Chicago hardcore unit Harm’s Way will kick off a US tour supporting death metal icons and Metal Bladelabelmates Cannibal Corpse tomorrow night, continuing to support their devastating new album ‘Posthuman’! Beginning at The Senate in Columbia, South Carolina, the tour will tear its way through over two-dozen cities before concluding on December 6th at The Culture Room – Fort Lauderdale, Florida. Read on for full dates!
Last Friday night (March 9th) I attended the Harm’s Way show at the Alternative Music Foundation in Berkeley, CA. The “Gilman,” as it is locally referred to because of its Gilman Street address, is a small, historical punk/hardcore venue that has hosted countless significant names in music for over the last thirty years. Groundbreaking and trendsetting acts that have gone on to receive huge notoriety or commercial success have roots that trace all the way back to early career performances there. Monumental names such as Green Day, The Offspring, AFI, Bad Religion, and Operation Ivy have all graced the Gilman stage at one time or another. Last Friday night, however, providing the metal-infused, adrenaline-fueled energy to lead today’s current generation of hardcore music was Chicago’s own Harm’s Way. Continue reading →
Harm’s Way is a band that some may find difficult to categorize. Originally formed in Chicago, Illinois in 2006 as a casual side project playing fast-paced powerviolence and hardcore punk; the band has since gone through several metamorphoses, and over the years, have slowed down their pace and leaned more toward a down-tuned “metal” sound. We can throw around labels all day such as hardcore, metalcore, death metal, nu-metal, industrial, thrash metal, groove metal, sludge, and the list goes on and on. Certainly, influences of all these genres can be heard in their music. At the end of the day, from what I can tell though, these guys are just simply evolving their style to become the heaviest, most brutal, powerful, in-your-face sounding music they can come up with. There’s no frills or gimmicks; no wank-off guitar solos or whiney ballads; It’s – Just. Plain. Heavy. Whatever you decide to classify them as, Harm’s Way’s latest full-length studio album, ‘Posthuman,’ is the sonic equivalent of a brutally violent ass-beating by a ten-ton sledgehammer. Continue reading →