together. The energy in the room took over and that circle pit Wage War started earlier, was now twice as big and moving to the intensity of the music. Beartooth was now in command as they ripped into the opener “Below” and then “Devastation.” Not to be outdone by the sheer aggression of the sound, the lightshow coming off the stage was just as tenacious as the music was. It cut through the smoke with precision and at times you could barely see the stage.

Beartooth mastermind and vocalist Caleb Shomo took advantage of every second he had on that stage. He was non-stop movement as he ran from side to side igniting the crowd, that quite frankly, didn’t need any more inspiration to fully throw themselves into Shomo’s world. The fans were all in, singing every word as the crowd surfers made a steady stream to the stage. It didn’t matter what they played as Beartooth maneuvered through a set that included songs from all the releases. Songs from ‘Disgusting’ included “Body Bag,” “In Between,” “Beaten In Lips” and “In Between.” Tunes from the album ‘Aggressive” were “Hated” and “Sick Of Me.” Three songs from ‘Disease’ included the title track, “You Never Know” and “Bad Listener,” but tonight the celebration revolved around the fantastic 2021 release simply called ‘Below.’ Eight songs anchored the set highlighted by “Hell of It,” “Fed Up” and “The Past Is Dead.” The guys that were asked to deliver the musical goods were completely on task. Guitarists Zach Houston and Will Deely along with bassist Oshie Bichar and drummer Connor Denis provided the soundscape that powered the engine that brought the songs alive. As the night went on the crowd never let up, the pit just kept spinning and heat and humidity in the building built up to the point where the ceiling was dripping moisture. The brilliant night of music ended as they closed the show with “The Last Riff.” 

The biggest take away from seeing Beartooth for the first time wasn’t the explosive energy of the band or the blistering aggressiveness of the music that pulverized everything within earshot, and it wasn’t the bombastic light show that worked in unison with the music. All those things were impressive that made for an awesome concert. That thing that stuck with me was that connection between Beartooth and the people that jammed into that venue to see them. That connection is real, it’s something that can’t be manufactured, all those people screaming those lyrics and locking into every movement and word that came off that stage wasn’t lost on Shomo. He was so appreciative of those fans and just being on stage again. He, and the rest of the band, gave everything they had because every moment counts. We have learned over the past year that this can be taken away instantly. Let’s hope we get more moments like this in our futures. 

LOUDER THAN LIFE 2021 Preview

Louder Than Life, which takes place September 23-26, 2021 at Highland Festival Grounds at KY Expo Center in Louisville, Kentucky. Promoter Danny Wimmer Presents is known worldwide for their stellar portfolio of music and lifestyle events, which includes Aftershock, Bourbon & Beyond, Epicenter, Hometown Rising, Louder Than Life, Sonic Temple Art + Music Festival, and Welcome To Rockville. DWP recently entered the digital content curation space, promoting pay-per-view concert streams and creating the popular digital series Offstage with DWP and Beyond the Barrel, with new episodes debuting this spring.

After having live music taken from us for such a long period of time its finally good to be back and preparing for a festival. 2021’s Louder Than Life festival in Louisville, Kentucky is set up to be the biggest welcome back party ever for bands, fans, and the entire music industry. Not only are we getting just a normal run of the mill festival but we will also see one of the biggest reunions the metal world has wanted to see for nearly a decade. That’s the Mudvayne reunion. Of course we won’t be the first to witness their comeback (Inkcarceration will) but, its not always about who is first. With other acts slated to rock the stage like Korn, Janes Addiction, Staind, Nine Inch Nails, Judas Priest and a double dose of Metallica. That is just skimming the headliners. Normally you would never see me or most of my metal bretheren standing by waiting for Machine Gun Kelly to take the stage and rap. However, his new revamped punk rock sound has made me eager to see him perform.

Single day and weekend passes for Louder Than Life are on sale now at www.LouderThanLifeFestival.com starting at $99.50* for single day and $249.50* for 4-day (*plus fees).

Watch the official Louder Than Life announcement video here.

“‘Whiskey is for drinking; water is for fighting over‘ – Mark Twain. And I’m on the lookout for the best drinking whiskey in Kentucky,” says Perry Farrell of Jane’s Addiction.

