The Trinity Of Terror Tour Bludgeons Minnesota [Review & Photo Gallery]

When it comes to horror movies, every great movie and villain never seems to die. They raise up from the dead and create a brand-new nightmare for fans. One of the great tour packages of the past year keeps coming back and it seems to be bigger with every run of dates. The ‘Trinity of Terror Tour’ has reached trilogy status with the third string of dates ripping through North America. The Armory in Minneapolis, Minnesota would host the sold-out tri-headline tour that featured Ice Nine KillsMotionless In White and the Black Veil Brides. Added to the bill to open the show were metalcore veterans Atreyu.

Atreyu hit the stage with the song “Baptize.” This was my first time seeing the band with Brandon Saller handling lead vocals but he quickly made his presence known with his personality and energy. He sounded great vocally and the songs came across great. A couple of my personal favorites came next with “Becoming The Bull” and “Right Side of the Bed.” Saller also made his way to the bar for a quick drink during the set and found out, as anyone who has been to the Armory, it’s a little trickly to maneuver yourself to the bar and then back to the stage. The line-up also consisted up guitarists Dan Jacobs and Travis Miguel, bassist Marc “Porter” McKnight and drummer Kyle Rosa. Throughout the night it was very clear Ateryu was the perfect fit for the tour and I realized just how much their songs have stood the test of time.  The entire band came across like there was no other place they would rather be and looked to be having so much fun that it became infectious to the packed venue. The fan reaction was really fantastic and they really ignited the crowd and that energy would hold up throughout the night. 

The three bands have been alternating slots and in Minneapolis the Black Veil Brides  took the stage next. Led by vocalist Andy Biersack they struck with the song “Crimson Skies” from 2021’s ‘The Phantom Tomorrow.’ They were certainly the most straight forward band of the night and hit with constant riffs from the two guitarist Jinxx and Jake Pitts. Holding down the rhythm section was drummer Christian “C.C.” Coma and bassist Lonny Eagleton. Although they were still supporting the latest album, the set was fun because it touched on all the records and really showcased the bands entire timeline. I really enjoyed “Fallen Angels,” “Faithless,” “Knives and Pens” and new cuts like “Scarlet Cross” and “Shadows Rise.” You could certainly feel the presence of the Black Veil Brides Army as the band made its way through the set. I thought they sounded in great form and delivered a great show.  

Motionless In White was a completely different monster from the previous bands that had previously taken the stage.  The intensity ratcheted up as soon as vocalist Chris “Motionless” Cerulli positioned himself at center stage. They kicked into “Disguise” and the chaos was in full swing. The line-up featured guitarists Ryan Stikowski and Ricky “Horror” Olson with Vinny Mauro on drums and bassist Justin Morrow. The band was supporting 2022’s release ‘Scoring the End of the World’ and played five cuts from that record like “Werewolf” and “Cyberhex.” The crowd surfing was non-stop and it did cause Cerulli to ask fans to take a little break from it to give the people up and front and the staff of the venue to catch their breath. Fan favorite “Voices” blew the roof off as did The Killers cover of “Somebody Told Me.” The entire performance was a high-octane outpouring that the crowed ate up. They even had some extra help as two people came out to provide a little extra visual experience as they threw candy into the crowd, generated sparks that shot off their body, and after the closing song “Eternally Yours” threw roses into the crowd. I’ve never seen a bad Motionless In Whiteshow and was again impressed with what they pulled off. 

The one band I had yet to see would close the night and I was anticipating great things. Ice Nine Kills is a band that I had casually listened to but the last two albums, ‘The Silver Scream’ and ‘Welcome To Horrorwood: The Silver Scream 2” really hooked me into the band. The set ripped into “Funeral Derangements” and the onslaught was on. Vocalist Spencer Charnas, with shovel in hand, got people moving and the fans in the crowd didn’t let up. Each track on those albums is a tribute to some of the most iconic horror movies or franchises. Bringing those nightmares to the stage, along with Charnas, was bassist Joe Occhiuti, drummer Patrick Galante and guitarist Ricky Armellino and Dan Sugarman. They kicked into “Wurst Vacation” which takes us into the Hostel movies and I quickly realized that this show was as much theater as it was a concert. It was a carefully calculated set that had actors and props that brought the horror movies to life. “Hip To Be Scared” was a homage to American Psycho with Charnas crushing his victim with an axe. So many highlights in the set but “The Shower Scene” which pulls from the classic Psycho movie was executed perfectly with a shower curtain pulled onto the stage with a victim standing behind it just waiting to meet her demise. With so much going on the stage, it wasn’t lost on me how good the music sounded. The songs came off so crisp and tight and when you add that sonic assault with all the different stuff they did a stage, it made for one of the most enjoyable sets I’ve seen in a while. The set ended with bringing Freddy Krueger out of your nightmares and onto the stage with the ode to The Nightmare on Elm Street movies with “The American Nightmare” and that concluded a fantastic night. 

