Metalcore is a genre that continues to reinvent itself. Though it may seem like another lifetime since the mid-2000’s, new ideas infiltrate, artists reinvent and arguably somehow create these intricate subgenres of subgenres. Sub-subgenres? Progressive metalcore has been on the up and up since. Exquisite musicianship and sophisticated songwriting allow these tremendous new acts to standout in a crowd where everything is tucked under one umbrella. Continue reading →
Vans Warped Tour founder, Kevin Lyman confirms dates for the show’s 25th anniversary via tweet this morning. As 2018 marked the end of its annual outing as a major touring entity, 2019 will feature only limited dates in honor of Vans Warped Tour’s impressive 25-year long run. Continue reading →
After being forced to postpone a handful of dates back in the spring so lead vocalist Jesse Leach could undergo vocal cord surgery, Killswitch Engage was back with a vengeance for a quick ten date fall run (makeup dates plus a few bonus shows) that would see them finish out their US commitments in early December before heading overseas in early 2019. Joining in on the fun were one of Killswitch bass player Mike D’Antonio’s other bands Death Ray Vision, sludge metal kings the almighty Crowbar, and progressive metalcore quintet Born of Osiris. Continue reading →
Lords Of The Trident was forged 10 years ago in Madison, Wisconsin. For the last decade the warriors that make up the band have been battling their way to stages all over the country. Lords Of The Trident is made up of Master Hercule “Herc” Schlagzeuger (Lead Drums), Baron Taurean Helleshaar (Lead Guitar), Fang VonWrathenstein (Lead Vocals), Asian Metal (Lead Guitar) and Pontifex Mortis (Lead Bass). They are in the process of soldiering their way to a stage near you as the band announces their first quest of 2019 will be for “The Metal, Spikes, And Chicken-Fried Steak Tour” with A Sound Of Thunder. The metal warriors will be performing four dates kicking off the first in Cincinnati on January 17th and wrapping up the crusade in Atlanta on January 20th. The tour is in support of Lords Of The Trident‘s 7th studio album ‘Shadows From The Past’ released this past August. Album stream can be heard on Bandcamp, Spotify, and Youtube. Continue reading →
The King is back! After a long wait, King Diamond has returned with ‘Songs for the Dead Live,’ which is the first thing KD has released since 2007’s ‘Give Me Your Soul….Please.’ On January 25th, KD will release a new DVD/Blu-ray ‘Songs for the Dead Live’ via Metal Blade Records. Here is some official info summarizing what to expect from this extensive collection of music and footage: Continue reading →
Transcontinental black/death metal band Hiss From The Moat have released a lyric video for their new track, “The Harrier”. This international powerhouse was founded by James Payne (Vital Remains, Hour of Penance) with Italian friends bassist/vocalist Carlo Cremascoli and guitarist Giacomo “Jack” Poli. In 2009 the three-piece released their debut EP The Carved Flesh Message. Sharing the stage with acts such as Psycroptic, Skeletonwitch and The Black Dahlia Murder they took their project to as many audiences as possible. Four years later they released their debut full-length Misanthropy via Lacerated Enemy/Nuclear Blast. During this period Payne left Italian death metal band Vital Remains to work full time on Hiss From The Moat. Taking their blended sound of black and death metal the band toured Europe and Asia with acts such as Behemoth, Belphegor and Rotting Christ. The band then brought on guitarist/vocalist Max Cirelli. Continue reading →
New Jersey heavy weights OVERKILL are just no where even in close proximity being done. They have a lot of unfinished business, and to take care of that the band has already announced its next studio album. The upcoming all new 19th studio record, ‘The Wings Of War‘ is droppingon February 22nd, 2019 via Nuclear Blast. And to get you a first taste of the oncoming thrash attack, Bobby Blitz and co. have their very first single in the form of a lyric video out from the album. It’s called, ‘Last Man Standing‘, and as intimidating as it sounds, it does stand up to its name for it is one hell of a typical thrash, true to its core attack. It’s a riff fiesta accompanied with satisfying fast and ruthless riffs, swift & technical drumming and of course, Bobby’s trademark raspy, awesome vocals.
In the most recent issue of the band’s official newsletter from December 4th, 2018, webmaster Blair confirms that drummer DannyCarey played a new Tool track for him in his Porsche, referred to simply as “track 3.” “Hellboy,” admin of Fourtheye.net, a popular resource and web forum for all things Tool-related, wrote in a recent post that he subsequently spoke to Blair personally and reports: “I asked Blair if there was Maynard [JamesKeenan] on what he heard, and the answer was yes. I didn’t ask (nor will I) for further information.” In the rest of the post he goes on to describe a possible timeframe for a new Tool release in 2019: Continue reading →
Shit The Cow is a band of Swedish rockers set out to explore the limitations of their own universe, and from what I’ve heard there are no limits on what this band can do. The bands risk taking when it comes to sound has really developed their music into something new. They are conquering uncharted territory and inventing sound as they go. They’ve done what is classified as “rock disco” on their 2012 release ‘Volume/Cow’ before moving on to a more garage rock sound on 2013’s ‘Salt Of The Earth’. Then they evolved into a more punk feel with 2014’s ‘Rissna’ before moving to more darker elements on “67p” in 2015. ‘One With The Devil’ released in 2016 was one of my top 10 favorite releases. The band has defined their sound as “Scrapyard Rock” and it’s very fitting. The band simply takes inspiration from all over and juxtaposes their sound. The band had released 5 EP’s and then 2017 saw the release of their first full length ‘Cavelord’. Shit The Cow wastes no time writing and recording and the band is releasing yet another EP on December 14th, 2018 titled ‘When in Caracas’.
On March 29th, Whitechapel will release their 7th full-length, ‘The Valley’, via Metal Blade Records. Mixed by David Castillo, mastered by Ted Jensen, and produced once again by Mark Lewis (Cannibal Corpse, The Black Dahlia Murder), ‘The Valley’ is a reference to the part of Hardin Valley (west of Knoxville, Tennessee) where vocalist Phil Bozeman grew up. Set against this backdrop, he approaches his subject matter unflinchingly, building upon everything that came before, making it clear that he has survived that which he was forced to endure and is not afraid to confront it. “Phil has been upfront in his lyrics in the past about hardships he endured in his life as a child, and I believe with this record we tried to paint a better picture of that,” says guitarist Alex Wade, who alongside his bandmates, stands 100% behind everything their vocalist has to say. “I feel our music is Phil’s release from his past, being able to get it out and speak about it, and hopefully anyone who hears it that may have gone through similar experiences can find some release in it as well.” This is the second track released from the upcoming album, the first of which was “Brimstone” which can be streamed here. Continue reading →