ROCKTROPOLIS 2024: ACE FREHLEY & SEBASTIAN BACH Take Tennessee

Nestled amidst the rolling hills of East Tennessee, Freedom Hall Civic Center in Johnson City has played host to some of the biggest names in rock and roll. Since 1974, nearly everyone from Elvis to Ozzy has plied their wares there, with several generations of fans coming of musical age within its walls. Rocktropolis 2024, featuring a headlining performance from Rock And Roll Hall Of Famer Ace Frehley, proved to be a more than worthy celebration and continuation of this history, Scotty Austin of Saving Abel kickstarted the evening’s festivities with a rollicking, high-octane set.

Guided by freewheeling adrenaline, Austin was in fine voice and schtick, working the crowd like the seasoned pro he is and leading his group through songs by Trash The Brand as well as covers of works by Pink Floyd and Billy Idol. Recent Vinnie VincentInvasion recruit and local hero Faysal Scott Smile commandeered the band for a run through KISS’ “All Hell’s Breakin’ Loose,” and Austin wrapped his raucous performance with a crowd-pleasing version of “Rebel Yell.” It wasn’t perfect, but it was damn sure close enough for rock and roll and it was a whole load of fun.

Josey Scott’s set was as tight as Austin’s was loose, with his road-hardened band ripping through a chunk of the Saliva catalogue with a well-honed energy and precision. On hits like “Ladies and Gentlemen,” “Always,” and the singalong “Hero,” Scott reminded why he was regarded one of the era’s most compelling performers, mixing hip-hop swagger with pure rock power into a potent, pungent potion. I had forgotten just how many of those songs I knew; by the time the one-two punch of “Click Click Boom” and “Your Disease” brought the show to a close, I was thinking that maybe Scott/Saliva is the rap-metal Collective Soul; one of those bands that manages to remain unsung while having a literal ton of hits.

So many glam metal frontmen tried to walk the diamond path laid by David Lee Roth, perhaps none more purely and successfully than Sebastian Bach. Rock n’ roll lifer Bach, who for the past thirty-five years has somehow stayed in his early-to-mid 20s, is an eternal showman and a perpetual dervish; from the moment he stomped on stage to the strains of his most recent single “What Do I Got To Lose?,” the hard rock icon owned the crowd, many of whom over the next hour or so seemed to have been transported back a few decades themselves. With a few exceptions from his fantastic new album Child Within The Man, the setlist was dominated by tunes from Skid Row’s first two albums, from the bawdy “Big Guns” to the epic “18 & Life,” the sultry sleaze of “Monkey Business” to the near-thrash of “Slave To The Grind.” The three-piece backing unit (which includes Bach’s son Paris on drums) ably provided a rock-solid platform for the strutting, sparkling, mic-whipping Bach to perform his magic act, the audience remaining enthralled all the way through the set-ending “Youth Gone Wild.” As a kid, I remember reading (probably in RIP magazine) that Sebastian Bach had been genetically engineered to be a rock star; judging from what I saw at Rocktropolis, the experiment continues to be a rousing success.

Greasepaint and pyro budgets aside, for a full five decades now, Ace Frehley‘s calling cards have remained largely unchanged: a Les Paul slung low and cranked high and an insouciant, staggering swagger that places him squarely in the House of Keith alongside his contemporaries Perry and Thunders. Both were on full display as Frehley and his band, introduced by VIP meet & greet guest Bobbie Brown, roared through a set of KISS classics, with a few chestnuts from his solo career sprinkled in for good measure. With the opening salvo of “Shock Me” into “Deuce” the Rock Soldiers were called to attention, and for the next hour or so the guitar legend led them delightedly through their paces, bridging the 70s (“Parasite,” “Shout It Out Loud”) and the 80s (“Rock Soldiers”) all the way to today (both “Cherry Medicine” and the title cut from his most recent album 10,000 Volts). Ace has assembled an absolutely stellar group of players, with Ryan Cook (bass), Jeremy Asbrock (guitar), and Scot Coogan (drums) each contributing spot-on vocals and elite musicianship while still putting on one hell of a rock show; their version of “New York Groove” was the best I’ve ever heard.. Of course there was the smoking guitar solo during “Cold Gin” (featuring snippets of “Communication Breakdown,” “Smoke On The Water,” and the James Bond theme, among others), and the evening ended exactly the way you’d hope it would: a spirited romp through “Rock And Roll All Nite,” with Sebastian Bach and Josey Scott joining in on backing vocals. No tapes, no tracks, no tricks, at 73 years old Ace Frehley delivered an unadulterated blast of solid rock that left the throngs fully satisfied, which is more than I can say for some acts a third his age.

ICE NINE KILLS, IN THIS MOMENT & AVATAR Bring The Kiss Of Death Pt 2 Tour to Iowa.

