MOTIONLESS IN WHITE, EVERY TIME I DIE, Dominate Sold Out Show In Lexington [Review & Photo Gallery]

Motionless In White


It’s March in the Bluegrass which means everyone in the region has basketball on their minds. Although the University of Kentucky men’s basketball team is playing (which I listened to on the 2 hour drive north to Lexington) this day was about music. Not just any kind of music – Metal! Not just any normal volume – Very Loud! Continue reading

Review: ANATOMY OF A CREATION – ‘Contamination’ [Album Stream]


Anatomy Of A Creation is a Kentucky based Deathcore project, and the brainchild of Anthony Leasgang its sole member. Founded in 2012 Anatomy Of A Creation gave the world its first listen in 2013 with a 5 track E.P. ‘Murderer’ and since then has gone on to put out 3 additional E.P.s and two full length albums.

Anatomy Of A Creation actually just released their 2nd full length album on 3-3-2018 titled ‘Contamination’ and what an album it is coming from the mind of just one person. This album in its entirety is filled with some nasty down tuned guitar, heart stopping breakdowns, and perfectly placed fast picking segments, All of which compliment the throaty, seemingly pissed off vocals of Leasgang.  Continue reading

Review: MELT – S/T [Album Stream + Live Performance Video]


Melt hails from Toulouse, France. The band originally formed as a duo in 2007 when Charlotte and Olivier met. Charlotte at times has used several aliases including Shiro. Olivier adds about Charlotte “there would be no band without her.” They quickly recorded their first demos which they deemed as “a powerful and personal rock, finding its full emotional potential on stage.” Charlotte’s singing comes from a crisis during in which she went crazy and untied herself from the real world. Her lyrics are oniric, a mix of english and imaginary invented language, disconnected from the “real” world, again. Melt sought out additional members and the lineup currently consists of Olivier (guitar), Roméo (drums), Charlotte/Shiro (guitar and vocals) and Julien (Bass). The band’s music is an unexpected mix between metal and cold wave tragic melodies. The band released a self titled EP in 2015 consisting of 4 tracks “Stigmata”, “Cypher”, “Blast” and “Opikanoba”. Those tracks along with 4 additional tracks make up the bands debut album. Melt released their self titled debut album on December 3rd, 2017. The album was recorded, mixed and mastered in a small studio in Saint Antonin, France, the studio doesn’t really have a name, and it was the producers debut working with a band other than his own. So it turned out to be both a debut for the band and the producer. The album is self released by the band and you can hear it below or pick up a copy via bandcamp here.


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Review: COSMIC WOOL – S/T [Official Videos]


Cosmic Wool is straight from the Heartland Of America, Oklahoma City to be exact. The band formed in 2013 by brothers Nevada (Guitars/Backing Vocals) and Rado Romo (Lead Vocals/Bass) who both are formerly of the band Anti Mortem and Nevada is currently the guitarist for Texas Hippie Coalition as well. The remaining members of the band are John “Drew” Williams (Guitar/Keyboards) who met the brothers through a mutual friend, and Tom Frizzell (Drums) who responded to an ad by the band seeking a drummer. The band initially like most bands do started out as a jam band. Cosmic Wool was something for the Romo brothers to do with their breaks between tours. With the dissipation of Anti Mortem in 2014 it freed up more time and Cosmic Wool was moved up as a priority. The band first released a 3 track EP ‘Over Your Eyes’. The band tested their sound with local Okalahoma crowds and they seemed to love the direction the band was going in. The next step was to step further out of their region and see if the country was ready for the comforting sounds of Cosmic Wool. In 2016 the band released another EP titled ‘White’. The band further developed their “cosmic” psychedelic sounds and intertwined amazing melodic choruses within their newer songs creating the sound they have today. Cosmic Wool spent the spring of 2015 to the summer of 2017 writing and reworking the songs that would make up their debut full length, working with Chainsaw Kittens guitarist Trent Bell perfecting the sound they were looking for. The band has stated “We met Trent through another producer we’re friends with named Dustin “Provo” Provenzano who did the first Cosmic Wool demos as well as the Anti Mortem demos. Bell Sound is a huge facility,” points out Rado Romo, “so we took full advantage of that and recorded most of the guitar, bass and drum tracks together in the same room. We also experimented with state of the art synths and keyboards to round things out.” The bands sound has been described as various things, space rock, desert rock, psychedelic rock, groove metal, but one thing is for certain; the band has moved out of the hard rock genre and created a sound that is uniquely theirs. The bands debut self titled full length was released on December 19, 2017 and is available at most online music merchandisers. Pick up a copy on Amazon here, or check it out on spotify.

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Album Review: NARCOTIC WASTELAND – ‘Delirium Tremens’

Remember Dallas-Toler Wade? Yeah, the former NILE vocalist who is no longer a part of the technical death metal band. Tadaa! he is back with his main project NARCOTIC WASTELAND with their follow up album to the self titled debut record, their sophomore effort is known as ‘Delirium Tremens’ and is slated to be released tomorrow on October 13, out via Megaforce Records. The quartet from Fayetteville, North Carolina has put out yet another incredible death metal album that has the potential to end itself up on the year end top album lists.