DWP has always considered Louisville home, so to be able to bring America’s Biggest Rock Festival back in 2021 means everything to us. After a year filled with challenge after challenge, we worked incredibly hard to curate a lineup worth the wait for our fans,” says Danny Wimmer, founder of Danny Wimmer Presents. “Weather got in the way of Nine Inch Nails in 2018, the pandemic derailed our plans for two big Metallica sets in 2020 – so to have them both back for 2021, along with KORN and the rest of this incredible lineup over four days, that’s the kind of ‘new normal’ that we’re all looking forward to.”

The current Louder Than Life lineup is as follows (subject to change):

Thursday, September 23: KORN, Staind, Cypress Hill, Anthrax, Beartooth, Sevendust, Knocked Loose, Wage War, Helmet, Escape The Fate, Zero 9:36, Hyro The Hero, Teenage Wrist, Currents, Jeris Johnson, Another Day Dawns, Blame My Youth

Friday, September 24: Metallica, Jane’s Addiction, Rise Against, Gojira, Killswitch Engage, Starset, Avatar, Fever 333, Turnstile, Cleopatrick, Dead Sara, ’68, The Blue Stones, South Of Eden, Tallah, Joyous Wolf, Contracult Collective


Saturday, September 25: Nine Inch Nails, Snoop Dogg, Machine Gun Kelly, Ghostemane, The Distillers, Asking Alexandria, Grandson, Code Orange, Ice Nine Kills, Spiritbox, Red, Butcher Babies, Bones UK, Diamante, Siiickbrain, UNITYTX, Dana Dentata, The Messenger Birds

Sunday, September 26: Metallica, Judas Priest, Mudvayne, Seether, Pennywise, Skillet, Sabaton, The Hu, Badflower, Mammoth WVH, Fozzy, Red Fang, Ayron Jones, From Ashes To New, Avoid, Tempt, Dead Poet Society, Like Machines

Louder Than Life will feature nearly 70 music acts over 4 days, with performances on three stages, along with award-winning bourbons, whiskey, spirits, craft beer, and the best food Louisville has to offer. Festival attendees will enjoy a variety of onsite food and beverage experiences, as well as sponsor activations that celebrate the bourbon culture and culinary heritage of this unique American city.

Single day and weekend general admission and VIP passes for Louder Than Life are on sale now. Festivalgoers are encouraged to buy early and save, since pass prices will increase in the coming weeks. A limited number of specially priced tickets for military personnel are on sale now via GovX. A limited number of Weekend Camping Packages are available for both car + tent and RVs. Admission to the festival is not included in Weekend Camping Packages and must be purchased separately. 

VIP pass perks include (but are not limited to) access to all general admission areas in the festival grounds, as well as a dedicated festival entrance, access to a shaded “hang area” with dedicated bars, live audio/video streams of main stages, access to a front-of-stage VIP viewing area, dedicated merch tent, premium dedicated food and drink (for purchase), air-conditioned restrooms and a commemorative laminate.

Top Shelf VIP is Presented by Angel’s Envy and passes will include all the above plus an air-conditioned tent, front-of-stage viewing for the right main stage, additional viewing deck, all-inclusive premium drinks and complimentary hors d’oeuvres.

Louder Than Life is produced by Danny Wimmer Presents, one of the largest independent producers of destination music festivals in America. Since debuting in 2014, Louder Than Life continues to develop and grow. In 2019, Louder Than Life welcomed more than 128,000 fans over three days, earning its spot as the largest rock festival in America. For 2021, festival organizers added a fourth day, with the festival kicking off on Thursday.

For more information on #LouderThanLife please visit:

Website: www.LouderThanLifeFestival.com

Facebook: www.facebook.com/louderthanlifefestival

Twitter: www.twitter.com/ltlfest

Instagram: www.instagram.com/louderthanlifefest

DIRTY HONEY MAKES PHENOMENAL RETURN TO TENNESSEE WITH JOYOUS WOLF

When I heard that California’s own, Dirty Honey, were returning to Johnson City, Tennessee, I knew from that point I wanted to make this show. But when I heard who was opening for Dirty Honey, I really got ecstatic! None other than the Orange County, California rock band, Joyous Wolf! This night was going to be nothing but pure rock n roll for the soul!