Ice Nine Kills and In This Moment have teamed up once again for a tour, dubbed the ‘Kiss Of Death Tour Part 2.’ They made a stop at the beautiful Vibrant Music Hall in Waukee, Iowa, with support from Avatar and TX2.

Due to travel, I missed TX2’s performance, but I hope to catch them at another show. I did manage to see Avatar, who I believe are one of the best live bands out there. A man in a black mask carried a box to the stairs leading up to the drums. After removing the lid, a red balloon popped out, followed by vocalist Johannes Eckerstrom. The court jester took his spot center stage, and when drummer John Alfredsson hit the first beat, the balloon popped, and the onslaught began as the band launched into “Dance Devil Dance.” Guitarists Johas Jarisby and Tim Ohrstrom, along with bassist Henrik Sandelin, spun their hair in unison while laying down a wall of sound. Avatar, riding the waves of their 2023 release ‘Dance Devil Dance,’ played “The Dirt I’m Buried In” and “Valley of Disease,” along with the title track from the newest release. This band packs such a punch both sonically and visually that you can’t take your eyes off the stage. They have the perfect frontman who played to the crowd perfectly. He has infectious personality but also commands attention his incredible voice and catalog of songs they have to play is a deep one. The only downside was the set was too short. Despite the limited time, they captivated the crowd with “Smells Like a Freakshow” and the closer “Hail the Apocalypse.” It was a short but fantastic set in front of a crowd that included many first-time viewers.

AVATAR

Unfortunately there are no pictures in the gallery as In This Moment does not allow photographers to cover their show. They took to an extremely smoke-filled stage with vocalist Maria Brink perched high on her altar, where she spent much of the show. They opened with “The Purge” and then moved into “The In-Between.” The show was highly choreographed, with Brink changing costumes throughout the set and usually flanked by two dancers. The visual imagery was central to the performance, but the sound was also impressive. However, the heavy smoke made it difficult to see Brink and the band members at times, leaving the crowd to view their shadows through the smoke. Highlights for me included “Blood” and “Big Bad Wolf,” where the energy on stage really picked up and flowed into the crowd. The set ended with “Whore.” I would love to see them reach further back in their catalog and pull out some of those gems as there are so many that have not been played live in years. I understand that the material they are playing fits in perfectly with the theatrical theme and it does work beautfully. With Brink so far away for most of the set , it doesn’t allow for much interaction with the crowd but despite this, the many In This Moment fans in the crowd made their presence known throughout the set.

Ice Nine Kills closed the night, and having seen them before, I knew we were in for a horror show masquerading as a musical killing spree. They opened with the blistering “Rainy Day,” and the show was off. Vocalist Spencer Charnas led the band’s horror-themed set, inviting the crowd into their world. “Meat & Greet” was next, with Hannibal Lector wheeled onto the stage. By the end of the song, Lector had escaped, lost the mask, and killed the security guard. Welcome to an Ice Nine Kills show. Charnas constantly changed props throughout the night, with each song having its own story and executions of characters on stage. Amidst the madness, the band sounded musically tight. Guitarists Ricky Armellino and Miles Dimitri Baker shredded when needed, while bassist Joe Occhiuti and drummer Patrick Galante provided the backbone to the sound. The band’s vocal performance stood out, with Charnas sounding fantastic and the other members contributing vocally, added extra layers to the songs. The band ripped through numbers including their new single “Walking On Sunshine,” “The American Nightmare,” “IT is the End,” and closed with “Welcome to Horrorwood.” I always enjoy the chaos this band creates on stage and appreciate how they play the material and engage the crowd. They are a band not to be missed when they come to your town.

PANTERA Takes Minneapolis To A New Level [Review & Photo Gallery]

Minneapolis, Minnesota transformed into “Metalapolis” as Metallica took over the city for two nights at USBank Stadium. However, the hottest ticket in town wasn’t at the stadium but at the iconic venue First Avenue, where Pantera surprised fans with a show the night before their support act for Metallica. Unsurprisingly, the venue sold out in minutes.

The revival of Pantera has sparked much debate. Without the Abbott brothers, Vinnie and Dimebag, can Pantera still exist? Should it? Fans at First Avenue answered with a resounding yes, eager to hear the music any way they can.

With vocalist Phil Anselmo and bassist Rex Brown, they have two members who propelled Pantera to fame in the 1990s, the band remains one of the most influential groups of all time, having sold over 20 million records worldwide. Joining them are Zakk Wylde, known for his work with Ozzy and Black Label Society, on guitar, and Charlie Benante from Anthrax on drums.

From the first note of “A New Level,” the crowd’s energy was electric, with fists in the air and everyone singing along with Phil. The band played classics like “Becoming,” “This Love,” and “Mouth of War.” Anselmo sounded great, and the band was tight, delivering the groove Pantera is known for. While no one can replace the unique talents of the Abbott brothers, Zakk and Charlie bring their own incredible skills, honoring Pantera’s sound.

