Last Friday night (March 9th) I attended the Harm’s Way show at the Alternative Music Foundation in Berkeley, CA. The “Gilman,” as it is locally referred to because of its Gilman Street address, is a small, historical punk/hardcore venue that has hosted countless significant names in music for over the last thirty years. Groundbreaking and trendsetting acts that have gone on to receive huge notoriety or commercial success have roots that trace all the way back to early career performances there. Monumental names such as Green Day, The Offspring, AFI, Bad Religion, and Operation Ivy have all graced the Gilman stage at one time or another. Last Friday night, however, providing the metal-infused, adrenaline-fueled energy to lead today’s current generation of hardcore music was Chicago’s own Harm’s Way. Continue reading →
New York hardcore veterans, Madball have finished recording their upcoming album, ‘For the Cause,’ which will feature a guest appearance from rapper/Body Count frontman, Ice-T. About being featured on the record, Ice-T commented, “It‘s an honor to record with the legendary Madball. Body Count draws its closest similarities to NY Hardcore. This is a natural.” Singer, Freddy Cricien added, “It’s truly an honor to have Ice-T on our record! I grew up on his music from his early hip hop stuff till now. He’s an iconic figure but also a ‘class act’, you don’t always get both at once. Ice has a great respect for NYHC and Madball, means the world. This was meant to happen…. real recognizes real.” Continue reading →
“It’s been a long f**king time!” shouted front man Alex Erian. In fact, it’s been 11 years since Despised Icon have graced our shores with a headline set – long since 2007’s phenomenal co-headline UK/European tour with Misery Index, Annotations For An Autopsy and Beneath The Massacre. Whilst they have played the UK as recently as 2016, tonight marked a monumental occasion, firmly solidifying the Montreal metallers legacy and dominance over the Deathcore scene. For fans, this headline set may have been a long time coming but ‘The Beast’ is back and fully reawakened!
Following immediately on from their sold-out show in Antwerp, tonight’s performance at The Dome in central London marked the first leg of the UK section of this momentous comeback tour. With only a handful of tickets left on the door of this 500 capacity venue, and subsequent shows at Birmingham and Manchester expected to sell out, it was clear that everyone here was about to witness something very special. With support combining the best tech, hardcore and slam, whoever put this line-up together must be some kind of god-tier genius – for joining alongside Despised Icon were Vulvodynia, Archspire and the UK’s very own Malevolence. Missing this show was not an option!
Metal is a global phenomenon and has truly proven what Anthrax in the 1980s said, “Spreading the disease“. Its everywhere! Guess where we got this video release from? South Africa! Yeah metal is not just limited to Europe and America with white dudes chugging down bottles of beer and whiskey. So bringing to you FACING THE GALLOWS‘ all new music video for their single, “Doom II” from their upcoming album, ‘Dead Mindset‘. The album is slated for its release on the 20th February 2018. Doom II was shot by their DOP Mike Bell of Capitol Collective and directed and edited by guitarist Chase Beynon.
*This is a part of our State Of The Art series, showcasing bands every Monday from the featured state.*
This month’s state is Vermont!
“This band is so f**king good that I’ve already booked them for my funeral!!!” – Tim Morse (Anal Cunt/Horrible Earth)
Welcome to Februarys ‘State of the Art’! I thought I’d kick off the month with a band that will literally “eat you for breakfast”. From Chester, Vermont let me welcome the instrumental hardcore powerhouse that is The Aberration. The metal duo are made up of guitarist Travis O’Connell and drummer Jim Cole – proving that small can be big and mark my word, these guys can make one hell of a noise! The self-proclaimed “instrumental progressive, birth metal! Get off your ass and move now metal!” outfit formed in 2007, starting out like most bands in a filthy four walled-cement basement. They have performed most notably as support to Marc Rizzo and the Corrupters (of Soulfly, Misfits, Cavalera Conspiracy, & Ill Nino fame) alongside Urn, and have played festivals such as New England Blood Fest and Hothfest. Continue reading →
After releasing their beautiful childs named ‘Cane Hill’ & ‘Smile’ they have finally announced their second official full album ‘Too Far Gone’ via RiseRecords. If you liked their older work you will definitely like this so stop whatever you may be doing and get right in!
HATEBREED is one of the most known and successful hardcore bands that emerged from the 90s. Coming out of New Haven, Connecticut HATEBREED has unleashed 7 studio albums to date, most recently ‘The Concrete Confessional‘ on May 13, 2016. Vocalist Jamie Jasta and bassist Chris Beattie are the only surviving original members over the course of the band’s seminal 20+ years of worldwide hardcore dominance. ‘The Concrete Confessional‘ marks their return to the hardcore forefront after the release of 2013’s ‘The Divinity of Purpose‘. Ensuing the release of their new album the band has commenced and is already touring the entire world under the banner of The Concrete Confessional World Tour. Currently, playing North America with death metal legends DYING FETUS, CODE ORANGE and TWITCHING TONGUES. Right after this N. American tour, the hardcore outfit will head out for an European starting next year in January.
Southern rock-influenced hardcore metallers All Hail The Yeti have posted several behind-the-scenes videos at Water Music Studios in Hobokon, New Jersey, where they have been recording their upcoming full-length album. Set for release in early 2018 via Minus Head Records, the follow-up to 2016’s ‘Screams From A Black Wilderness’ will feature select tracks co-written with J-Dog (Jorel Decker) of Hollywood Undead, with AHTY announcing two additional special guests and touring details very soon! Head straight over to their Facebook page to view the full video diaries from the studio, and of their adventures in the North-East! Watch Part 1 below. Continue reading →
They just couldn’t stay away. Just 18 months after calling it quits, California hardcore veterans Lionheart are back with their brand new album ‘Welcome To The West Coast II’. Formed in 2004 in Oakland the beatdown hardcore band couldn’t lay the lion to rest. Hardcore bands strive to get the sound that Lionheart has been unleashing for over a decade, and the band just premiered a music video for the single “Cursed” which gives an exclusive look into their world, and why they decided get back to business. “We fucked up,” vocalist Rob Watson told Alternative Press. “Everybody missed it immediately. That’s life. That’s how it goes; people make bad decisions all the time. We should never have broken up. We should have just taken a break.” ‘Welcome To The West Coast II’ is available now via Fast Break Records. Continue reading →
Bridge Nine have just unveiled Jesse Leachs (Killswitch Engage) impassioned electro/dub cover of Minor Threats “Salad Days” as the latest preview to their teased 19-song compilation album entitled ‘Still Having Their Say’. Featuring re-imagined interpretations of Hardcore hallmarks by the likes of Strife, letlive., Fu Manchu, The Riverboat Gamblers and more, the compilation will accompany the long awaited ‘xXx Fanzine (1983-1988) Hardcore & Punk in the Eighties’ book which drops on Nov 10th (pre-orders available here). On “Salad Days”, Leach commented, “I’m honoured to be a part of this covering one of my favourite bands on the planet. I wanted to bring a whole other creative approach to the song. I feel like if you’re going to do a cover you might as well push it in another direction and make it unique. I think it’s safe to say I added my own spin to the track. Hardcore music is the backbone and soul of my youth and Minor Threat was the first band to make me want to scream into a microphone.” Continue reading →