 I have a story I always like to tell about Dirty Honey, so before I get too far into this, I’d like to tell you what happened.

  Dirty Honey was playing Johnson City, Tennessee, in 2020. The same venue, which is called “Capones” on Main Street. If you have never been to Capones, please do yourself a favor and check out this super venue! Great place to see a show! Anyway, the date was January 29, 2020. I was in attendance and loving every minute. Little did I know, Dirty Honey would be my last show until late 2020, thanks to COVID-19. Not really what I would call “rock” shows per say, but I got to see some live music. 2021 is really when it started to get better. It makes me so happy that after a year of being quarantined, (which I wasn’t, I had a job and thankful I have kept it through this mess,) that I can finally go out and start seeing some shows again! Dirty Honey was my last show at Capones in 2020 and Dirty Honey was my return to Capones in 2021! Funny how it works out sometimes!

 Now let’s talk about this stunning show in depth!

 For those who do not know Joyous Wolf, you are missing out big time! As I stated earlier, they’re from Orange County, California. They have released one EP titled “Place In Time”, which blows my mind every time I listen to it. The mix on this EP is remarkable. It stays in my rotation of albums I spin. If you were to ask me, I would tell you this is one of the greatest rock bands that has hit the stage in 10+ years. This unique lineup consists of “Nick Reese – Vocals”,  “Blake Allard – Guitar”,  “Greg Braccio – Bass”,  “Robert Sodaro – Drums”. Joyous Wolf is an unbelievably tight band. I would hate to be the following act because I know some huge shoes would have to be filled! (Dirty Honey stuck right with them though).

  It was time for Joyous Wolf to come out on stage. The crowd was pumped! As soon as Nick Reese made his presence known, Capone’s exploded! The 4 young gentlemen in Joyous Wolf knew they were getting ready to give this crowd what they had been waiting for since the pandemic. Starting with their song “Fearless”, Joyous Wolf was not going to stop! Their hard driven rock sound with intense guitar work right in your face, along with groovy bass lines, this made Capones want more! Every head was bobbing in this venue, including mine! Also doing one of their well-known songs “Quiet Heart”, got me ultra-excited! This is one of my favorite Joyous Wolf songs. I remember hearing Joyous Wolf play this once before at Manchester Music Hall in Lexington, KY, and I loved it then. But the power that Joyous Wolf had in them in Tennessee, blew me away. I was amazed from start to finish. But that wasn’t all. They also threw in “Mother Rebel”, “Talk To Me”, “Get Myself Right” among other rockers! Joyous Wolf always puts on a super show! I got to speak with them after the show. Super nice guys! Get out and support this amazing rock act! They’re going to be at Louder Than Life this year. They will be playing Friday. If you do not get a chance to see them before then, here is your opportunity. It’s worth the price of a ticket to see Joyous Wolf. Trust me on that!

 Now it was Dirty Honey’s turn to rock Capones.

If you’re not familiar with Dirty Honey, please be sure to look them up! You will not be sorry, I promise! Dirty Honey resides in Los Angeles, California. They got their start in 2017. They released their first E.P. “Dirty Honey” in 2019. The first track from this E.P. “When I’m Gone” hit big! It hit the US Mainstream Rock charts at #1! How amazing is this?! Not even a full-length release at that time and already a #1 song! That alone should let you know how kick ass Dirty Honey truly is! Dirty Honey, however, released their full-length studio album titled “Dirty Honey” in April of 2021. Dirty Honey consists of “Marc Labelle – Vocals” “John Notto – Guitar”, “Justin Smolian – Bass”, “Corey Coverstone – Drums”. Dirty Honey is another band I would for sure say is one of the greatest bands that has came along in the last 10+ years. They get better and better every time I see them! Dirty Honey better put their shades on because there is a bright future ahead for these 4 gentlemen!