This was a very unique bill with four bands that seem to have equal footing among the crowd. There  wasn’t any indication that one band was bigger than another and as you walked the venue the merch people were wearing seemed pretty equal.  I didn’t see anybody heading for the doors after any particular set as the venue stayed packed until the last band finished. The ‘Trinity of Terror Tour’ lived up to the hype as every band on the bill impressed me and the five hours I was at the venue flew by. 

MOTIONLESS IN WHITE, ATREYU & WILSON Bring Spring Invasion Tour To Minneapolis [Review & Photo Gallery]

The Spring Invasion Tour, featuring Motionless In White, Atreyu, and Wilson has been has been rolling through North American and made a stop at the Skyway Theatre in Minneapolis, Minnesota. This tour promised to be high on energy and heavy in the tunes and a packed house experienced a great night of music. Continue reading

Adam Cox’s Top 10 Albums Of 2018!

My memories of 2018 are inextricably linked to amazing music.  Life has been fairly unremarkable, but for the sonic highways I have followed which led to me writing for the great Metal Nexus site. Thank you Fist, for taking me on and for the whole team being like family. I am blessed that I can creatively vent through this fantastic site.

This year has seen my love for Metal music being well and truly filled. It has been another bumper year and I hope my top album picks make for interesting reading and lead to people listening to the albums.  Whatever you do, please support the artists and I look forward to even more great music in 2019.

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ATREYU – ‘In Our Wake’ REVIEW!

“Everything we do causes a ripple or a wake…It can be positive and good, or it can be fucked up and horrible. However, we are the masters of our own destiny. We want to leave something good behind.”

This statement is a perfect representation of the theme for the newest release entitled ‘In Our Wake’ from metal veterans Atreyu.  We all want to leave behind some sort of legacy, but few are unsure of how we will be remembered when we are gone.  The SoCal quintet has made it a point to direct attention to such uncertainties.

Drummer Brandon Saller elaborates:

“What are you going to leave behind?” asks Brandon. “We named the album In Our Wake’ because a lot of the concepts address this question. There are lyrics about dealing with your own personal demons and darkness. Some of it is about our children, which is who we leave directly in our wake. Others are about the general public and the outpouring of hate and fear — especially in our country. We created something of a concept record without even trying.” Continue reading

Rock On The Range 2018: DAY 1 [Review & Photo Gallery]

 

Body Count

 

Alas, Rock on the Range has come and gone but for those who were lucky enough to attend, the memories are very much alive!  I recently heard it said that 2018’s Rock on the Range was the biggest yet – and I can definitely see that to be true!  With the monstrous lineup that this year’s festivities held, the festival once again proved it really is “Where Rock Lives”!  Festival-goers were treated to incredible performances from huge acts including Stone Temple Pilots, A Perfect Circle, Tool, Alice In Chains, Godsmack, Trivium, too many great bands to name them all.  If you ask me, the fine folks at AEG and Danny Wimmer Presents knocked it out of the park with the lineup selection this year and really gave the fans what they want – a rock festival that actually rocks from start to finish!  Three days of nonstop music flooded the Columbus, OH air and minus a period of potential storms and a few light drizzles, the weather cooperated, for the most part, providing (sometimes intense) sunshine all weekend. For me, Day One was an early one.  We got to MAPRFRE Stadium pretty early to beat some of the traffic that was sure to build with every passing minute and were greeted by a cold, steady rain that still didn’t deter the several eager fans already waiting in line.  A side-note to anyone planning on going to Rock on the Range in the future, it is highly advisable to buy the parking pass before the show.  One of the downfalls of the festival was the $25/day parking fee, but that’s a small price to pay for the good times that were inside! Continue reading

Chicago Open Air Spotlight: HELL OR HIGHWATER [New Song Stream]

*Every Thursday from now until Chicago Open Air gets here we will be releasing an article about a band playing the festival to get you familiar with them.*

This week’s artist is Hell Or Highwater.

Friday, July 14th, Hell Or Highwater will be one of the first bands to hit the Chicago Open Air stage in 2017. The band was formed originally as a solo project by Atreyu vocalist/drummer Brandon Saller in 2011 when Atreyu went on a brief hiatus. This material is definitely more upbeat and rock’n’roll while Atreyu was on the darker, metalcore side for most of their career. Hell Or Highwater will be at the festival promoting upcoming new material from their album ‘Vista’ which comes out on May 19th. You can check out the artwork for that and a few tracks below. Continue reading