Last week, Indiana-based prog metallers The Contortionist came through Warsaw on their fall jaunt across Europe. On the eve of the release of their new EP ‘Our Bones,’ the Hydrozagadka was packed out for a truly memorable show. The air in the venue was electric before the set even began, and as the lights filtered in (to a recording of “I Will Always Love You”, no less) the crowd gave a rousing rendition of their own. The recording faded, and the tension in the air shattered as the show began. Continue reading →
Mammoth Storm was formed in Sweden at the end of 2012 for the sole purpose of “delivering some heavy riffs in the name of doom”. With the release of their 2015 debut ‘Fornjot’ the Swedish Doom Metal band exploded onto the scene! With thick grooves and gargantuan riffs they are by far one of the most exciting bands in the metal scene. On their newest album ‘Alruna’ (which is released via Argonauta Records) the band have proven that they are a force to be reckoned with! Continue reading →
After a long long time Possessed are back with another album and this time it is called ‘Revelations Of Oblivion’! It is coming out on the 10th of May this year via Nuclear Blast Records and it is looking as something as great only Possessed could provide. And what better way to celebrate then with their brand new song ”No More Room In Hell”!
Co-founder Oli Herbert of metalcore giants All That Remains has just passed away. All That Remains has posted an official statement about his death via social media which you can read for yourself right below.
”We were devastated to learn that Oli Herbert, our friend, guitar player, and founding member of All That Remains, has passed away.
Oli was an incredibly talented guitarist and song writer who defined Rock and Metal from the Northeast. His impact on the genres and our lives will continue indefinitely.
No further details are available at this time. The band and family request that you please respect their privacy and remember Oli by celebrating the great music he made.”
We from Metalnexus all are very sad to hear about the news and we wish strenght to all the family members and friends in need. He meant a lot for the community, band and ofcourse for the genre itself. He will be a great loss but at least we get to celebrate Oli by listening to his music on our good and bad days.
*This is a part of ourState Of The Artseries, showcasing bands every Monday from the featured state.*
This month’s state isAlabama!
If you watched the famous movie ”’Forrest Gump” and absolutely loved it you will most centainly be into (or be freaked out) by the slamming act The Forrest Gump Mile High Marathon. It consists of Bobby on the bass, Indiana Jonas and Forrest on the guitar and last but not least John on the drums and ”Little Chocolate” on vocals. While this all may sound very stupid the disgusting vocals in combination with the nasty riffs are nothing but perfectly on point. They are one of those bands you listen to for fun after a night out while cracking open a cold beer or 2. So with that being said, let’s get into it!
The UKs very own version of Roadburn took over London over the bank holiday weekend of 4th May – 6th May. The annual 3-day DesertFest London festival hosted over 70 bands including some of the biggest names in the stoner rock scene, at the most iconic venues in Londons Camden town – from the Roundhouse to Koko, The Underworld, The Black Heart and The Dev(onshire Arms). Camden was a hive for worshipers of the scene to congregate for the 7th edition of this fundamental tour, and with headliners that included Graveyard, Napalm Death, High On Fire, Hawkwind and Monster Magnet, this year has been it’s biggest and most diverse yet!
Today saw the festival at it’s busiest for it’s opening day, with 26 artists across 5 stages, not to mention the thousands of tourists bustling about Camden town – famous for it’s vast array of boutique and quirky independent shops, amazing street food and markets, weird and wonderful street performers and musicians, as well as being the absolute hot-spot for all kinds of sub-cultures to thrive. With the distinct smell of weed fresh in the air on a blisteringly hot day in the capitol, I was ready for the beginning of what would be an epic weekend of (natural) highs from the outstanding line-up at DesertFest London 2018. (Full gallery follows article). Continue reading →
Arriving a half hour early to any gig is perhaps not the best idea, especially when it is freezing cold with snow in the air, but I wasn’t the only one keen to get into Londons iconic Koko in Camden town ahead of tonight’s monumental performance. On their headlining tour in support of their record ‘Machine Messiah’ that just so happens to coincide with vocalist Derrick Green marking 20 years with the band, the mighty Brazilian legends Sepultura. There was a decent crowd joining me already and the vocal topic of choice was the Cannibal Corpse gig happening right around the corner, but we were all in agreement that tonight’s line-up of Fit For An Autopsy, Goatwhore and Obscura as supports was far too appealing.
Londons Koko is perhaps one of the most beautiful venues I have been too. Formerly one of the largest theatres outside of Londons West End, the venue itself boasts numerous viewing platforms with many touches celebrating its mixed and magical past as a theatre, cinema and now as a dedicated music venue. Inside the lights were already dim with the stage illuminated red and blue spotlights gleaming across the lower floor. Many fans rushed to the pit barrier to claim their front row spot for the evening and within about 10 minutes the 2000+ capacity venue was already looking full. Continue reading →
“It’s been a long f**king time!” shouted front man Alex Erian. In fact, it’s been 11 years since Despised Icon have graced our shores with a headline set – long since 2007’s phenomenal co-headline UK/European tour with Misery Index, Annotations For An Autopsy and Beneath The Massacre. Whilst they have played the UK as recently as 2016, tonight marked a monumental occasion, firmly solidifying the Montreal metallers legacy and dominance over the Deathcore scene. For fans, this headline set may have been a long time coming but ‘The Beast’ is back and fully reawakened!
Following immediately on from their sold-out show in Antwerp, tonight’s performance at The Dome in central London marked the first leg of the UK section of this momentous comeback tour. With only a handful of tickets left on the door of this 500 capacity venue, and subsequent shows at Birmingham and Manchester expected to sell out, it was clear that everyone here was about to witness something very special. With support combining the best tech, hardcore and slam, whoever put this line-up together must be some kind of god-tier genius – for joining alongside Despised Icon were Vulvodynia, Archspire and the UK’s very own Malevolence. Missing this show was not an option!
Maryland based doom metal band IRON MAN guitarist Alfred Morris III is unfortunately no longer with us. He passed away this morning at the age of 60. Their Facebook page confirms the same news and the cause of death is unclear at this time. Alfred being one of the founding members, carved out some of the most ghastly doom riffs during his time in the band. He managed guitar duties on most of the band’s studio recordings. He has also showcased his abilities on the keyboard on the band’s 1993 debut, ‘Black Night‘ and the subsequent year’s sophomore effort,’The Passage‘.
Alfred Morris III was also involved in a different band called FORCE with whom he recorded just their debut EP and their eponymous debut full length in 1981 and 1991, respectively.
*This is a part of our State Of The Art series, showcasing bands every Monday from the featured state*
This month’s state is Massachusetts’!
It’s time once again to shake off those Monday blues with an absolute earth-shaker of a band that are completely redefining the new-wave of technical death metal. Hailing from MA’s capital Boston are technical death metallers Replacire. Already described as “a new breath of life for the death metal genre”, Replacire have been taking the aggressiveness and complexity of modern death metal and infusing it with beautifully intricate progressive elements and technical complexity. Think of a masterminded cosmic mutation that would ensue from the intense atmosphere and progressiveness of Mikael Åkerfeldts Opeth, mixed with Obscuras and Beyond Creations technical virtuosity and death growls,with Katatonias haunting cleans and dynamacism. Whilst this may sound in print like it has been done to death (pun-intended), Replacire stand out from the sea of other technical metal artists and are certainly at the head of the pack. Who ever said that metal was dead clearly has no idea what they’re talking about, with young blood like this keeping death fresh and feeding our bloodthirsty desires, Replacire are redefining an already extensively innovative genre and they are certainly the ones to be keeping an eye on!