Dirty Honey makes their way to the stage and oh man! Capones just became an uproar!! It was LOUD! Starting out with their song “Gypsy”, this building was shaking! Everyone was so happy to finally enjoy good rock n roll again! Marc Labelle was eating it up! He loved the turnout! Marc stated through the show that the crowd at Capones had been his favorite on this tour. He loved the enthusiasm coming from the crowd. Not to mention every song that was played from Dirty Honey including “Fire Away”, “Heartbreaker”, “Down The Road”, “California Dreamin’” , and the encores of “When I’m Gone” and Rolling 7’s”, was sung by the crowd! Word for word! It was such a thrilling experience to see live! What surprised me even more was when Dirty Honey pulled out an AC/DC cover. They performed “Girls Got Rhythm”! What a reaction! Holy crap! I feel that was such a fitting song to play that night because so many women were dancing and had a lot of rhythm. In my mind, that was a good call by Dirty Honey to include in the set! Dirty Honey was groovy! The incredible bass, with the clean sounding guitar, along with crisp vocals and sick drum fills/grooves. If you love rock n roll, you’ll love this band. No doubt about that at all!

 Overall, I enjoyed my experience seeing Dirty Honey and Joyous Wolf! 10/10 show. Amazing performances, amazing staff at Capones, everything was perfect. I wish I could go back and re-live that night again! If you want to experience rock n roll, and a killer live show, these 2 bands are your best bet. Please get out and support these guys! They can’t do it without us!  Live music is making it’s return. It’s starting to slowly come back to the arenas, the clubs, the stadiums and everywhere else live music is held. Please, get out and see some shows. COVID-19 has almost killed live music and musicians, so please, buy a ticket, buy some merch and lets keep these guys on the road letting them make our next favorite album!

FALSE WITNESS: In The Company Of Snakes Album Review +Album Stream/”Out Of Ruin” Video Stream

Northern Utah, a world full of natures wonderful splendor. Pristine lakes, looming snow blanketed mountains, and jutting rock formations, but also home to False Witness. False Witness is an absolute Heavy Metal barrage. Groovy, and melodic, with chuggy head bang inducing riffage, diverse vocals and emotionally charged lyrics displayed neat and tight by 4 members, 3 of which apparently throw their vocals in the ring. With a home base in Logan, Utah the members of this cunning machine are Mckae Nielsen – guitar/vocals, Tyler Thurston – guitar/ vocals, Connor Werling – drums/ vocals, Ryan Hall – bass. The way False Witness employs a slew of different styles vocally and musically is truly a work of musical master craftsmanship that had me hooked from beginning to end, quite a few times… In fact, I found myself personally lost in the album so many times that it’s taken me a number of weeks to get this review written, let’s hope the guys can forgive my lack of due diligence and trade it for the heartwarming knowledge that I became so enraptured by this absolute monstrosity of an album that I just couldn’t stop beating my fists on my desk or banging my head long enough to write a coherent thought. Now that I’ve made associations and glossed up your eye balls, let’s jump into my thoughts on False Witness “In The Company Of Snakes”. Be sure to check out the music video for ‘Out Of Ruin‘ or the album in its entirety with the links provided afterwards!

In The Company Of Snakes” starts with one of the strongest album openers I’ve had the pleasure of hearing in recent years, a groovy yet aggressive ode to some poor soul who apparently needs to be reminded that pissing off a talented artist isn’t the greatest idea, because now everyone knows what a callous jackass you are through some harsh words and stabs at some pretty specific character flaws, but at the same time it’s catchy so now strangers are singing about you and I think that’s one of life’s greatest joys. ‘Out Of Ruin‘ starts with an obligatory “oh!” and swinging into instantaneous head swinger of a riff False Witness wastes no time at all letting the listener know they’re in for one hell of a ride as the assaulting first verse transcends into the chorus with the surprisingly, and expertly executed angelic vocals of McKae Nielsen. The second verse is full of that same emotion and agressive demeanor as the last but falls into a neat little segment of “chugs and doodles” as I like to call them (you know exactly what I mean) into an epic solo that captures the entire emotion and narrative of the track. The instrumental segments of this track are extremely well written, and as stated before, the track is brimming with raw emotion and accentuated with skilled musicianship, and triple vocals throughout its entirety. Let’s be honest with ourselves, vocalists playing guitar is always great. Guitarists also adding their vocals to the mix makes things even better, but when you take all of that and add a drummer to the mix things get really good in the best way possible. ‘Out Of Ruin‘ also sports it’s very own music video that you can find a little bit later on when you make it to the end of this review.