When the iconic riff of “Walk” began, the roof of First Avenue seemed to lift. Metallica’s Kirk Hammett and Rob Trujillo joined on stage to add backing vocals, adding to the night’s many great moments. It was announced that this show would be recorded for an upcoming live album which would really cap how special this night was.

Pantera sounded fantastic, and the fans were fully engaged. This music is meant to be played live and loud. While this isn’t a Pantera reunion, it’s the closest we can get, and hearing these songs live was a fantastic experience. It brought together fans together to celebrate the music, which is what it’s all about. Long live the “Cowboys From Hell.”

JUDAS PRIEST & SABATON Bring Metal To Minnesota [Review & Photo Gallery]

The Armory in Minneapolis, Minnesota welcomed the heavy metal iconic band Judas Priest. Fans packed the venue to see a band with more than five decades of history that laid the foundation for a genre that refuses to die. The metal brigade from Sweden, Sabaton, once again opened up the show for the metal legends. 

Sabaton has been touring with Priest across the United States on the past few tours. The band is working hard to break through on American soil and based on the number of Sabaton shirts and people singing along to every song, that hard work has paid off. Lead vocalist Joakim Broden took control of the stage the moment he held the mic as he led a barrage of metal music that fans soaked up. Guitarists Thobbe Englund, who just returned to the band after leaving the in 2016, and Chris Rorland worked off each either in perfect unison while the rhythm section of bassist Par Sundstrom and drummer Hannes Van Dahl, who was once again perched on top of a tank, provided the thunder that is required for their music. Opening with “Ghost Division” the band ripped through an impressive twelve-song set that also included “The Last Stand,” “Stormtroopers,” “Resist and Bite” and “The Red Baron.” The lyrical themes are all based on historical battles and stories of heroism. The band dressed is in fatigues with microphone stands that have rifles and infantry helmets on them. I’ve seen these guys numerous times and they deliver a great show every time.  

The one and only Judas Priest took to the stage with the song ‘Panic Attack.’ It comes off the bands 19th album ‘Invincible Shield’ which was released a few months ago.  Rob Halford is the definition of a heavy metal singer and it is always an honor to see him on stage performing. It’s hard to believe he is 72 years old based on how strong his vocals were. He crushed though an eighteen-song set that stuck to the metal trademarks that they have encompassed for decades. His voice was great and he continued to hit the notes that have made him one of best singers in metal. The most obvious thing about a Judas Priest concert is the devotion the fans have towards them and the bond the band has created with the metal community. The second song of the set, the all-time great metal anthem, “You’ve Got Another Thing Comin’,” showcased that intensity of that connection as band and fans became one. That vibe, with every person at that venue singing every single word and the music pouring off the stage, was a moment in time where the genre of heavy metal is defined. The same could be said during “Breaking the Law” and “Living After Midnight.”

I became a massive fan of the band with the release of ‘Screaming for Vengeance’ back in 1982 and then the follow-up ‘Defenders of the Faith’ in 1984. Along with Halfords vocals, it was the guitar duo of Glenn Tipton and K.K. Downing that harnessed that metal power that got my attention. Sadly, neither one was on stage but just because the faces have changed, it doesn’t mean the music has. Richie Faulkner and Andy Sneap handled the guitar duties and both kept the sound true to form. Ian Hill on bass is the sole continuous member of the band and has appeared on every studio album. He is unassuming as he stands behind the guitarists but always lays down that low end so those dueling guitars can shine. Drummer Scott Travis has been a member of the band since 1989. He debuted on the album ‘Painkiller’ in 1990 and continues to be the powerhouse that keeps the band tight. Highlights for me included “Love Bites” and “Devil’s Child” while “Electric Eye” remains my all-time favorite Judas Priest song. I couldn’t ask for much more from another great show from Judas Priest. They played the classics, hit on some deeper cuts and then some of the newer material that shines right along side the vintage songs. Another great night of music and hopefully they come back in the very near future.

Tesla Keeps It Real In Ashland, Kentucky

Some things are made to last. Lovingly labored over by skilled and dedicated artisans, constructed from the sturdiest materials via techniques passed down through the generations, designed to function for lifetimes. In an ever-increasingly inauthentic and disposable world, it’s a sad truth that these monuments get rarer by the day. Fortunately some still stand and shine brightly, and people come from miles around to bask in the familiar, perpetual glow, the warmth of a known and trusted tradition.

This was doubly the case on March 1, as a crowd of over 1,400 filled the seats of Ashland, Kentucky’s historic Paramount Arts Center to veteran road warriors Tesla. For nearly forty years,  the Sacramento outfit have offered a distinctly heartier, more classic flavor of hard rock than many of their more elaborately coiffed and attired peers to the south on Sunset. No hiding behind gimmicks or controversy, no media-manufactured image or backstage backing tape sorcery. Just five hard working musicians, locked in tight and cranking out their brand of heavy-duty, zero-bullshit rock and roll for a legion of loyal fans and true believers.

