Source Returns With “Totality”

Source is:

Ben Gleason: vocals, guitar, piano, keyboards, synthesizers

Justin Mirarck: drums

Riley Selleck: bass

Totality

Release date: 01 March 2019

Source has become a mainstay with past and present members of the Metal Nexus staff. Starting with the first listen to “Memories of Yesterday” when they were first covered as a State of the Art band for Colorado back in April of 2016, through tour coverage, multiple interviews, album reviews, video introductions and King of Strings honors, Source is one of those special bands that we just cannot shake. Their masterpiece debut album Return to Nothing even gleaned top honors for my Best Album of the Year in 2016. There was not even any competition, in my humble opinion, even though my long-time heroes Metal Church dropped their long awaited XI and Aleah Stanbridge’s final album with Trees of Eternity before her untimely passing entitled Hour of the Nightingale were released the same year. Return to Nothing still mesmerizes and moves me, often to tears, depending on the mood. All things considered, it is probably one of my all time favorite albums and has still not grown long in the tooth after three years. It is my sage haven anymore. That said, what about their most recent release Totality? Read on…

Continue reading

Review Of Source’s ‘Return To Nothing’; Tour Schedule

SourceReturnToNothing1

Produced by Scott Wilson, Sound Engineering by Jesse O’Brien, art by Sarafin Concepts

Release Date:

23 September 2016

Tracklist:

Forgiveness

Memories of Yesterday

The Essence

The WordSource’”

Return to Nothing

Complaisance

Consumed

The Serpent

Quadrant

Veil of Doubt

I am truly honored to be able to review what I would consider one of the best albums I have had the pleasure of listening to this year, bar none. Little did I know then just how significant my first State of the Art choice for Colorado would have on me some six months later. This gem has had me enthralled and engaged from first listen to, hell, I don’t know, a 100 or more times now. I know it inside and out; musically and lyrically and it never ceases to move me, often to tears, even to this day. It almost feels like it has become part of me now. An old friend that shares a little piece of my soul. I’ll stand today on my original statement of Return to Nothing being damned near perfect. I have seen Source play live (great show!), hung out with them, talked and joked with them offline, interviewed its members Ben Gleason, Dan Crisafulli and Georges OctoBous and would consider all three friends through their music and as individuals on a personal level. All of this from simply choosing to write about Source in my freshman days with the MN staff. An amazing privilege to have this platform from which to share my passion for music, especially from bands as good as Source.

Continue reading

The Instrumental Machinations of The Caveat

TheCaveatLogo5

All Logo Designs by Jason McBurney (Greeley, CO)

Here is yet another example of band camaraderie. For those that follow my articles, you are well aware of my absolute love of my SOTA band from Colorado, Source. Recently, they shared a song by another local band called The Caveat. Having respect for my friends in Source, I trusted that they would not drop anything less than great, so I gave them a listen. One song led to another and then to another. Soon enough, I had listened to all of their singles and started over. Instrumental, Progressive Metal with influences from damned near every genre? Oh yeah. Instant fan! “That’s my jam”, in the words of you young pups!  I immediately contacted Ben Gleason with Source and asked that he put in the good word for me with The Caveat and was able to get in touch with Nik Schafer, the bass player out of this kick ass band that had grabbed my attention so tightly, to get all the good stuff behind The Caveat’s music. I would like to thank Nik and the rest of The Caveat for helping provide such an extensive explanation of what make them what they are. Good stuff that made this informative piece possible!

Continue reading

State of the Art: Glass Delirium

 *This is part of our State Of The Art series, showcasing bands every Monday from the featured State*

This month’s State is Colorado!

GlassDeliriumLogo

When I was asked to pick the state to be covered by our State of the Art series for the month of April, I chose Colorado specifically to cover this band, based out of Denver. I first discovered them about a year and a half ago by creating a “sounds like” radio station on a stream for one of my favorite Florida bands: Mr. Bella. “Tranquility” was selected at some point and I was literally stopped in my tracks; quickly drawn into this powerful and moving Progressive Metal song. Continue reading

State of the Art: Cellador

*This is part of our State Of The Art series, showcasing bands every Monday from the featured State*

This month’s State is Colorado!

CelladorLogo2

On this, the second week of our State of the Art: Colorado and in the vein of our coverage of International Guitar Month comes the resurgence of the band Cellador. The band was started in Omaha, NE in 2003 under the name Aposte by guitarist and vocalist Chris Petersen. By 2004 the band had been renamed and released their first, self-recorded demo EP “The Burning Blue”. The following year, they released “Leaving All Behind” which caught the attention of Metal Blade Records who signed Cellador and quickly released “Enter Deception” in 2006. This album was hailed by fans and critics alike, often comparing them to DragonForce and the like. By 2009 this stellar, established band had splintered due to differing interests and desired directions. With only a few original members left and an uncertain record contract, Cellador packed up and moved to Denver, CO, where they remain today, in search of a bigger stage for their musical inclinations. After a five year hiatus, interviewing potential band members to regrow the band, “Honor Forth” was finally released in 2011. This vaulted the band to new heights and put them on festivals, tours and shows with notable bands such as Trivium, All That Remains, Bullet For My Valentine, Marty Friedman, Queensryche, Hatchet, Exmortus, Huntress and many, many others. To date, they have extensively toured the United States, Mexico, Canada and even played the Loud Park Festival in Japan. Taking their time in the studio over the course of 2015 and early 2016, their much-anticipated new release is due out sometime in 2016. With a cohesive, new lineup and management, Cellador is ready to set the world alight once again!

Continue reading