There hasn’t been an announcement yet from Crowbar but bassist Jeff Golden posted via Facebook that he is no longer a member of Crowbar. Jeff became a member of the band in 2013 when Pat Bruders exited the band and simultaneously Kirk Windstein left Down. Jeff stated: Continue reading →
The recently formed Bay Area band The Watchers have relinquished their first song for our listening pleasure. The track “Sabbath Highway” just sets an expectation of greatness simply by the name. The band first began with Tim Narducci and Chris “Cornbread” Lombardo as they exited their previous project Spiral Arms. With this duo keeping their musical chemistry together it raised the bar of what is expected from the new project we now know as The Watchers. You add Ex-Orchid drummer Carter Kennedy and The Venting Machine guitarist Jeremy Von Eppic to the band and my ears are expecting to hear great things. Let me tell you now that I wasn’t let down and I am highly anticipating the rest of their debut and seeing them in live. Check out “Sabbath Highway” below and you will likely become an instant fan.
You can keep up with The Watchers on Facebook here, and we will keep you posted as well.
Recently you have probably heard more about Tim Commerford’s other project Prophets of Rage than WAKRAT, but don’t let that fool you. WAKRAT isn’t going on the back burner and we are very thankful for that. They had already released a video for “Knucklehead” which you can see here. The band recently signed to Earache Records and is expected to release their debut album later this year and no one is more excited about the release than us. In the meantime we have been blessed with another Wakrat track to get us through until we can enjoy the album in it’s entirety. About the debut album Commerford stated: “We are gearing up to be on the offensive, assaulting the populous with our debut album on Earache Records. We have put a shit load of blood and sweat into this and we want it back! Our mission is to attack modern music and smash the grid. Unapologetic, unrelenting, unbridled and uncensored. Understood?” Continue reading →
Slipknotlead singer Corey Taylor made an announcement today viaFacebook:
Regretfully, I’m sending this to our fans to inform you that we will be postponing the first couple of weeks of our upcoming U.S tour. Unfortunately, I had to undergo an unplanned spinal surgery. I am recovering nicely, and all went well! I need a little recovery time before hitting the stage. We will start the summer tour in Nashville on 6/28 and continue as previously scheduled. An update on the rescheduled dates will be available in the next few days. I hope you all understand and thanks for always having my back! Thank you -Corey
British alt-rock trio DINOSAUR PILE-UP is gearing up for the release of their third studio album ‘Eleven Eleven’ via SO Recordings / Caroline on August 26, 2016. Lauded as “skillfully-crafted blast of modern grunge, and well worth your time” by Rock Sound, ‘Eleven Eleven’ takes the band into heavier and more intense territory, evoking the riffage and strains of their heroes Quicksand, Refused, Deftones and Helmet. Continue reading →
The complex musical group known as Dragonforce is on the verge of another release. The Grammy-nominated power metallers, are excited to release a comprehensive career-spanning “Best Of” – the first time the UK band has presented this kind of historical “chapter & verse” collection. Continue reading →
The album title ‘Basses Loaded’ will take on an all new meaning with the cast of artists guesting on this release. The twelve-song album features six bass players (yes, six): including Nirvana’s Krist Novoselic, Redd Kross’ Steve McDonald, Butthole Surfers’ J.D. Pinkus, Big Business’ Jared Warren, Mr. Bungle/Fantomas’ Trevor Dunn (aka Melvins Lite) and Melvins’ drummer Dale Crover swapping the drum kit for bass in the Melvins 1983 iteration. The final track on the album is a rendition of the classic “Take Me Out to the Ball Game.” It shows the bands appreciation for America’s greatest past time. ‘Basses Loaded’ is due out June 3, via Ipecac Recordings. Continue reading →
It’s been 6 years ago that Robb Flynn’s Martinez, CA house was burglarized. Stolen with the cash, jewelry, and other items were four guitars, and amongst these four was easily one of his most meaningful possession, a 1997 Washburn Dimebolt guitar that was given to him onstage at the Aragon Ballroom in Chicago, by the late-great Pantera guitarist, Dimebag Darrel. It’s something that holds a huge sentimental value and can never be replaced.
Last night, some six years later, it was returned to him along with an un-released Epiphone prototype.
Brazilian distortion kings Broken & Burnt have released a new video for the track “Dead Womb” from their upcoming album ‘It Comes To Life’. The new album will be released sometime prior to July but an exact date has not been set as of yet. The album will be released via Voadora Records.The band formed in 2011 and claims their biggest influences are hate & alcohol. This release is a follow up to 2012’s ‘Let The Burning Begin’ EP. “Dead Womb” is an amazing track that really boasts how the band can change tempo in the song so drastically and make it work. This single track will easily turn any listener into an instant fan. Singer/Guitarist Hugo says “If you liked the song, you’ll dig the album.” So since we loved the song we can only expect to receive more of the same once the album releases, so keep your eyes peeled this is an album you don’t want to pass you by.
‘It Comes To Life’ Track List
01 It Comes To Life
02 Bestowing Animation
03 Unexpected Dirge
04 Along The Way
06 Dead Womb
07 Deep Inside The Void
08 Cold Letters
09 Darkness & Distance
Follow Broken & Burnt on Facebook here and stream previous albums on Bandcamp here.
On June 24th, Whitechapel will release their sixth full-length, Mark of the Blade, worldwide via Metal Blade Records. Reunited with producer Mark Lewis (The Black Dahlia Murder, Cannibal Corpse), Whitechapel has redefined who they are and what they are capable of with their new album, Mark of the Blade. Kicking off with “The Void” – which has a Slayer-esque ferocity that is perfectly suited to the band’s three-guitar attack – the songs that follow all leave a distinct impression, and by the time the rich, dark melodies on “Decennium” bring the record to a close, it’s impossible to deny the emotional weight brought to bear. Continue reading →