‘Delirium Tremens’ was produced and mixed by NARCOTIC WASTELAND at Vegas View Recording and Dallas’ home studio. For recording and mixing, the band tapped Grammy award winning producer Neil Kernon at Auslander, with mastering by metal producer-elite Alan Douches at West West Side Music. So, how heavy does Dallas and his team’s sophomore record weigh? Let’s find out!

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Manchester’s COLD FELL Offer Up Full Length Debut [Album Review] [Album Stream]

Manchester, England, a city that exploded around the turn of the Industrial Revolution, has served as a backdrop and inspiration of metal musicians of all ranges.  No small wonder, either, given the social issues created once the trappings of the industrial exploitation machinations were set into play. Workers were often forced into inhumane working conditions and eventually, periods of civil unrest between the working poor and the bourgeois erupted, leaving behind inauspiciousness in it’s wake. From these circumstances, and similar in cities such as Birmingham, the bubblings of metal sprung forth to unleash upon the world an especially dreadful perspective.  The natives Cold Fell (so named for a mountain in the North Pennines, a spine, if you will, that weaves throughout northwestern English countryside) have finally gotten the opportunity to add their own voice to the offerings, four years after the release of their first EP. Comprised of Laurence Taylor (of Caina) on vox, Karl Sveinsson and Giovanni Infantino on lead and rhythm guitar, Callum Cox pounding on the drums, and Oliver Edward Turner on bass, Cold Fell evidently put the gap time after their initial EP to good use as 2017 has been gifted with one smoking full length debut. 

“Irwell” is both the name that christens their Argento Records release and a river valley nestled in (you guessed it) northwestern England.  Coming in with eight tracks, “Irwell” is a solid monster of a proper debut which bares it’s teeth from the opening, snapping fierce jaws within instrumental passages so you, the listener, do not escape it’s mighty grasp.  The band members here have an excellent chemistry which is evident in the ways in which each track has been composed.  There’s not a superfluous time change, solo or angry vocal howl throughout the album that I could find; these guys were on a mission of craft and on “Irwell” they absolutely bring the pain.  Peppered throughout each of the songs, one can easily see the influence that classic black metal and contemporary bands of the same genre have had on the members, and rather than setting out to exploit those genres or relying on a more avant garde/experimental approach, CF pay homage to those before and current in black metal by efficiently utilizing the core sounds, topped with their own personal flavor. Take, for instance, ‘Folly (Health & the Glory)’  which opens with a nicely fat bass thrum underlying the assault unleashed by the typical frontrunners of guitar and drums.  Densely atmospheric in the right places, the track pummels along, punctuated with howling guitar shrieks that eerily mimic a female’s screams in places, while ‘Bone Ceiling’ bites and snarls in its own right, featuring a nice addition of fist pump worthy chants that will surely be as appreciated during a live performance as it is on record. My overall album pick, though (and it’s surely a close call to make), is narrowly the doom and gloom served up by ‘The Whip (Armed to the Teeth): furious skin work where appropriate with some nicely bitter slower tempo drops, some skillful lead guitar that helps pull the beat back from the mire and cohesive and spot on instrumental passages.  The album closer, ‘Dream of Seppuku’, is a wholly appropriate one that fits like a glove.  Seppuku refers to the Japanese act of suicide by disembowelment, and this track moves in thematically appropriate ways until it fades into a more somber tone sprinkled with some piano keys.  While not necessarily a game changer (and not that it had such ambitions in the first place), “Irwell” delivers a solid album sure to catch the attentions of the black metal scene, and gives just enough to keep us wanting more.

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Review: Gatecreeper “Sonoran Depravation”


If you’re looking for some catchy doom tinged death that jumps like a crack head on fire right out of the gate, the Gatecreeper‘s “Sonoran Depravation” on Relapse Records is the perfect album for you. GC have a heavy ass, nasty mix of older Entombed and Obituary with some hellacious melodic passages all accompanied by a John Tardy bred with a bull mastiff of a vocalist. This is “balls out, fuck the technicality, fuck genres, let’s play us some death metal” style shit.


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Black Sabbath The End… with Rival Sons – United Center – Chicago, IL. 1/22/16


Freezing temperatures couldn’t keep things from heating up in Chicago Friday night as Black Sabbath brought show 2 of their final tour, appropriately titled “The End”, to the United Center. The 23,000 Plus arena was sold out and filled to the brim by the time the metal masters took the stage. But first Long Beach, California rockers Rival Sons took the stage to get the crowd warmed up from the cold outside.

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Review: Stonecutters “Blood Moon” [Video]


It’s not often I get to write about some fellow Kentuckians. Not only do these guys hail from the Bluegrass state but they are putting us on the map for their brilliant musicianship. Stonecutters have successfully released 3 albums including their last kick ass release titled “Creatio Ex Nihil” that was unleashed in 2013. I was fortunate enough to see them back in 2006 with Eye Hate God and Nachtmystium in support of their debut album. Time has done nothing but make this band better and better. The brand new album “Blood Moon” is some of their best work to date and was recorded with David Barrick in Glasgow, Kentucky. Continue reading