Cincinnati native/self-professed “crazy motherfucker” Kurt Deimer handled opening duties, bringing the room to its collective feet with his radio-ready brand of bombast. The horror actor and his crisp, whip-tight backing band tore through songs like the anthemic “Hero” and “Dance” (which sounded like a nu metal run through an imaginary outtake from KISS‘s Revenge), throwing in a cover of the Pink Floyd classic “Have A Cigar” for good measure. Deimer and his four-man unit did an admirable job winning over the audience; when his forthcoming debut double album is released, a return trip to the area may be in order.

As “Crazy Train” faded from the speakers and the house lights dimmed, Tesla bounded onto the boards with a vengeance, kicking off with “Lady Luck” and then landing the one-two punch of “Modern Day Cowboy” and “Hang Tough.” The fifteen-song setlist progressed through fan favorites like “Love Me,” “Changes,” and “Gettin’ Better,” newer works “Miles Away” and “Time To Rock,” and the majority of their biggest hits, era classics like “Edison’s Medicine,” “Call It What You Want,” “Heaven’s Trail (No Way Out),” and the inevitable roof raising sing-along “Love Song.” By the time the evening ended and the crowd was sent home happy with “Signs” (what else?), most everyone appeared well and truly spent, their throats a little sorer but their hearts a little fuller.

Vocalist Jeff Keith positively beams the whole night, an unending smile underlying the fact that he remains one of the genre’s singular voices. That sandpapered rasp remains intact, a bit weathered by the years but no less potent. Frank Hannon is every bit the old school guitar god, stalking the stage and throwing shapes in the spotlight. Between the theremin and the talk box (seriously, more bands should use the talk box) and the endless array of vintage guitars, he came off like a more casual Jimmy Page, with cargo pants and sensible shoes instead of a black silk Dragon Suit. His co-shredder Dave Rude was a solid, heavy presence, and their dual lead work brought to mind the finest of Thin Lizzy and Judas Priest. And the only person in the venue with a smile bigger than Keith’s may be the newest member of the Tesla family, drummer Steve Brown. Brown and his rhythm section cohort, bassist/co-founder Brian Wheat, provided a firm foundation and a mile-thick backbeat all night long, well-trained craftsmen masterfully plying their trade for a rapt and adoring public.

Tesla has always been and very much remains a band out of time. In a day and age where some of the biggest acts in music are simply and sadly incapable of performing without varying forms of technological assistance, for a band to boldly emblazon NO MACHINES across their merch is damn near a revolutionary statement. This tour is called “Keeping It Real;” Tesla has been doing just that since 1986, and they show no signs of stopping anytime soon.

GOJIRA, MASTODON & LORNA SHORE Bring The Mega-Monsters Tour To Minnesota [Review & Gallery]

It was just a matter time before I would make the drive, about seventy miles from Minneapolis, to one of newest outdoor venues to take in a show. The Ledge Amphitheater in Waite Park, Minnesota opened in 2021 and is nestled between two quarries which was a perfect environment to host one of the heaviest tours pounding North America. The Ledge was sold out for The Mega-Monsters Tour 2023 featuring Gojira and Mastodon as co-headliners with Lorna Shore opening.

I had only heard the name Lorna Shore but had never heard the music. Experience told me that if I couldn’t decipher the name by looking at the band logo, it would be a set of knock-out blows that left little confusion of what the band was about. When vocalist Will Ramos hit the stage and the band launched into their deathcore sound, it was on. The five-piece unit blitzed through a thirty-five-minute set and never wavered on their intense onslaught. The band released an album in 2022 called ‘Pain Remains’ and played “Sun/Eater,” “Cursed to Die,” “Into Earth” and three-part series of the title track. 

Mastodon was born twenty-three years ago in Atlanta Georgia. The bands line-up has been unchanged since 2001 with Troy Sanders on bass and lead and backing vocals, Brent Hinds on lead guitar, lead and backing vocals, Bill Kelliher on rhythm guitar and backing vocals and behind the kit sat Brann Dailor who also provided lead and backing vocals. They are band that does not adhere to the saying “one size fits all’ musical genre. They encompass multiple styles that include progressive, alternative, stoner and sludge metal. Opening up with “The Wolf is Loose” and then into “Crystal Skull” got people on their feet and it was very clear how much of following Mastodon has. Behind the band, the screen behind them helped bring the music alive with trippy images in various colors that seemed to carry the music into the crowd. They have released eight studio albums along with various other compilation and live releases so there was plenty of music to choose from. Some of my favorites were “Andromeda,” “Sultan’s Curse,” “Fallen Torches,” “Mother Puncher” and the unforgettable closing crusher “Blood and Thunder.” They sounded fantastic through the entire seventeen song set. This was my first time catching these guys, hard to believe, but the wait was worth it as they surpassed my expectations and really showcased why they have been so successful for so long. I won’t wait another twenty-three years to see them again.

