Welcome back to our ongoing series of LOUDER THAN LIFE 2019 artist profiles, our weekly guide through the lineup of acts who’ll take the stage at Louisville, Kentucky’s Highland Festival Grounds at Kentucky Expo Center September 27-29 in what’s sure to be one of the biggest concert events of the year. This week, we’re taking a closer look at Swedish neo-psych blues chooglers GRAVEYARD.
With what passes for rock and roll nowadays, who could really blame those that say the genre is dead or dying? But if you scratch just a little bit deeper, you’ll find there is a whole new generation of artists well versed in the finer points of classic rock, penning brand new messages in fifty year old ink. Greta Van Fleet may have garnered the lion’s share of hedgerow bustling from the mainstream, but there was a bumper crop of retro-leaning acts in 2018 proving there will always be plenty of room for bands that want to wrap themselves in velvets and party like it’s 1974. It was tough to whittle the whole year down to ten releases, and even tougher to rank them. But after countless hours of analysis, these are the best things I heard this year; if you don’t think they make ‘em like they used to, you need to check this shit out.
After releasing one of 2018’s finest hunks of retro-rock (the downright dazzling Ain’t No Shame), Norwegian flower-power trio Friendship are kicking off the new year with the re-release of their 2012 debut single. Both “Alpha Male” and its corresponding b-side “Give It Time” show that the band’s knack for funky and fluid, sexy and soulful sunshine rock was in place from the start, whip-tight power-pop filtered through a kaleidoscopic lens of swaggering psychedelia.
Stoner rock fans across North America will have reason to rejoice in March 2019, when English horror-psych mavens Uncle Acid and the Deadbeats join forces with Swedish retro-rockers Graveyard for a co-headlining jaunt dubbed the “Peace Across the Wasteland” tour. Ticket pre-sales for the nineteen-date tour, which kicks off at Philadelphia’s Union Transfer on March 6 and runs through March 30 at the Danforth Music Hall in Toronto, begin October 24, with the general on-sale beginning two days later.
*This is part of our “Aftershock Festival 2018 Spotlight” where we branch out and focus on some of the up-and-coming bands that fans can see at this year’s Aftershock Festival on October 13th & 14th. This week, we’re checking out THE JACKS.*
This year’s Aftershock Festival is packed with some of the biggest trendsetters in today’s current music scene. Going stronger than ever is the revival sound of classic rock and psychedelia. Doing their part to contribute to the retro movement are TheJacks who offer their spin on the British Invasion sound of the sixties and seventies. It’s a nuts-and-bolts style of catchy pop hooks and rock n’ roll simplicity that opts for a rawer sound as opposed to excess studio gimmickry. Continue reading →
Ain’t No Shame, the eagerly anticipated second full-length from Norwegian trio Friendship, should be classified as a mood-enhancing substance. The first time I heard it, it pulled me out of the kind of piss-poor headspace that can only come from five hours cooped up in a car with two cranky children and an more than exasperated spouse. I was actually a little nervous to hit play that first time, for fear that my mental and physical exhaustion might negatively color my feeling toward the material. But by the end of the Monkees-and-Cream-playing-Cheap Trick opener “Are You Ready,” I was grinning ear to ear. Somewhere in the middle of the jazzy delight “Harmony Turns to Sound,” my dopey grin turned to slack-jawed awe. And within three seconds of the stomping funk-rock romp “Fire,” I actually laughed out loud from the combination of amazement and joy. I went to bed that night with a smile on my face and a sense of contentment in my heart, and I have Fredrik Skalstad (drums & lead vocals), Martin Morland (bass), and Sander Eriksen Nordahl (guitar) (along with their litany of guest musicians) to thank for that. It brought me up when I was down, and there’s not too many higher accolades than that.
The surest way to stand out in a bleak and dour world? Be a beacon of light. With their matching white outfits, recurring rainbow motifs, and a fully-formed and realized rock band-as-hippie love sect mythos, Nottingham-based occult rock septet Church of the Cosmic Skull have done a more-than-admirable job setting themselves apart from the seemingly endless parade of monsters and demons and scowling young men in varying shades of black that populate today’s heavy rock scene. Their aesthetic is so refined and so well-structured, in fact, that at first glance some folks may be inclined to immediately dismiss the group out of hand as a mere novelty act or an elaborate joke. Those folks would being doing themselves a grave disservice, however, because here’s the thing: Church of the Cosmic Skull is one of the best bands in the world of retro-rock, and with their absolutely breathtaking six-part harmonies, they may be the most singular unit out there. Nobody else sounds like this. Their debut album, 2016’s Is Satan Real?, is one of the best records I’ve heard since I started writing for Metal Nexus last summer. Their newest, Science Fiction, is even better.
Four years after recording their self-titled debut, Norwegian retro-psych trio Friendship is poised to release their sophomore effort, the intoxicatingly shimmery Ain’t No Shame. It’s a forty-minute smile, a heartfelt and exquisitely crafted work that should appeal equally to fans of Cream and Kadavar, of Earth, Wind, & Fire and Grand Funk Railroad, and we here at Metal Nexus are pleased and proud to offer you an exclusive streaming premiere of the album’s infectiously swinging title track.
Belgian/Dutch power trio RRRags came together a mere eight months ago, but the songs on their self-titled debut sound like the work of a band that’s been at this rock and roll game for years and years. The band’s musical telepathy is remarkably refined, and the songs are both well-crafted and catchy as all hell. They hit hard without ever plodding, emphasizing groove and atmosphere over sheer brute strength and mixing their upbeat stoner vibe with flashes of soul, funk, southern rock, and power pop. RRRags are obviously true believers and lifelong devotees, my friends, and they’ve conjured up a slab of classic rock for the here and now.