Founded in Ottawa, Ontario, Canada in 2006 the three brothers known by their surname Dubé have found themselves the center of a wide spread and viral meme throughout Canada. There was an article about them within the Ontario Secondary School Literacy Test which was given to 10th grade students in Ontario. The article was essentially a reading comprehension test and they had to answer questions about the article and band afterwards. Memes of the band then went viral causing the band to become drastically more popular within their home country, with many students saying it was their favorite part of the test. Dubé once also opened for The Beach Boys as they previously has a very clean image. Dubé’s sudden change from opening for The Beach Boys to smoking up in their video for “Alien” caught the Education Quality and Accountability Office (EQAO) off guard. The EQAO oversees the OSSLT and said the reading selection went through a three-year vetting process, but after the article was last vetted in September 2017, the band radically changed its image. In their video for “Alien” it depicts the band smoking a joint rolled up with a page from the bible. Not only their image but their music has also changed drastically, and for the better I might add. The brothers now have a much more heavy and faster paced alternative punk rock sound that is also sure to become a viral sensation for fans. Don’t think for a minute that these guys are selfish and that their rock and roll ambitions are for themselves alone. Their mother passed away after a battle with cancer and the brothers took to the streets busking as well as recording covers to raise money for charity. They subsequently raised mega-bucks for charity on the streets of Ottawa – they staged a drive that sent a whopping $150,000 to Haitian orphans after the 2010 earthquake. The band deserves a tremendous amount of respect for the work they have put in as well as for the risk they took in changing their image. The band has been on tour with English punk rockers Counterfeit here in the U.S. doing a cost to cost stage takeover. Continue reading →
Formed in 1999, Bleeding Through have run the gamut of countries, labels, genre stylings and immense, genre-defining releases, influencing several generations of artists since their inception. This crushing Californian metal act seamlessly combine hardcore, symphonic and death metal in a maelstrom of magnificent aggression, weaving melody and mayhem together into a chaotic quilt. Dedicated to their craft in a way that has cast countless acts to shame, Bleeding Through are a band that many fans of extreme music may cite as one of their first truly “heavy” bands—and all these years later, they hold up just as strong, if not more so. While the band has been on a self imposed hiatus since 2104, reuniting in 2016 for a benefit show for The Ghost Inside following the bands horrific accident. As such the heavy metal landscape has changed a lot over the handful of years since the band called it a day. Metalcore has fallen out of favor with the mainstream, and theres been a sort of changing of the guard with “newer” bands like Bring Me The Horizon and A Day to Remember dominating the scene and heading in a more poppier direction.
Kentucky punk trio Baby Bones formed around 2016. Band members Dave Rucinski (guitar/vocals), Thomas Burgos (guitar/vocals/bass) and Badnewz Brandum (drums) are veterans in the Louisville music scene for years. In 2016 the trio recorded the song “Pay Us In Dimes” for the ‘We Have a Bevin Problem’ compilation under the mantle of Baby Bones, rocketing themselves into an unknown future. Of course “Bevin” refers to the current governor Matt Bevin of the Bluegrass state who hasn’t been too well received by the majority of the Commonwealth of Kentucky. He is only the second Republican to hold the office in over 40 years. As we know punk bands are often inspired by political themes and rebelling against the powers the be, and Baby Bones is no different. That compilation created a consumer demand for more of what Baby Bones was offering; Therefore it ignited the trio to invest more time into the group and release more material. The band has went into the studio at Tin Pan Basement and recorded with Dave Rucinski. They have finalized their debut EP titled ‘Curse of the Crystal Teeth’ and it will release on April 14th, 2018 via Gubbey Records.
“Shit out your soul/Day by day/Accepting lies they throw your way…”
The quote above is quite bleak, isn’t it? Well if you were expecting something upbeat and swinging, then ‘Rotting Civilization’ by Septic Tank is definitely not for you! However, if you’re a fan of bleak, pissed off 80’s influenced grind core, then prepare to have your face melted! Septic Tank which features members of Cathedral, Trouble, and Repulsion was originally formed in the 90’s as a way for frontman Lee Dorrian to express his love of bands such as Discharge and Siege. A handful of live shows were played during these times, but it wasn’t until 2013 when Septic Tank finally released a self titled 7′ EP, the only problem, it was only released in Japan and even then it was limited to 900 copies. From that release we got ‘The Slaughter’ an early Celtic Frost sounding track that honestly could have fit on earlier Cathedral albums.