Godzilla was formed in Ondres, France in 1996 but in 2001 the name Gojira was adopted and has now become one of the biggest names in the metal genre. The line-up, the same since 1998, consists of Joe Duplantier on vocals and rhythm guitar, Mario Duplantier on drums, lead guitarist Christian Andreu and bassist Jean-Michel Labadie.  Opening with “Ocean Planet” there was no denying the amount of musical muscle they can unleash. Like the band that played before them, Gojira cannot be stuck into one box. Technical death metal, progressive, groove and heavy metal all can be heard in their sound that they uniquely blend into a sound that is truly all their own. Songs like “Backbone,” “Flying Whales,” “Silvera” served-up a thunderous sound that the crowd that packed The Ledge was waiting to hear. The lights from the screens danced and weaved through the extreme thickness of the smoke and created a dark and ominous setting that gave the perfect visual effect to play off the music. The smoke cannons at the front of stage along with the confetti canons on the floor in front of the stage offered some really striking visual moments throughout the night.  

The band released ‘Fortitude’ in 2021 and it became a bit of a breakthrough record. Still maintaining the traditional approach of past works, this album also contained more classic rock elements and hooks that caught the ear of people that had not listened to the band before. The album was well represented in the set as they hit on “Another Word,” “Grind,” “The Chant” and one my highlights of the night “Amazonia.”  The band itself was as crisp and on-point as ever and continues to evolve as a must-see band. The catalog they have amassed is fantastic but to truly understand this band, to fully absorb the music and the emotion and strength embodied within the lyrics and guitar chords, it must be heard live. That is where this band and their music truly takes on its Godzilla persona as it is unleashed on you. No matter what genre of metal you want to be in, it’s the live setting where you earn your keep and build equity among metal fans and Gojira has proven to be one of the best. This show at The Ledge was further proof that this upward trend they have been on will keep on building with every show.

EXTREME & LIVING COLOUR Shred Minnesota [Review & Photo Gallery]

The “Thicker Than Blood” tour rolled into Minneapolis, Minnesota and the Skyway Theatre was treated to an unforgettable night of music. Headliners Extreme were in high spirts off the success of their latest release ‘Six.’ It’s their first offering in fifteen years and has earned high praise amongst longtime fans of the band. Opening the night was Living Colour. Like Extreme, they broke into the scene in the 80’s and offered much more than the template of music that was being mass produced by record labels at the time. It was a perfect pairing and people packed the venue to rock out with these bands.

Living Colour broke through with their album ‘Vivid’ which was released in 1988. Led by the powerful vocal strength of Corey Glover and guitar shedder Vernon Reid, they created their own special niche of music that cut through radio and MTV. Decades later the duo is still delivering the goods on stage and celebrating a brilliant catalog of music. Drummer Will Calhoun and bassist Doug Wimbish complete an equation of the band that plays with a skill and technique few bands could ever reach. Opening up with “Leave It Alone” it was clear how excited the crowed was to see them. Glover was right on point as he nailed each song with his power, songs like “Middle Man,” “Ignorance Is Bliss,” and “Type” sounded brilliant. It’s hard to ignore the tremendous crunch coming from Reid’s guitar. Whether entrenched in an addictive riff or ripping through a solo, it was difficult to take your eyes of him. There are so many guitar hero’s that have graced successful hard rock and metal bands and Reid should be in every conversation about who the best players are. The rhythm section laid down such a foundation that you couldn’t help but feel the groove go through your body. It was a really good set which wound down with the song that broke them, “Cult of Personality,” with Glover standing on the barricade between the stage and crowd singing the song together. Before saying good-bye, they covered “Rock and Roll” by Led Zeppelin and “Should I Stay or Should I Go” by The Clash

From the minute Extreme kicked into the new cut “#Rebel,” they had the crowd completely locked into the show. The Band hailing from Boston, Massachusetts struck gold back in 1990 with the album ‘Pornograffitti’ and by accounts, has done it again with their latest album ‘Six.’ The catalyst has always been the brilliance of their guitar shredding genius, Nuno Bettencourt. He was as exciting to watch as he was decades ago and there were so many moments where I was almost frozen in time watching some of his solos. Ripping through hard chargers like “Decadence Dance,” “It (‘s a Monster),” and “Banshee” kept the Skyway Theatre rocking. Despite Nuno being the face of the band, he is far from the only driving aspect of the unit. Vocalist Gary Cherone has always provided a strong voice to play off the soaring guitar. He was once again in fine form vocally while enticing the crowd to continue to give everything they had back to the band. The unsung hero may be bassist Pat Badger as he brings so much to the band. Not only does he provide that bottom end of the sound, he also provides a brilliant vocal ability and it’s such a part of the bands signature sound. It is truly magical when Nuno, Gary and Pat come together vocally and let loose those three-part harmonies. It has always been a critical element of Extreme and one of the factors that ties the band back to Queen. Kevin Figueiredo took over drum duties from Paul Geary back in 2007 and brings a sense of intensity behind the kit. The band has not skipped a beat since his arrival and the quartet sounded as good as they ever have as they blasted through a twenty-song set. 

