A product of Los Angeles, California All Hail The Yeti formed in 2006. The band has released two full length albums, their self titled debut in 2012 followed by ‘Screams from a Black Wilderness’ in 2016 which was produced by Matt Hyde (Slipknot, Machine Head). The band creates a southern-sludgy stoner rock that electrifies listeners. The band is influences by iconic NOLA legends like Acid Bath and Eye Hate God and also a touch of the sunset strip with Motley Crue. All Hail The Yeti is now preparing to release their third studio album ‘Highway Croses’. The album was recorded, mixed and produced by three-time Grammy winning producer Warren Riker who is well recognized for his work with metal artists such as Down, Cathedral, Korn and Crowbar, as well as mainstream names such as The Fugees, Mary j. Blige, Santana and more. ‘Highway Crosses’ releases on November 16th via Minus Head Records. Continue reading →
Unhold has been an active band for over 25 years beginning in 1992, fusing together a unique mix of sludge, doom, and post metal and in the process cementing themselves as a staple in the scene. Unhold is like a heavy metal experimental astronaut constantly in search of things out of this world and blazing new paths. After many years as a quartet, in 2012 Unhold united three rough edged and enticing voices, guitars, keys / synth, bass and drums following their mission to merge beauty and beast into one hybrid creature – fierce, intimidating, beautiful and compelling. The band is comprised of Reto Wittwer on bass, Miriam Wolf adding piano as well as vocals, Philipp Thöni shredding on guitar and providing clean vocals, Daniel Fischer behind the drums and Thomas Tschuor on guitar and belts out the harsh vocals. Unhold are routinely playing stages all over the world and have played alongside bands such as Shrinebuilder, A Storm of Light, Zeal & Ardor, Zatokrev, Minsk, Crowbar, and Torche. As you can see those bands they have played alongside vary by genre drastically. Unhold has a unique enough sound that they can almost fit any bill alongside any band regardless of their genre or sub-genre in the rock or metal world. The bands latest release is ‘Here Is The Blood’ which released November 9, 2018 via Czar Of Bullets. The album was mixed and mastered by Andrew Schneider in New York whilst in daily contact with the band. It was recorded by Christoph Noth at Studio La Fonderie in Fribourg, Switzerland. The results are for all to hear. Andrew Schneider and his experience and sonic mastery shines throughout their songs, as it has with other bands he has mixed such as Unsane, Cave In, Ken Mode, Big Business, and Shrinebuilder. ‘Here Is The Blood’ is the follow up to 2015’s ‘Towering’ and the band yet again expands on their journey in exploration of sound.
High On Fire are back with their 8th full-length release, Electric Messiah. This follows up their 2015 release Luminiferous via Entertainment One Music. With Sleep’s triumphant return on the stoner holy day of 4/20 and this new album, it has been quite a year for vocalist/guitarist Matt Pike. As far as this record Pike explains, “This is by far the best record I’ve ever made with the High on Fire stamp. It just keeps getting better and better. We just try to outdo ourselves. I’m not saying the old work is progressively worse, it’s just that we get better every time instead of burning out, which is a common finality for a lot of bands. This album is fucking excellent, I just love everything on it, I’m not bummed about anything. It’s great when you think that about your record.” This is their third release done with producer Kurt Ballou (Converge, Torche, Kvelertak), creating a strong bond with the three-piece. Now with more than a decade as unit with Jeff Matz on bass and Des Kensel on drums, this is some of High On Fire’s best work. Continue reading →
City Of Industry is a hardcore punk band that was formed in 2017 in Seattle, Washington. The band is a three piece comprised of Jack Thompson on bass, Mauro Contreras on drums and rounding out the band John Suede on guitar and vocals. Though City Of Industry was just formed last year they have wasted no time getting material out to fans. In December of last year they released their debut EP and the band has now released their follow up titled ‘American Habits Are Hard To Break’ on July 27, 2018. ‘American Habits Are Hard To Break’ was recorded and mixed by Jon Lervold at Big Name Studios and mastered by Brad Boatright at Audiosiege. The band notes Coke Bust, Converge, Ceremony, Iron Lung, and Despise You as some of their biggest influences. Though you can easily hear the bands hardcore and punk styles meld together within their music you can also hear touches of the crust punk genre throughout their songs as well.
