It’s cliche to designate a heavy metal album as “epic.” The raging guitar riffs, thunderous bass, thrashing drums, and high pitch screams all create a sound that’s larger-than-life both sonically and thematically, and this go-big-or-go-home mentality was present at the genre’s inception with Black Sabbath and has continued into modernity with bands like Ghost and Avatar because let’s be honest here, if a metal band isn’t “epic” in some capacity or another then it isn’t worth its salt.
With that said, “epic” is the only proper descriptor that encapsulates my feelings on the wonderfully named symphonic death metal band Septicflesh. Originating from Athens, Greece in the mid 1990s and currently consisting of Seth Siro Anton on bass/vocals, Christos Antonou playing the guitar and writing the orchestrals, Sotiris Anunnaki V providing an additional guitar and clean vocals, and Kerim “Krimh” Lechner on drums, Septicflesh is one of the very few metal bands that can gracefully blend the rough brutality of death metal with the awe-inspiring sound of a sweeping orchestra, and this dark yet beautacious sound is ever-so present on Septicflesh’s 10th and most recent studio album ‘Codex Omega’ which is a more than worthy follow-up to their 2014 LP ‘Titan’ due to it being stunning in its scale and punishing in its ferocity.
There can never be a guitarist as good and diverse than MARTY FRIEDMAN, period! This new song is just another testament to this long standing fact. I am just spellbound, and awestruck!
MARTY FRIEDMAN is going out all guns blazing on his new upcoming record, ‘Wall Of Sound‘, to be released on August 4, 2017 via Prosthetic Records. The ones following Marty closely already know that he has not wasted a pinch of time in releasing two mind numbing tracks already from the upcoming album, and if you haven’t checked those out already you are seriously missing out something major happening. ‘Self Pollution‘ and ‘Whiteworm‘ are the two already out for you to take dibs and bask in the glory and awe of Marty‘s soulful and technical fretboard work. Today, Marty follows up with another soaring new track, “Miracle“, posted alongside an interview with Billboard Magazine.
Photo Credit: Eric’s Bad Ass Uncle!
In this series we pose the age old questions to a wide array of music lovers. As fans of music most of us keep a mental list of active bands we want to see live that we haven’t yet seen. The Bucketlist brings to you those lists of your favorite artists and why those bands mean so much to them.
Nate Garrett is a name you may be familiar with. Musicians strike to get signed by a label throughout their careers and Nate has achieved this with not only one band but two. In 2015 Nate founded the band Spirit Adrift, which essentially started out as a one man project. In 2016 the band released an EP ‘ Behind – Beyond’ and a full length ‘Chained to Oblivion’ both via Prosthetic Records . They also released a split release with Khemmis via War Crime Recordings. Spirit Adrift has a slow festering doom sound with some psychedelic qualities. Both releases are riddled with riffs and thundering bass lines. Also on vocal duties Nate’s voice booms with soulful qualities throughout each track. All the tracks have this immense harmony and melodic feel with the powerful guitar work and drum beats holding up the back end. Around the same time Nate was founding Spirit Adrift he was welcomed into Gatecreeper as their guitarist. The bands are vastly different but do have some similar elements. Gatecreeper is certainly more in the vein of death metal, but they combine some doom influence as well. The band includes a Swedish style rapid fire riff attack and equal parts groove to make a smooth and filling cocktail of greatness. Since Nate was added to the band they have appeared on 3 splits, a compilation album, a full length and a live album. The full length ‘Sonoran Depravation’ was released in 2016 via Relapse Records, and the band’s live album ‘Unleashed in the Middle East’ was released in May of 2017 independently. You can easily say at this point that Nate Garrett is a successful musician. Dividing his time between two successful groups is certainly another feat within itself. Continue reading
ALL HELL formed back in 2013 in Asheville and have quickly amassed fans from all over. The style of music they play sounds more European than from the Blue Ridge Mountains of North Carolina. Their dark and eerie Blackened Thrash sound quickly becomes addictive. If there is any other bands out there claiming to be blackened thrash I can inform you now that they aren’t doing it nearly as good as these guys. With each chorus screamed and riff strummed my jaw drops a little more. The three piece band released their debut “The Devil’s Work”, in 2014. They wasted no time dropping their sophomore release titled “The Red Sect” on October 16th 2015. ALL HELL have now finalized their latest work ‘The Grave Alchemist’ which will be their debut for Prosthetic Records. The album was produced by Kris Hilbert (The Body), who worked with the band on their earlier release ‘The Red Sect’, and mixed and mastered by Joel Grind (Toxic Holocaust), ‘The Grave Alchemist’ will be available worldwide on April 14th. The new album is a twelve-track, narrative-driven, horror concept album that weaves a tale of alchemy, necromancy, and vampirism over the span of three centuries, ‘The Grave Alchemist’ is a potent blend of violence, mysticism, psychology, and the occult, distilled into an aural elixir of Blood and Gold. The context is not surprising at all on this album, as I’ve once seen them perform live with only candle light illuminating the room. The band not only worries about their sounds but also the surroundings in which it’s experienced. Vocalist Jacob Curwen holds nothing back on this newly released track “Vampiric Lust.” The rhythm throughout the songs and his demonic growl are ferocious. This track is just the beginning of what to expect from these North Carolina natives. ALL HELL have a savage sound that refuses to be tamed. Continue reading