You can’t have a set without the massive hits “More Than Words” and “Hole Hearted” and as usual they were some of the biggest sing-along songs of the set. My highlights included the medley of the first record with “Teachers Pet,” “Flesh ‘n’ Blood,” “Wind Me Up” and “Kid Ego” being touched on and then the full song of “Play with Me” with that unbelievable solo. The song I was most excited to hear and see was “Am I Ever Gonna Change,” that song contains everything Extreme is about, heavy, melodic, delicate and aggressive. Everything is thrown into that song and it was amazing to hear. When Nuno kicked out “Flight of the Wounded Bumblebee” the crowd went nuts and then things went to another level with “Get the Funk Out.” The first track off the new album brought the house down. “Rise” is straight-up rocker that hits with even a bigger force live. You would have thought the song was another classic tune from thirty years ago by the way the crowd reacted to it. The solo is spectacular and was a moment so many people were waiting to see. It was a testament to how loyal the fanbase is and how well the new album has been received. Extreme really pulled out all the stops on the show and this tour and we can only hope it’s not another fifteen years before the next album and tour.

AVENGED SEVENFOLD, ALEXISONFIRE & KIM DRACULA Play Minnesota

It has been a while since we have seen Avenged Sevenfold. The band finally dropped the follow-up to 2016’s ‘The Stage’ with the album ‘Life Is But a Dream…’ It’s a record that has been debated and dissected among fans since its release and now the band has embarked on a North American tour to support it. The Target Center in Minneapolis, Minnesota got its turn to host the tour and fans filled the venue with great anticipation. Along with the headliner, Alexisonfire and Kim Dracula were also on the bill.

I had never heard of Kim Dracula before the band took the stage. The guitarist, bassist and drummer wore purple masks while Kim looked like something from the My Chemical Romance “Black Parade” video with his attire and deep purple hair. Trying to pigeon hole what they were musically is difficult, throw in just about everything from metal, rap, hardcore, nu-metal and alternative and that’s a great beginning to describe the sound. It was chaotic and strange set with Kim wielding a chainsaw and also playing chess against himself on a board set up next to the drums. Kim Dracula released their debut album ‘A Gradual Decline in Morale” this year and some of the songs they hit on were “Superhero,” “Killdozer,” and “Make Me Famous.” They also did a Lady Gaga cover of “Paparazzi.” It was quick and relentless set that brought a lot of energy to the crowd. 

The next band on was Alexisonfire and they were absolute fire. Someway, somehow, I have never listened to this band or encountered them live despite the band forming back in 2001. From the opening number called ‘Sweet Dreams of Otherness” I was hooked. The energy they were giving off was infectious and it swept through the crowd quickly. I was so impressed by the band having three distinct voices with George Petit providing the aggressive vocals and Dallas Green supplying the clean voice along with playing rhythm guitar. Wade MacNeil also supplied sublime vocals with a rasp while handling lead guitar duties. The three of them together really gave the band a unique flavor and the ability to pull off so many different approaches to songs. The bass player, Chris Steele, was the most entertaining aspect of the band with his movements and facial expressions help ignite the excitement of the unit while drummer Jordan Hastings held the beat. Some of the songs they played included “Young Cardinals,” “Boiled Frogs” and “Sans Soleil” but the caveat of the set was the cover of “When Doves Cry” by hometown legend Prince. I will be checking out the bands catalog as they dropped their fifth studio album ‘Otherness’ last year which was the first full length album in thirteen years.

The lights dropped and Avenged Sevenfold took to the stage. A lone chair sat in the middle of stage and vocalist M. Shadows, wearing a black ski-mask, sat down in it. The show kicked-off with “Game Over” and then into “Mattel.” The new album ‘Life Is But a Dream…’ is a stylistic change that tied their traditional metal DNA to a progressive soundscape of musical elements that have no boundaries. It is clear proof of the bands musical tastes and ideas had moved forward and the new album is a representation of where the band stands today. Not only has the sound shifted but so has the live show. The stage was stripped down with video panels on three sides of it. Days of the big pyro and elaborate stage set-ups seem to be gone along with massive lighting. The band spent much of the time in the dark under minimal lighting which further proved that the concert was truly about the songs. That being said, each song did have some elaborate images on the video panels which made for a cool experience as they played each song. It was bold statement to open with two new tracks but even a bigger one was made by closing with “G,” “(O)rdinary,” and “(D)eath” and walking off stage without a big goodbye or encore. 