Southern stoner metal heroes Weedeater are hitting the road again for another U.S tour (dates below). The tour begins June 24 at Maryland Doomfest and ends in their home state of North Carolina. Bringing along Zeke, Unsane (on select dates,) and Sierra this tour is sure to be a trip!
Since their debut album …And Justice For Y’all Weedeater has brought stoned goodness to the metal masses. With such critically acclaimed records as Sixteen Tons, God Luck And Good Speed, and Jason… The Dragon Weedeater are force to be reckoned with on stage and in the studio. Travelling the world with such acts as High On Fire, The Melvins, and Saint Vitus they have made a name for themselves in the doom-filled corners of metal. To keep up to date on Weedeater, follow them on their website or Facebook. Continue reading →
*This is a part of ourState Of The Artseries, showcasing bands every Monday from the featured state.*
This month’s state is Alabama!
One would not expect beautiful Birmingham, Alabama to be pumping out some seriously dark sounds. Ember has managed to create an approachable, drony doom sound with vocals that channel early European symphonic metal elements. In fact, Alabama is the last place one might guess this band is from. Continue reading →
*This is a part of our State Of The Art series, showcasing bands every Monday from the featured state.*
This month’s state is Alabama!
Hailing from Mobile, Alabama, Oracle offers extreme metal with intention. Ranging from melodic to outright bludgeoning brutality, it’s the elaborately well-conceived song structures that bring together all of the interesting musical elements for a truly exciting listening experience. Like an intricately crafted movie plot with multiple twists and turns, Oracle takes the same approach with their music. Tracks transition through multiple moods, tones, and tempos not simply because they can, but because they need to in order to achieve such monumental levels of depths and dynamics this band delivers. Continue reading →
The UKs very own version of Roadburn took over London over the bank holiday weekend of 4th May – 6th May. The annual 3-day DesertFest London festival hosted over 70 bands including some of the biggest names in the stoner rock scene, at the most iconic venues in Londons Camden town – from the Roundhouse to Koko, The Underworld, The Black Heart and The Dev(onshire Arms). Camden was a hive for worshipers of the scene to congregate for the 7th edition of this fundamental tour, and with headliners that included Graveyard, Napalm Death, High On Fire, Hawkwind and Monster Magnet, this year has been it’s biggest and most diverse yet!
Today saw the festival at it’s busiest for it’s opening day, with 26 artists across 5 stages, not to mention the thousands of tourists bustling about Camden town – famous for it’s vast array of boutique and quirky independent shops, amazing street food and markets, weird and wonderful street performers and musicians, as well as being the absolute hot-spot for all kinds of sub-cultures to thrive. With the distinct smell of weed fresh in the air on a blisteringly hot day in the capitol, I was ready for the beginning of what would be an epic weekend of (natural) highs from the outstanding line-up at DesertFest London 2018. (Full gallery follows article). Continue reading →
The UK’s premier independent festival Desertfest London returns over the May bank holiday (May 4th-6th) with what can only be described, as unquestionably it’s most biggest and broadest line-up yet!
Now in its 7th year, the festivities will take place across multiple venues in London’s Camden Town including the famous Underworld and breathtaking Roundhouse. With over 70 acts announced across the whole metal spectrum, together with the biggest names in sludge, doom and psych!
Not only that, as par tradition Desertfest will be holding their annual pre-festival party at The Black Heart on May 3rd featuring a full headline set by North Carolina’s A.S.G and London’s own Flash House as support! (Pre-festival tickets here)
Read below for full headliners and bands that are not to be missed! (Full weekend line-up follows article. Weekend and day tickets available here). Continue reading →
Recently this band came onto my radar after having their latest, September 2017 CD release essentially dropped into my lap by my editor here at Metal Nexus. Upon first listen, I was pleasantly surprised by their throwback, sludgey, stoner sound often reminiscent of Melvins and early Soundgarden. I’ve since given the album several more listens and each time discover more and more interesting nuances to enjoy. What stands out above all else with Disastroid’s ‘Screen’ is vibe. From front to back, this album emanates a heavy and relenting, chilled out, stoner vibe, while at times delving into well-placed moments of intense psychedelia. Like a VW bus hotboxed in a thick cloud of bong smoke, this record will envelope and intoxicate you as you succumb to its dark, dank, euphoric moods. Continue reading →