In Early May I got to catch my very first Trivium Concert at Manchester Music Hall in Lexington KY. If you aren’t familiar with Manchester Music Hall, first let me say that its one of, if not the best small concert venues in Central, Kentucky. Prior to this concert, I did a little research on the band. I had heard of the band over the years and had checked out the radio-friendly cuts but I had never really dug into any of the album tracks. One thing I love about listening to tracks off a bands albums 24 hrs before going to see the band really makes me appreciate the hard work, blood sweat, and tears musicians put into making an album. Most bands track songs just for studio cuts while others track just how they would be on stage as if they were performing the songs live. Being a musician myself I can certainly say that in my many years of stage experience less means more. The more backing tracks and other electronic gear you bring to a live show other than whats necessary raises the chances for more shit to go wrong. Continue reading →
Formed in 1999, Bleeding Through have run the gamut of countries, labels, genre stylings and immense, genre-defining releases, influencing several generations of artists since their inception. This crushing Californian metal act seamlessly combine hardcore, symphonic and death metal in a maelstrom of magnificent aggression, weaving melody and mayhem together into a chaotic quilt. Dedicated to their craft in a way that has cast countless acts to shame, Bleeding Through are a band that many fans of extreme music may cite as one of their first truly “heavy” bands—and all these years later, they hold up just as strong, if not more so. While the band has been on a self imposed hiatus since 2104, reuniting in 2016 for a benefit show for The Ghost Inside following the bands horrific accident. As such the heavy metal landscape has changed a lot over the handful of years since the band called it a day. Metalcore has fallen out of favor with the mainstream, and theres been a sort of changing of the guard with “newer” bands like Bring Me The Horizon and A Day to Remember dominating the scene and heading in a more poppier direction.
New York Hardcore legends, Madball are back and bringing another 13 rounds of face-pummeling power with their upcoming album, ‘For the Cause,’ – scheduled for release June 15th, 2018 on Nuclear Blast Records. The new record features appearances from such notable names as Sick Jacken (Psycho Realm) on the track “Rev Up;” Steve Whale (The Business) and producer/vocalist Tim Armstrong (Rancid) on “The Fog;” and the legendary rapper and Body Count frontman, Ice-T on the track, “Evil Ways.” From violent aggression to anthemic, fist-pumping groove, this record delivers on all fronts – Or as bassist, Hoya Roc states, “It feels like the movie Pulp Fiction. We’ve got every style of hardcore in there.” Continue reading →
The past few weeks saw the mighty kings of slam Ingested bring a full on aural assault across the UK on their headlining tour, giving it’s homeland fans what they have been waiting over 3 years for… a first glimpse at their upcoming 4th album and debut on Unique Leader records ‘The Level Above Human’*! In support of this career-defining album, their headline tour kicked off across various UK venues alongside the best in the UK metal scene, including Osiah, Abhorrent Decimation and Harbinger.
Now, the Mancunian death metal titans are in pursuit of global domination, bringing this game-changer of an album to 4 headline shows across Mexico, then North America with Bodysnatcher and Signs Of The Swarm. And then will embark on a ferocious stint at this years “Devastation On The Nation” tour alongside Aborted, Psycroptic, Disentomb, Arkaik,Vale of Pnath and more, including fellow brits Venom Prison who are embarking on their first ever North America tour! You do not want to miss this!
We caught up with Ingested at the sold-out London album launch show, which coincided with the first ever (and annual) Tone MGMT/Embedded Promotions showcase, at the club/venue Birthdays in Dalston, with the action taking place in the 200 capacity basement for a whole day of in-your-face brutality. Featuring the very best up-and-coming and rising artists across the spectrum of the UK death and tech metal scenes right now, the line-up was stacked with 8 bands as supports who are all causing a stir up and down the country, and should definitely be on your radar!
*This is a part of our State Of The Art series, showcasing bands every Monday from the featured state.*
This month’s state is Maryland!
Formed in Baltimore, Maryland the 5 piece hardcore band Sharptooth have truly made a name for themselves on the East Coast. Did I mention they are also a dinosaur themed band? Who doesn’t love some fucking dinosaurs? Sometimes a new incredible band just appears in front of you and clicks instantly. That is just what happened after watching a recent interview with Jon’s Untitled Podcast and Sharptooth vocalist Lauren Kashan. The in depth chat opens a window into the singers personality and it makes their music even more alluring. You can hear the entire conversation here. Their fierce hardcore sound is known for it’s politically driven lyrics and their live shows are an unstoppable force of chaotic energy. Led by aforementioned vocalist Lauren Kashan the band is one of hardcore’s most promising up and coming acts. Sharptooth also includes the talents of Keith Higgins and Lance Donati on guitars, Phil Rasinski on bass and drummer Conor Mac. The bands debut came in the form of an EP in 2014 which was titled ‘Chompers’. Their debut full length ‘Clever Girl’, released on October 27, 2017 through Pure Noise Records. The first track released from the album was “No Sanctuary” which included some truly inspiring lyrics. Kashan stated about the song “This song is about us as LGBTQIA people telling the rest of society how you can and cannot talk to us, and the insidious ways that language shapes the way people interact with and treat each other. The lyric ‘every time that you say ‘f*ggot’ is a bullet through my head’ directly illustrates how hateful slurs and rhetoric lend credence to homophobic views, and negatively impacts the way the world treats people like me. It’s a slur that’s been used against me personally, and against all of the members of this band, queer and straight alike, and it feeds directly into a cycle of hate that has the potential to manifest as violence against us, and other members of the LGBTQIA community. People say “sticks and stones will break my bones”, but words can and do directly impact our culture and the ways that members of different groups are treated. We can ALL work together to be more mindful of the way we communicate with each other so as to create a safer world for all people.” Sharptooth isn’t the type of band that hides meaning in their lyrics, everything they want to say is screamed right in your face with pure aggression and angst. For example “Fuck You Donald Trump” also from ‘Clever Girl’ doesn’t beat around the bush, you know exactly what this song is about and the bands activism in lyric form makes them much more than just a hardcore band.