The set ran slightly under two hours and despite the focus being on the new album, there was plenty of time to throw in some of the classic songs that are staples of the bands catalog. Song’s like “Buried Alive,” “Nightmare,” “Bat Country,” “Afterlife” and my highlight “Unholy Confessions” still sounded thunderous after all these years. Guitarist Synyster Gates and Zacky Vengeance played off each other perfectly, especially during the harmonized guitar solos. The rhythm section was handled by Johnny Christ and drummer Brooks Wackerman. Although he isn’t flashy behind the kit, I was really floored by the skill of Wackerman. The drums sounded amazing in the mix of the sound and it really allowed me to fully hear just how good he is and how much it drives the bands sound. M. Shadows sounded as good as I’ve ever heard him sing. He controlled the stage and after all the issues with his voice, it appeared that all is good now. I really enjoyed the Avenged Sevenfold set. Sometimes you get caught up with all the keyboard warriors who hate on the album and then blast the tour for the direction they have taken with the live show so I wasn’t sure what I was walking into. For me, and I can only speak for me, this showed me why Avenged Sevenfold is still relevant and still headlining arenas two-decades after forming. That crowd that packed the Target Center sang every word, of every song no matter if it was old or new which was proof they are still a beloved band and that people are ready to take a musical journey with no matter what direction they choose to go. That’s all I need to see. 

HELLOWEEN & HAMMERFALL Bring The United Forces Tour To Minnesota [Review & Photo Gallery]

A tour I’ve been waiting for since its announcement was the ‘United Forces Tour 2023’ which featured a reunited Helloween with the metal masters from Sweden HammerFall. The Fillmore in Minneapolis, Minnesota opened its doors and welcomed long-time fans of both bands for a powerful and memorable night of music.

HammerFall was given an hour to hit the crowd with everything they had and that’s exactly what they did. The attack started with the crushing “Brotherhood” and then into “Any Means Necessary.” This was my second time seeing them and once again they were impressive. They have created their own legacy over the past thirty-years with twelve studio albums, the last one coming in 2022 called ‘Hammer of Dawn.’ The first thing that immediately stood out was the energy coming from guitarist Oscar Dronjak. He looks like he lives and breathes metal as he attacked his guitar and enticed the crowd into the show. Watching the other guitar player, Pontus Norgren, was also a treat. He’s a shredder and worked the fretboard effortlessly. The rhythm section was thunderous with Fredrik Larsson on bass and David Wallin on drums. The man at the center that provided the vocals was Joacim Cans. He delivered the goods and sounded fantastic. As they ripped through a greatest hits type set-list the crowd was all in. The audience participation was non-stop and the atmosphere was electric during the set. They closed with “Hearts on Fire” with a tremendous response from the fans.

Helloween fans got energized in 2016 when it was announced that vocalist Michael Kiske and guitarist/vocalist Kai Hansen would rejoin the band. Adding back two members from the iconic ‘Keeper of the Seven Keys” era put the band back in the spotlight and fans, just like myself, waited for the tours to start. Finally, they arrived in Minnesota and from the opening note of “Skyfall,” it was a magical night. That song came off their sixteenth studio album, ‘Helloween,’ that was released in 2021 which was the first release under the “Pumpkins United” line-up. Not only did it feature Kiske and Hansen, but it also included the five current members of that band that have been active since 2005. Original members guitarist Michael Weikath and bassist Markus Grosskopf along with Sascha Gerstner also on guitar, drummer Daniel Loble and lead vocalist Andi Deris who replaced Kiske in 1993. For those people that jumped off the wagon after Kiske was replaced, you have missed some great Helloween records as Deris has done a specular job stepping into shoes that were difficult to fill. I was delighted they found a way to bring seven guys together and celebrate the entire history of the band and the tour really showcased why this band has influenced so many that came after them.

The set ran over two hours as they encapsulated the discography perfectly. After “Skyfall” where all three singers had their moments in the song, they began to alternate vocalists, sometimes solo, sometimes together. Kiske took on “Eagles Fly Free,” “Save Us” and “Future World” while Deris struck with “Mass Pollution,” “Power” and “Perfect Gentleman.”  Not to be outdone, Hansen took lead vocals for a medley of songs from the album ‘Walls of Jericho’ and a full ripping version of “How Many Tears.” The songs where both singers were on stage together trading off lines was really fun. Kiske and Deris worked together on “Best Time,” “Forever and One (Neverland),” “Dr. Stein” and the epic closer of the first encore “Keeper of the Seven Keys.” Sonically the band was top notch, with the drummer, Loble, sitting behind a monstrous kit on top of a pumpkin, you couldn’t see him, but you could hear him, and he powered the sound and worked in complete unison with the bassist Grosskopf. The third guitarist, Gerstner, is a real talent, both in playing and also providing backing vocals. The three-guitar attack allowed the guitar players to harmonize with each other while also filling in the rhythm parts which really gave the songs a full sound. Vocally, all three guys were spot on, including Kiske hitting some incredible high notes.

