High levels of activity, thriving urbanization, fortification in disposition and a mysterious yet entrancing underbelly are all indefatigable qualities associated with Brooklyn. One lesser-known concept hailing from said place would be the incorrigibly experimental blackened metal group Prostitution, who evidently are set to release their new cryptically titled EP ‘Egyptian Blue’ on 10 October 2017. The group is a power trio consisting of bassist/vocalist Jesse Adelson of Beast Modulus, guitarist/vocalist Russ Cowen of Black Harvest and drummer Jason Spence of Demilitia. The EP was produced and mixed by Anthony Lopardo and Raymond Marte and is an independent release. Continue reading
Since their inception nearly two decades ago, Italian space sludge squadron Ufomammut have carved out a singular niche for themselves in the doom community. Unlike many groups who manage to get by on brute strength alone, Ufomammut’s pulverizing yet hypnotizing sound tends to crush with pressure rather than weight; it’s a black hole, massive, swirling, and distorting, that sucks listeners in and rips them apart on a molecular level, as opposed to just beating them over the head with a great big hammer. 8, the trio’s latest offering, is an intergalactic machine of almost infinite force, a riff-hewn monolith perched on the edge of the universe.
Meade Ave. is:
Aaron “FURBY 2chainz” Paoletta: Founder/Drummer
Matthew “BISCUT” Paoletta: Bass Guitar
George “GHOLE” Rodenas: Lead Vocals
Greg “SPEEDY” Scopinich (UOM): Lead Guitar
So, what happens when one of our favorite, established bands, voted the #1 Unsigned Band in Las Vegas, switches up vocalists, heads into the desert at the guest house at The Goddess Temple in Indian Springs, NV in December 2016 to record an album utilizing The Cave Recording Studio mobile rig and then uproots themselves to migrate back East to Pennsylvania? This kind of chaos has wrecked havoc on many a band over the years; shredding lesser groups and scattering members into other projects or simply giving up on an already “hard row to hoe” line in the music business. If anything, this has strengthened my boys in Meade Ave. and is brilliantly reflected in their upcoming release of Stitching the Torn, which we have been honored to hear first from founder, drummer and recording wizard, Aaron Paoletta. I had my grubby paws on the masters the minute Aaron got them back and have been enjoying this beast ever since. A huge “Thank you!” for the opportunity, my friend! Love you guys!
Featuring former members of Brain Drill and Flesh Consumed and released less than a year after their third release Calling From A Dream (Unique Leader Records), Bay Areas Inanimate Existence return with their fourth progressive tech-death fantasia Underneath A Melting Sky. This marks their first record to be released with independent label The Artisan Era and a definitive peak in their 8-year career with a firm establishment of direction after much experimentation. Produced at the Shark Bite Studios (responsible for the mastering behind Exodus’: The Atrocity Exhibition Exhibit A and Machine Heads The Blackening), this record offers a futuristic delivery of evolutionary technical death metal and an exciting glimpse into the direction of the genre to come.
‘Rust’, the third long-player from Sweden’s Monolord, is a mountain-sized monster of an album, a great, lumbering beast with a low heartrate and a horrifyingly bad disposition. The follow-up to 2015’s breakthrough ‘Vænir’ sees the band ascend into the upper pantheon of modern doom while maintaining and further honing a sense of melody that eludes most of their contemporaries. ‘Rust’ is an exquisitely crafted truncheon designed for maximum impact, a phaser set on ‘Infinite Crush’; it’s also a moody, dynamic, emotive piece of work that stands with the finest heavy music released this year.
I am in a lot of facebook groups and I have seen a bunch of bands while scrolling through them but A Scarlet Gospel instantly stood out from the others. Their ability to combine deathcore with blackmetal is something I haven’t seen before and when I found out that they will be releasing their first EP ‘A Speaker Of Damnation’ I got even more excited. It will be available via Putrescene Records on the 30th of September but 2 tracks have already been out for a while and they are top notch!
Thousand Foot Krutch are just one of those bands that calls for high energy no matter what they’re doing. The rap metal band from Toronto, Canada performed during the 2016 Winter Jam Tour Spectacular, and are now releasing their second live album since “Live At The Masquerade” (2011) recorded during the tour. “Untraveled Roads” is set to be released September 15th, 2017 through both The Fuel Music and TFK Music Inc. The album features 12 tracks pulled from each of TFK‘s three previous albums, “The End Is Where We Begin” (2012), “Oxygen: Inhale” (2014), and “Exhale” (2016).
Death Metal is brutality in its impurest form. The ferocious guitar riffs, earth breaking bass, deafening drum beats, and guttural growls define one of metal’s most extreme and unforgiving genres, and this abrasive sonic assault perfectly describes the style of weed obsessed death metal band CANNABIS CORPSE.
Despite the fact that the name CANNABIS CORPSE is a parody of gore loving death metal band CANNIBAL CORPSE (just needed to explain for all NONE of you who weren’t already aware), bassist/vocalist Phil Hall, drummer Josh Hall, and guitarist Ray Suhy take their doobie influenced and (admittedly) humorous metal quite seriously, and this can be heard on their most recent record ‘Left Hand Pass’ which is an absolute monster of an album with smashing guitar riffs, unforgiving guttural screams, and a slight hint of melody that hooks the listener from start to finish.
Simply put: it’s crushing.
Rat Pak Records
For my money, George Lynch has never had a more fruitful musical counterpart than Oni Logan. Logan’s rich, full-throated bellow has, from the outset, seemed tailor-made to compliment the strong, earthy tones of Lynch’s acrobatic yet understated guitar heroics. ‘The Brotherhood,’ the latest release from their newly-configured LYNCH MOB, more than fulfills the promise of their two post-reunion endeavors, ‘Sun Red Sun’ (2014) and ‘Rebels’ (2015); it’s a rip-snorting chunk of Hard Rock groove and one hell of a fun listen that easily stands alongside their 1990 debut, the underappreciated late-era Glam Metal gem ‘Wicked Sensation.’
Suffolk, England – 1991. Darkness manifests itself to the world of the living in the form of CRADLE OF FILTH. 26 years and eleven studio albums later this looming leviathan is back to haunt the dreams of mankind yet again with their twelfth studio album entitled “Cryptoriana – The Seductiveness Of Decay” (Nuclear Blast Records). Blazing fast execution, macabre imagery, and a complete mastery of the English language have allowed these creatures of the nether realm to imprint themselves into the upper echelons of extreme metal. Now comprised of Dani Filth – Vocals, Richard Shaw – Guitar, Marek ‘Ashok’ Smerda – Guitar, Daniel Firth – Bass, Lindsay Schoolcraft – Keys, and Martin Škaroupa – Drums, CRADLE OF FILTH is once again going to whisk you into a realm of lurid beauty and forlorn caliginosity. Continue reading