An Interview With HIGH RISE! [Video]

High Rise are a Metalcore band hailing from South West London. Formed in 2014 the band have taken influences from bands like Underoath, The Ghost Inside and A Day to Remember to find and hone their own sound – ambient overtones with hard hitting riffs accompanied by dual vocal harmonies and much more. Following on from the success of their 2015 debut EP ‘Tides Will Take You’, High Rise independently released their second 5-track EP ‘Left It For Everything’, recorded with Dan Kerr at Avenue Studios [Our Hollow Our Home, Shields, Create to Inspire], in July 2016.

After a fantastic 2017 that saw the band play with a whole host of incredible artists including Bad Omens, Our Hollow Our Home, Create to Inspire, Vanity and Faces of Eve, as well as a well received slot on the Vocalzone Stage at Teddy Rocks Festival, and several sold out ‘home town’ shows in Kingston, High Rise are in the process of finishing writing for their new music release, due in 2018.

 

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Scott (ZAO) “Do I Think Tim Lambesis Deserves To Be In A Band, Fuck No.”

 

Seminal metalcore act Zao have been grinding it out since 1993 and have been through everything a band can experience. However throughout all the member changes and the shedding of the “Christian music” tag their dedication to quality and pushing the genre forward remains as new and vigorous as ever. Known for their raw sound, philosophical lyrics, and chaotic live show Zao is still one of the most respected and seasoned band in the current heavy music underground. The band just released a new ep/7” titled ‘Decoding Transmissions From The Möbius Strip’. Continue reading

State Of The Art: Hawaii’s NESTA [Track Stream]

*This is part of our State Of The Art series, showcasing bands every Monday from the featured state. This month’s state is Hawaii.*

In the land of tropical paradise with its picturesque beaches, near perfect weather, and aloha vibes, it may be hard to imagine heavy music coming from the Hawaiian Islands. It was certainly no easy task finding metal amidst the vast sea of island reggae and ukuleles for this month’s SOTA, but this pick from the Honolulu underground is one I’m sure metal fans will enjoy. Hailing from Waianae, Hawaii, Nesta proves that their volcanic brand of metal can not only compete with its mainland contemporaries, but also push the envelope in some unexpected and highly innovative ways. Continue reading

Frankie (Emmure) On Static-X Reunion “Doing The Tour & The Album Without Him Is Just A Huge Fuck You”

 

Emmure originally hails from New Fairfield, Connecticut, where they formed in 2003. However since then the metalcore band has moved to the city of Queens, New York. Emmure has a total of seven releases, with their first public release being a 2006 EP entitled ‘The Complete Guide to Needlework.’ Though they originally started with a metalcore sound the band has been described using several different genres over the years including deathcore, nu metal, and alternative metal. The band also uses some pop culture themes within their lyrical content referring to comics, and video games while also touching on the subject matter of  breakups, social indifference, philosophy, and religion. The bands most recent release is 2017’s ‘Look at Yourself’ which included the much talked about singles “Russian Hotel Aftermath,” and “Torch.”

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Review: INVISIONS – ‘Between You And Me’ [Official Music Videos]

Invisions may only have 2 albums on their name but they already are beginning to climb their way to the metalcore top. ‘Between You And Me’ has been out since the 8th of January but it has already made it in my top 10 records of this year! Can’t wait to witness this live!

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PARKWAY DRIVE, KILLSWITCH ENGAGE, THY ART IS MURDER Dominate The UK [Review & Photo Gallery]

Parkway Drive may have only scheduled 4 dates for their UK tour but with the jaw dropping lineup of support acts they have bestowed upon us pure metal happiness. Kicking things off is Parkway Drive’s fellow Australian’s Thy Art Is Murder using their deathcore sound to get the crowd pumped right from the start, they are followed by metalcore royalty with Killswitch Engage who have been on a roll since original singer Jesse Leach re-joined the band. Then the proverbial cherry on top of course is Parkway Drive touring in support of their tremendous new record ‘Reverence.’ This tour February 1st stop in Cardiff at Motorpoint Arena was bound to be explosive.

Thy Art Is Murder

 

From the get go the lads in Thy Art Is Murder were not messing around whilst smashing straight in with “Dear Desolution” with its ultra fast double bass drum and fast runs and riffs on the guitars. Then CJ kicks in with his unique powerful screams, growls and shouts, the crowd went nuts. This is the first time I’ve witnessed them live and to see them grace a stage like this arena was amazing, they looked right at home. I can only imagine what a smaller show would be like (carnage) but then they played the fourth song on the setlist “Reign Of Darkness” and CJ asked the crowd to split for a wall of death. It was at least a 20 foot gap from the front of the arena to the back. Then bang the charge from the crowd and for the next two songs the crowd was going insane. Ending on “Puppet Master” was a great choice with that pounding snare hitting intro got the crowd banging their heads. As the momentum picked up they knew it was their last chance to dance so they went crazy for CJ and crew. I can’t wait to witness this again soon.