Eating Dirt‘ hits me in such a way I find it hard to put it into words. I would go as far to say this is probably my personal favorite track on the album. I cant get over how it just has a feel so reminiscent of the music I listened to in my high school days back in the early 2000’s. I definitely would not say its like any band or song in particular, but more that its just like so many of the great bands from back then rolled into one, almost like if they had a time machine and went back to that era of music they would fit absolutely seamlessly. Not overly complex, or fast, but not dull or meandering, but a nice mid tempo jam with a little fast picking, some power chords, deep chest shaking vocals, and well placed transitions that just keep your head bouncing involuntarily until you travel into deeper waters, but as you should know traveling to the deeper regions doesn’t come without its troubles. ‘Black Masts‘ is powerful and deep on multiple levels. Starting with some double bass and cymbal crashes into an aggressive first verse the complimenting vocals of drummer Conner Werling through the verses and McKae Nielsen’s gutturals in the chorus mixed with melodic guitars, cannoning drums and metaphoric lyrical content give this track immense depth in both sound and content.

Charging in with an immense stature and slow daunting drive is the albums title track ‘In The Company Of Snakes‘. The power of groove keeps plugging away through this album and I just cant get enough. Once again I find myself with my eyes closed and my head down soaking in every ounce of music that I can while the verse and chorus keep me marching along with droning and drawn riffs like a looming army of the damned on the road to conquering the world of the living. I find this track to be a perfect example of how deadly simplicity can be. Simple doesn’t mean bad, they’ve successfully figured out how to grab your interest and keep it there by employing undeniably powerful tones and raw anger, its like a beast of its own, beckoning you to come closer so it can eat you alive through intimidation alone. Demise is already implied and all you’re going to do by running is prolong the suffering. ‘Vulturous‘ and ‘Truth Dies With A Severed Tongue‘ both keep that same cruel cunning going as with the rest of the album. Unrelenting barrages of heavy riffs, blazing drum segments and trembling bass set effective backdrops for the consistently earth shaking vocals and literarily delicious lyrical prowess I have come to expect from False Witness thus far. The surprising dashes of clean vocals and technical guitar ability blended with moments of ambient dissonance in ‘Beneath The Skin‘ left me a little dumbstruck and in wonder of what other little surprises the rest of the album would have in store.

State Of Decay‘ brings the groove back, or did the groove ever even go away? The answer is simple, it didn’t ever leave, I just figured you would grow weary of me sounding like a teenager from the 1960’s. Easy to digest, never a dull moment, and even a few brief tempo changes make this another absolute banger of track that leads into the most drastic change in feel I’ve experienced on this journey. “Cosmic Maw” starts with a cleanish guitar tone and angry vocals before evolving into an almost cinematic affair. An accenting choir, and spoken word dictation compliment an orchestral composition in the background to create an atmospheric and imaginative wonderland as we descend into the closing track ‘Glass Eyes (Forever in Formaldehyde)‘. Again employing dramatic orchestral composition and a begrudging, zombie like drone this track uses powerful guitars and drums with an epic background complimenting emotional vocals once again placing the listener in an entirely new world. At some point throughout the album I found myself almost unable to explain the experience in any other terms than how the music made me feel, the album just keeps evolving, becoming simple, but more complex. The more I listened the more connected I became, the music became more than just music but an extension of my consciousness itself, unable to separate my own inner monologue from what was being projected into my ears. This album will go on the list as one of the best albums I’ve had the pleasure of listening to, and I hope you take the time to give it a listen. False Witness In The Company Of Snakes” is out now, head over to their Facebook page below and buy the album, head on over to YouTube and check out the official video for ‘Out Of Ruin‘ with the link provided, or find it wherever you stream music!

https://youtu.be/MZ8do–dxMg

https://linktr.ee/falsewitnessofficial?fbclid=IwAR2A1bU5aT5wQLV6ZL_vgmgqqJQTkpIRDpovVUM5yZ4AyJ1z-OwhZNS_1R8