Originally formed in 1995 as an underground act in Northern California, Will Haven has taken their distinct brand of extreme music to the masses over the years on tours with huge names such as Slipknot, and fellow Sacramento representors, Deftones. Chino Moreno even co-produced Will Haven’s 2007 release, ‘The Hierophant’ along with Far’s Shaun Lopez. The band would later work with Slipknot’s percussionist, Chris “#3” Fehn who would take over bass duties on 2011’s ‘Voir Dire’ which was listed among Metal Hammer’s “Top 50 Albums of the Year.” The current lineup now consists of founding members, Grady Avenell (vocals) and Jeff Irwin (guitar); along with Mitch Wheeler (drums), Anthony Paganelli (guitar), and Adrien Contreras (bass). ‘Muerte’, the band’s first album to be released under the Minus Head Records label, was recorded secretly at Pus Cavern studios in Sacramento with the help of Joe Johnston engineering and co-producing; along with guitarist, Jeff Irwin. Mastering was handled by Logan Mader (Devil You Know, Fear Factory, Periphery). Special guest appearances include Yob’s Mike Scheidt on the song “No Escape,” and Deftones’ Stephen Carpenter who contributes writing and performance on closing track, “El Sol.” Continue reading →
Last Friday night (March 9th) I attended the Harm’s Way show at the Alternative Music Foundation in Berkeley, CA. The “Gilman,” as it is locally referred to because of its Gilman Street address, is a small, historical punk/hardcore venue that has hosted countless significant names in music for over the last thirty years. Groundbreaking and trendsetting acts that have gone on to receive huge notoriety or commercial success have roots that trace all the way back to early career performances there. Monumental names such as Green Day, The Offspring, AFI, Bad Religion, and Operation Ivy have all graced the Gilman stage at one time or another. Last Friday night, however, providing the metal-infused, adrenaline-fueled energy to lead today’s current generation of hardcore music was Chicago’s own Harm’s Way. Continue reading →
New York hardcore veterans, Madball have finished recording their upcoming album, ‘For the Cause,’ which will feature a guest appearance from rapper/Body Count frontman, Ice-T. About being featured on the record, Ice-T commented, “It‘s an honor to record with the legendary Madball. Body Count draws its closest similarities to NY Hardcore. This is a natural.” Singer, Freddy Cricien added, “It’s truly an honor to have Ice-T on our record! I grew up on his music from his early hip hop stuff till now. He’s an iconic figure but also a ‘class act’, you don’t always get both at once. Ice has a great respect for NYHC and Madball, means the world. This was meant to happen…. real recognizes real.” Continue reading →
“It’s been a long f**king time!” shouted front man Alex Erian. In fact, it’s been 11 years since Despised Icon have graced our shores with a headline set – long since 2007’s phenomenal co-headline UK/European tour with Misery Index, Annotations For An Autopsy and Beneath The Massacre. Whilst they have played the UK as recently as 2016, tonight marked a monumental occasion, firmly solidifying the Montreal metallers legacy and dominance over the Deathcore scene. For fans, this headline set may have been a long time coming but ‘The Beast’ is back and fully reawakened!
Following immediately on from their sold-out show in Antwerp, tonight’s performance at The Dome in central London marked the first leg of the UK section of this momentous comeback tour. With only a handful of tickets left on the door of this 500 capacity venue, and subsequent shows at Birmingham and Manchester expected to sell out, it was clear that everyone here was about to witness something very special. With support combining the best tech, hardcore and slam, whoever put this line-up together must be some kind of god-tier genius – for joining alongside Despised Icon were Vulvodynia, Archspire and the UK’s very own Malevolence. Missing this show was not an option!
Metal is a global phenomenon and has truly proven what Anthrax in the 1980s said, “Spreading the disease“. Its everywhere! Guess where we got this video release from? South Africa! Yeah metal is not just limited to Europe and America with white dudes chugging down bottles of beer and whiskey. So bringing to you FACING THE GALLOWS‘ all new music video for their single, “Doom II” from their upcoming album, ‘Dead Mindset‘. The album is slated for its release on the 20th February 2018. Doom II was shot by their DOP Mike Bell of Capitol Collective and directed and edited by guitarist Chase Beynon.