A scene that frequently gets shoved to the wayside by the heavy-metal community is the massively influential, thriving and certainly one-of-a-kind brand of underground music that was both a worldwide phenomenon commonly known as “Hardcore punk”, and more specifically in this context a significant subculture that had begun to emerge in the wake of Thatcher-era Britain, – indeed, “Hardcore punk” has now become a very generalised term yet it barely scratches the surface of what the community did for so many young people in an era of increasing economic crisis, political unrest and social inequality. This was a chance for young people’s voice to get heard amidst all of the unravelling chaos – yet it wasn’t always easy. Continue reading →
DEAD CROSS debut a visual rebuke of organized religion, and take on it head on, in the band’s video for “Church of the Motherf***ers,”.
“We are not capable of understanding aspects of molecular genetics, let alone the universe,” said bass player Justin Pearson of the Michael Panduro directed clip. “I’d rather not fill in the blanks with outlandish oppressive morals, offensive social politics, and patriarchal garbage. In the year 2017 AD some humans still think there is a god.”
“Today, with many mixed feelings, I am here to announce that next year will be the final, full cross-country run of the Vans Warped Tour. I sit here reflecting on the tour’s incredible history, what the final run means for our community, and look forward to what’s to come as we commemorate the tour’s historic 25th anniversary in 2019.”
These is what the founder of The Vans Warped Tour, Kevin Lyman had to say yesterday(read full statement HERE). The mobile festival that had been running for well over two decades across the entire world has come to its final most tour next year, the farewell tour that is. When it started back in 1995, it was mainly a punk rooted festival and over the years the festival expanded its taste on every spectrum of music thus making it an exceptionally well received summer extravaganza among the teenage and young people of the nation. Warped has helped a lot of artists shoot to fame and now are pretty big fishes in the pond. Punk(or pop punk) bands like NOFX, BAD RELIGION, SICK OF IT ALL, BLINK-182, MY CHEMICAL ROMANCE, FALL OUT BOY and THE MIGHTY MIGHTYBOSSTONES,along with others from across the genre palette like KATY PERRY, BLACK EYED PEAS, and other pop and hip hop sensations have been featured in what is one of the biggest running summer festivals.
Bridge Nine have just unveiled Jesse Leachs (Killswitch Engage) impassioned electro/dub cover of Minor Threats “Salad Days” as the latest preview to their teased 19-song compilation album entitled ‘Still Having Their Say’. Featuring re-imagined interpretations of Hardcore hallmarks by the likes of Strife, letlive., Fu Manchu, The Riverboat Gamblers and more, the compilation will accompany the long awaited ‘xXx Fanzine (1983-1988) Hardcore & Punk in the Eighties’ book which drops on Nov 10th (pre-orders available here). On “Salad Days”, Leach commented, “I’m honoured to be a part of this covering one of my favourite bands on the planet. I wanted to bring a whole other creative approach to the song. I feel like if you’re going to do a cover you might as well push it in another direction and make it unique. I think it’s safe to say I added my own spin to the track. Hardcore music is the backbone and soul of my youth and Minor Threat was the first band to make me want to scream into a microphone.” Continue reading →
Noise, angst, grit and melodrama are all undeniable qualities that compose and define the emerging new sound of West Virginia-based group LEFT BEHIND. Signed to Unbeaten Records, the group’s status is one of ambiguity for upon listening to them it’s incredibly easy to mistake them for a Southern Lord Records group. Their new LP, ‘Blessed by the Burn’ is in style analogous to contemporaries such as PRIMITIVE MAN and ALL PIGS MUST DIE, Continue reading →
Miles and oceans apart from the streets of San Francisco, the Bay Area, where thrash is said to have taken birth I bring to you a very talented and young band from the hills of Imphal, the capital of Manipur, an Indian state nestled amidst the serene and untouched greenery. LUCIFER-X are a five piece thrash metal outfit from the Asian nation of India and are already ravaging the local and national scene with their all new debut EP, titled, ‘Project Xtermination‘. It has just been a few days since its release on the 26th of September. After three years of it’s formation, the band have matured enough and are ready to deliver the first kill in the form of their debut EP. It’s fast, rude and an endless saga of thrash-tastic riff fest!