There was nothing I didn’t like about the show. The stage with the big pumpkin in the middle holding the drums, the ramps on each side and the screen playing some really cool images behind them. The obvious closer “I Want Out” ended a perfect evening. I love that Helloween worked out a way for the entire catalog to be represented as there are so many great songs and albums and being able to see the three singers performing together was fantastic. As a Helloween fan, I couldn’t ask for anything more…well, one thing maybe, how did the  song ‘Halloween’ not get played? That’s the only thing that comes to mind but besides that one omission, a perfect night. 

AVATAR, VEIL OF MAYA & ORBIT CULTURE Bring The Circus To Minnesota [Review & Photo Gallery]

The Skyway Theatre in Minneapolis, Minnesota welcomed in one of the heaviest hitting tours making their way across North America. Avatar was set to bring back “Avatar Country” back to the city that have continued to embrace them in bigger numbers with every stop. Veil Of Maya and Orbit Culture rounded a bill that delivered a fantastic night of music. 

The night was started by a sonic crushing quartet from Sweden called Orbit Culture. They formed in 2013 and are led by vocalist/guitarist Niklas Karlsson. His intensity matched the aggressiveness of the music which made for a great set. The rest of the line-up featured lead guitarist Richard Hansson, bassist Fredrik Lennartsson and Christopher Wallerstedt on drums. They have released three albums but it was 2020’s ‘Nija’ that caught my attention along with 2021’s EP ‘Shaman.’ I have quickly jumped on the bandwagon and they are a force to be reckoned with. They played a short set consisting of eight songs capped by a new track, “Alienated,” that will be on the oncoming new album. Other tunes that hit hard were “Strangler,” “Vultures of North,” and the closer “Saw.” It was my first time catching this band and I’m really looking forward to the new album. 

The band sandwiched between the two Swedish outfits was Chicago, Illinois own Veil of Maya. They just released studio album number seven called ‘[m]other.’ The bands energy and focal point was vocalist Lucas Magyar. From the opening cut “Viscera” he was working the crowd and getting everybody involved into the show. The rest of band featured guitarist Marc Okubo, bassist Danny Hauser and drummer Sam Applebaum and they laid down some incredible progressive and technical stuff. They ripped through a twelve-song set that included some of the new material like “Godhead,” “Red Fur” and “Synthwave Vegan.” Other songs included “Whistleblower,” “Doublespeak,” “Lisbeth” and the impressive “Mikasa” which closed the show. 

For my money, nobody delivers a concert like Sweden’s Avatar. The show they put on goes way beyond five guys just playing songs, this is a carefully constructed  and calculated event that combines theatrical trappings that play in perfect unison with the musicians and the sonic attack of the songs. Starting with the band standing in their own pods, thankfully they didn’t enclose them thus avoiding a possible Spinal Tap moment, towers of sparks shot up beside them as they launched into “Dance Devil Dance.” You could feel the energy from the stage but the energy coming back at the stage from the fans was even stronger as a steady stream of crowd surfers began. The players in this band fit so well together and they took the songs to another level live while also interacting with the each other and the crowd. Guitarists Jonas Jarlsby and Tim Ohrstrom provided some unbelievable playing, especially when they dueled each other, and the rhythm section of Henrik Sandelin and drummer John Alfredsson provided the platform for which all the dressing of the music was built upon. The court jester that led the three-ring circus was the infectious lead singer Johannes Eckerstrom. There just isn’t anyone better and more entertaining to watch than he is and it’s very difficult to take your eyes off him. He commands the stage with his crazy antics and facial expressions but it should not be lost on anybody how well he actually pulls off his vocals. He’s spot on and does not take a note off and sounded amazing the whole night which included the song “Tower” where it was just him and a piano. 

The new album released this year called ‘Dance Devil Dance’ is a crusher, blessed with an undeniable groove, it’s as catchy as it is heavy. Five of the eighteen songs played came off the new record and every one of them were incredible, in particular “The Dirt I’m Buried In” really hit in a spectacular way. During the song “Puppet Show” Johannes popped up in the balcony of the theatre with his trombone, but before he played it, he made a balloon animal, only at an Avatar show does that happen and actually makes sense. All the songs you would want were played like “Colossus,” “Let It Burn,” “Bloody Angel,” “Smells Like a Freakshow” and the king made an appearance for “A Statue of the King.” The set closed with “Hail the Apocalypse.” 

I love bands that bring that extra flavor to the stage, that visual that keeps you in the venue until the lights go up. Even with the custumes, staging and props, they never sacrifice the integrity of how the songs should be played live.  Sonically the songs sounded incredible and when you have that in unison with such a high-level stage show with all five guys sharing in the production and the responsibility of giving every person in the venue a night to remember, you have something magical, and that is what Avatar is.