Killswitch Engage

Not gonna lie I’m a huge Killswitch Engage fan and have been since day one. Recently I witnessed them supporting Iron Maiden last year at the London o2 which was a phenomenal performance and to be fair it always is. Tonight people who had a ticket were in for a treat. They played 11 songs in total and a great mixture of old and new. You could tell they had a lot of fans in the audience due to the amount of singing going on and especially to “My Curse” and “My Last Serenade” the crowd were nearly drowning out the band they singing along so loud. I was hoping Guitarist Adam D was going to pop to the bar and order a couple shots mid song like he did at a recent show whilst still playing his guitar (We’ve all seen that video right?). I was waiting but sadly this didn’t happen (search for the video its awesome). Watching Adam’s quirky personality on stage is always amazing, the faces he pulls are great along with his jogging around the stage, he is in my eyes one of the best guitarists out there. Jesse Leach is just one of those flawless live vocalists, he sounded perfect in every way. I normally don’t say this but it was great vocal deliveries all night long. He delivers just as good as the album version live. He deserves a lot of respect, hats off to you sir! The pit was crazy from start to finish. I stood just out of the area and saw a random shoe on the ground and then another shoe made it to the stage. As Jesse asked who’s it was, well there was either one person with no shoes or two people with one shoe…ha ha ha. One more thing to look out for is a new album from Killswitch Engage this year and 2019 marks the 20 year anniversary of the band so I’m sure its going to be a banger of an album.

Parkway Drive

 

So the time has come for the Australian lads in Parkway Drive to hit the stage. The lights dimmed and the band appeared at the back of the venue with four of their crew surrounding them with flame torches. They walked through the crowd to the stage with the intro to “Wishing Wells” before gracing the stage and continuing to deliver the rest of this tune from ‘Reverence’. Lights dimmed to an almighty roar, Parkway Drive officially warmed the crowd up together with the amount of pyros, explosions and flame throwers from all sides of stage.

The stand out tunes for me were “Carrion,” “Vice Grip” and “Wild Eyes.” To hear everyone in the crowd chanting to the riff like on the album version was incredible and vocalist Winston McCall looked like that gets him amped every night. Drummer Ben Gordon is a beast on the kit, he’s a drummer I’ve liked for a while now. If you wanna be a hard hitting drummer just watch this guy. He didn’t let up all night and had 17 tunes to play, just wish he had his drum cradle tonight but unfortunately some venues can’t accommodate everything in a bands production. To be fair, it did not matter as Parkway Drive let the music and performance do the talking. Winston McCall did say it felt like last week they were playing Merthyr Tydfil to 10 people and he couldn’t sing ha ha.

Well I was there in the early days and not so long ago when people used to turn up with inflatable boats and crowd surf in them, amazing times. However, to see this band progress into what they are now and to be doing arena tours is well deserved. I hope the momentum for them keeps growing. If you manage to get to a show you can expect explosions, flames, fire balls from all directions, a string section joining them and Winston McCall going to a little stage at the sound desk to join a cello player to perform with elevating platforms which Luke Kilpatrick and Jeff Ling were lifted high up above the stage. I read an article saying there are no bands coming up to replace the legendary bands we are losing, well think again, they are here and they are called Parkway Drive. They have always been here and right now they are getting the recognition for their hard work over the last 16 years. So stadiums might be next on the agenda? I certainly hope so. I would like to wish every member of the band all the best for the future. We can only hope they help influence a new generation of bands that are even half as talented as they are.

 

It’s 2019 and It’s Time To Djent with ROGUE [Video Streaming]

Louisiana band, R O G U E  are brand new and not something to overlook. They are a four-piece consisting of Jansen Nunez on vocals, Jeffrey Fisher of The Arbitrary on guitars, bass is Taylor Law and Nick Guidry on drums. This month the band will be releasing their debut EP, “Anomaly.” Continue reading

Ryan Wombacher (Bleeding Through/Light The Torch) “I Slept On Fuckin Kitty Litter”

In 2012 Howard Jones left Killswitch Engage to gain control of his diabetes, which had been hard to control while on tour. There wasn’t much time off for him as he almost immediately formed Devil You Know. The original lineup of the band was Howard on vocals, Francesco Artusato (All Shall Perish, Hiss of Atrocities) – guitars, Ryan Wombacher  who has been with Bleeding Through since 2002 – bass, backing vocals, Roy Lev-Ari (Hiss of Atrocities) – guitars and John Sankey (Divine Heresy, Fear Factory)– drums. Since then Roy Lev-Ari and John Sankey have left the band. The current drummer of the band is Mike Sciulara (Extinction A.D.). I was fortunate enough to see the band a couple times while on tour with Coal Chamber and on stage they put on an amazing show. Devil You Know released two albums ‘The Beauty of Destruction’ (2014) and ‘They Bleed Red’  (2015). The on July 26, 2017, the band announced via social media that they have changed their name to Light the Torch. The band in a way wanted a fresh start, and I believe the name has a better ring to it. The band is now set to release their debut under the name Light The Torch with ‘Revival’ which released on March 30, 2018.  Continue reading

An Interview With BURY TOMORROW’s Daniel Winter-Bates [Video]

Bury Tomorrow

Bury Tomorrow are a British metalcore band formed in 2006 in Southampton, Hampshire, England. The band is composed of five members; lead vocalist Daniel Winter-Bates, rhythm guitarist and singer Jason Cameron, bassist Davyd Winter-Bates, drummer Adam Jackson and lead guitarist Kristan Dawson, who replaced founding guitarist Mehdi Vismara in 2013. Bury Tomorrow have released five studio albums, their most recent being ‘Black Flame’, released on 13 July 2018.

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Review: JINJER – ‘Micro’ [Video Stream]

Ukrainian prog/metalcore act Jinjer return with ‘Micro,’ the band’s newest offering that essentially packs an entire album’s worth of punch into five devastating tracks. The EP, scheduled to be released on January 11th, 2019 via Napalm Records, combines many of the familiar elements that fans have come to know and love while, at times, diving a bit deeper into the prog realm, primarily in the form of more technical experimentation. ‘Micro’ is a clear indicator of Jinjer’s maturation as musicians and a solid milestone for what appears to be a band entering their sonic prime. Continue reading