Weedeater was formed by front-man/bassist “Dixie” Dave Collins also formerly of Buzzoven. Following the release of their 2001 debut ‘…And Justice For Y’All’, Weedeater immediately established themselves as a force in the U.S. tour circuit and quickly gained notoriety in the American metal scene. In the time since, the band have released three critically-acclaimed albums: ‘Sixteen Tons’ (2002), ‘God Luck And Good Speed’ (2007), and ‘Jason… The Dragon’ (2011), and toured around the world with the likes of Down, Saint Vitus, High On Fire, The Melvins, Hank III, and more. The band has played prestigious festivals such as Maryland Deathfest, Hopscotch Festival, Stoned From The Underground, Asymmetry Festival, Roadburn Festival, Hellfest, and many more. Weedeater has sludged their way up the ranks from a underground band with a cult following to one of metal’s most sought after bands to see live. Frontman “Dixie” Dave is an all around entertainer when on stage with his puzzling looks and gravely pitch, combine that with the guitar shredding genius of Dave “Shep” Shepherd and your night is bound to be a memory you won’t soon forget. Continue reading →
Skinless are back again with another brutal release from Relapse Records titled, ‘Savagery’. Starting in the early 1990’s, these guys decimated the underground scene with intense live performances. Noting Cannibal Corpse, Suffocation, and Deicide as influences, they gained a large following to support their 1998 release ‘Progression Towards Evil’. Signing a deal with Relapse Records, the band released four more albums: ‘Foreshadowing Our Demise’, ‘From Sacrifice To Survival’, and ‘Trample The Weak’, ‘Hurdle The Dead’. Gaining a loyal fan base worldwide, they have shared the stage with likes of Slayer, Dying Fetus, and Hatebreed. After lineup changes and an eventual hiatus, Skinless reformed to lay waste to the world once again with ‘Only The Ruthless Remain’. With that terribly appropriate title, Skinless proved to us that they could stand the test of time, the most brutal force of all. With ‘Savagery’, they show their pure strength once again. Continue reading →
Originally released in 1990 and out-of-print for almost two decades, The Obsessed’s now-legendary self-titled debut comes completely remastered with previously unreleased bonus tracks, including the highly-sought after four-track Concrete Cancer demo (1984), expanded artwork, never-before-seen photos, and extended liner notes from frontman Scott “Wino” Weinrich. The Obsessed is a true piece of doom rock history! The deluxe 2xCD version of the record includes a bonus disc containing the Concrete Cancer demo as well as a full live set from 1985 in Washington, D.C.. The Concrete Cancer demo is also available separately as a limited-edition LP. Continue reading →
When it comes to Doom Metal there are few figures who have had a career as illustrious as Vocalist/ Guitarist Scott “WINO” Weinrich. The man is a LEGEND plain and simple. With a career spanning 40+ years, Wino has effectively set the standard for Stoner Rock and Doom Metal with standout albums like ‘Mother-Teacher-Destroyer’ by The Hidden Hand, ‘Born Too Late’ by Saint Vitus, and even the Self titled debut from the short lived band Shrinebuilder (which featured members of bands such as The Melvins, SLEEP, and Neurosis). Of course Wino is most commonly remembered for his time in a little band knows as The Obsessed! For those not familiar, The Obsessed was formed in 1976 (originally under the name War Horse). In 1983 They released the ‘Sodden Jackal’ EP and had one track (“Concrete Cancer”) featured on Metal Blade’s ‘Metal Massacre VI’! The band broke up in the late 80’s after Wino moved to California to join Saint Vitus, although different versions of The Obsessed have existed since then with the current line up consisting of Wino (vocals/guitar), Reid Raley (bass), and Brian Costantino (drums). Continue reading →
In this series we pose the age old questions to a wide array of music lovers. As fans of music most of us keep a mental list of active bands we want to see live that we haven’t yet seen. The Bucketlist brings to you those lists of your favorite artists and why those bands mean so much to them.
Nate Garrett is a name you may be familiar with. Musicians strike to get signed by a label throughout their careers and Nate has achieved this with not only one band but two. In 2015 Nate founded the band Spirit Adrift, which essentially started out as a one man project. In 2016 the band released an EP ‘ Behind – Beyond’ and a full length ‘Chained to Oblivion’ both via Prosthetic Records . They also released a split release with Khemmis via War Crime Recordings. Spirit Adrift has a slow festering doom sound with some psychedelic qualities. Both releases are riddled with riffs and thundering bass lines. Also on vocal duties Nate’s voice booms with soulful qualities throughout each track. All the tracks have this immense harmony and melodic feel with the powerful guitar work and drum beats holding up the back end. Around the same time Nate was founding Spirit Adrift he was welcomed into Gatecreeper as their guitarist. The bands are vastly different but do have some similar elements. Gatecreeper is certainly more in the vein of death metal, but they combine some doom influence as well. The band includes a Swedish style rapid fire riff attack and equal parts groove to make a smooth and filling cocktail of greatness. Since Nate was added to the band they have appeared on 3 splits, a compilation album, a full length and a live album. The full length ‘Sonoran Depravation’ was released in 2016 via Relapse Records, and the band’s live album ‘Unleashed in the Middle East’ was released in May of 2017 independently. You can easily say at this point that Nate Garrett is a successful musician. Dividing his time between two successful groups is certainly another feat within itself. Continue reading →
Southern California-based veteran sludge act, -(16)-, return with their seventh full-length album. Entitled Lifespan Of A Moth, the offering is clearly the band’s heaviest, darkest, and most complex material to date. The album is the follow up to Deep Cuts From Dark Clouds and marks the bands 3rd release on Relapse Records. The band broke up for a period of time but their love for all things heavy brought them together again and the band reunited in 2007. The new album was self-produced by -(16)- and recorded with Jeff Forrest (Cattle Decapitation, The Locust) at Doubletime Recording Studio in San Diego, California. Lifespan Of A Moth is set for release this July 15th via Relapse on CD/LP/Digital. Physical pre-orders via Relapse.com can be found HERE; digital preorders are available through the band’s BandCamp page at THIS LOCATION.
California sludge masters -(16)- release video for “Peaches, Cream and the Placenta” from their upcoming album ‘Lifespan Of A Moth’ which is set for release this July 15th via Relapse Records. Lifespan Of A Moth is the band’s heaviest, darkest, and most complex material to date. Self-produced by the band and recorded with Jeff Forrest (Cattle Decapitation, The Locust) at Doubletime Recording Studio in San Diego, California, Lifespan Of A Moth sees the band sounding uglier, rawer, and more visceral than ever. Down-tuned, feedback-driven riffs and bludgeoning rhythms violently clash with vocalist Cris Jerue’s distorted, tortured howls across eight tracks of -(16)-‘s signature blend of hardcore punk, thrash, and sludge. Lifespan Of A Moth is the sound of a band that has spent twenty-five years wallowing in addiction and anguish, and will leave you feeling crushed and confronted by the negativity of existence. This is an album you do not want to miss. Physical preorders via Relapse.com can be foundHERE; digital preorders are available through -(16)-‘sBandCamp page atTHIS LOCATION.