Miles and oceans apart from the streets of San Francisco, the Bay Area, where thrash is said to have taken birth I bring to you a very talented and young band from the hills of Imphal, the capital of Manipur, an Indian state nestled amidst the serene and untouched greenery. LUCIFER-X are a five piece thrash metal outfit from the Asian nation of India and are already ravaging the local and national scene with their all new debut EP, titled, ‘Project Xtermination‘. It has just been a few days since its release on the 26th of September. After three years of it’s formation, the band have matured enough and are ready to deliver the first kill in the form of their debut EP. It’s fast, rude and an endless saga of thrash-tastic riff fest!
With a name like The Walking Dead Orchestra, you can’t help but conjure up depictions of a post-apocalyptic zombie wasteland where all life is obliterated and the outlook is bleak and demoralising… but fear not, for French Deathmetallers are absolutely annihilating the hoard with their sophomore album ‘Resurrect’! Soon to be released on Fri 13th October via Unique Leader Records (the pioneering label that have already brought you Arkaik – ‘Nemethia’, Decrepit Birth – ‘Diminishing Between Worlds’ and Inanimate Existence -‘Underneath A Melting Sky see review here). ‘Resurrect’ marks a new chapter for the band, having emerged victoriously from the entanglement of wretched spawning bodies, stronger, more determined and aggressive as hell! Pre-orders are live and bundles are available here. For digital click here.
Following in the footsteps of the Architect (the main character of the bands concept world), you are thrown violently into an onslaught of punishing fretwork in ‘Resurrect The Scourge’. With the worldwide epidemic surrounding us, the world we have entered is one of sheer ferocious pounding melody entertained by emotionally charged vocals from lead singer Florian Gatta (also of Rise Of Doom). The vocal dynamics add to intensity of the drama unfolding, from grunts and growls to an exasperated top-end, a familiar appraoch from their deathcore history. The aggression is paramount across the release with a ritualistic feel, almost like the band is willing the dead to join them in their rampage. This is carried upon in ‘Through The Realm Of Chaos’, a frenzy of duality in vocal range and the in-your-face fast tempo which only intensifies the impending Armageddon. It has a pummelling playfulness and incorporates more mid and gruntal vocals, offering a far more brutal old-school dynamic with an ability to combine primal influences to full effect!
There are those who dismiss The Darkness out of hand as little more than a one-hit novelty act doing a faux-operatic glam-metal piss-take. Those unfortunate souls are A) probably not much fun at parties, and B) missing the point entirely. Rock and roll, especially heavy rock, has become a dour and earnest beast in the past quarter-century or so, plodding along a loud but often joyless path, rife with negativity and self-loathing. Since day one, The Darkness have served as an antidote against this encroaching gloom, a glittery, sequined outpost shining brightly in a vast expanse of brutal grey. Misery and introspection certainly have their place, but so do joy and outrageousness and just plain fun, dammit, and that’s where The Darkness come in. Yes, their songs are over-the-top; they’re also expertly crafted nuggets of kick-ass rock and roll, stuffed to bursting with beefy riffs, intricate melodies, and cocksure swagger. And sure, some of their lyrics might be a little silly, but those great big jagged hooks they’re attached to ain’t no joke. Their newest album, Pinewood Smile, is a bawdy buzzsaw with peacock plumage, a devastating roundhouse right from a manicured fist. Outrageous and opulent yet fiery and muscular, it’s the finest album in their catalog so far and unless you’re a real fuddy-duddy, it’s likely one of the best times you’ll have listening to a record this year.
Since their founding in late 1999, the Lords of Altamont have been preaching the gospel of high RPMs and low morals, the Good News about being bad. Well-versed in the rituals, scriptures and sacraments of the sages and prophets who preceded them, the LA-based congregation has unleashed another electrifying testimonial to the healing powers of rock and roll on their sixth album, The Wild Sounds of Lords of Altamont. It’s a cranked-up, psychedelic biker/garage joyride from Detroit to Berdoo, all virile riffs and swirly Farfisa; you can hear the leather and sunglasses, smell the exhaust fumes and truckstop incense. Vocalist/organist/head shaman Jake Cavaliere, guitarist Daniele Sindaco, bassist Rob Zimmerman, and drummer Steven Van Der Werff are a finely tuned machine, expertly spitting out blasts of santification that baptize you with a shot of whiskey and a punch in the mouth.
Brooding hardcore-punk conglomerated with crushing stoner-esque displays of melody are now indefatigable qualities to what constitutes Southern Lord Records. One particular group to assist in laying down such foundations would have to be the incredibly influential, perennially pessimistic and harrowingly heavy act All Pigs Must Die. Their third studio LP, ‘Hostage Animal’ is scheduled for release on October 27 2017 and is musically their most foreboding attempt to date. The group is now a five-piece act consisting of Kevin Baker of The Hope Conspiracy on vocals, Ben Koller of Converge on Continue reading →
India is in the bringst of a metal revolution and brutal death/grind legends Gutslit are at the forefront! Fresh from their second massive international tour “Brutal Grooves Grinding Moves” with Germany’s Stillbirth, American Splattered and Colombian Carnivore Diprosopus – Gutslit absolutely pulverised the masses across 15 shows in 8 countries to launch their highly awaited sophomore release “Amputheatre”. Set to be released on Oct 15th via new label Transcending Obscurity India – Asia’s largest label for extreme music, pre-orders are live and available here.
After creating the EP ‘Youth War’ and the albums ‘Balancing Survival & Happiness’, ‘New Strength’Kublai Khan got around the table to let us know why they are the best at what they are doing. First teasing us with the tracks ”Belligerent” & ”The Hammer”Kublai Khan and finally releasing their full album ‘Nomad’ today via RiseRecords! The official album stream is linked at the end of this article, take a deep breath and dive right in!
Forget the fuzzed-out riffs and the monster choruses, forget the facial hair and silk-and-velvet trappings; the single most ‘70’s thing about Kadavar might be their work ethic. The German stoner-psych trio has been in perpetual motion since their 2010 debut, locked in an album-tour-album-tour cycle that harkens back to the days of their musical forefathers, when bands plied and honed their craft through countless live shows and more than a year between records was simply unheard of. The end result of this ideology couldn’t be more evident. The band has become an incendiary live act, and each of their albums has built on the strengths of its predecessor. To say that trend continues here is a massive understatement; 2015’s Berlin was one of that year’s best albums, but with Rough Times, Kadavar may end up with the 2017 title all to themselves.
If one were to accurately describe the after-effects of the act of combining the iridescent romanticism of psychedelia and the intense brooding nature of doom-rock then they’d gain an awful lot of credibility upon mentioning Stonebirds, a project which was formed in 2008 and has since proved itself to be a noteworthy Continue reading →
Fifty years ago, the much-vaunted but short-lived Summer of Love burned out nearly as fast as it began, and the Sixties began its death march toward Cielo Drive and Altamont Speedway. Choked out by lethal doses of greed and drugs, groovy-baby, flower-in-your-hair psychedelia quickly gave way to bad trips and endless bummers, speed freaks and acid burnouts. The sounds of an era roiled by perpetual tumult and social upheaval transformed and mutated as well, into something harder-edged, more sinister; less It’s A Beautiful Day and Scott McKenzie, more Blue Cheer and Black Sabbath. And while Alice Cooper has claimed responsibility for his group “driving a stake through the heart of the Love Generation,” the bands represented on the Numero Group’s new compilation Acid Nightmares show that his namesake act were but one link in a worldwide network of accomplices, and that sonically speaking, the Hippie movement died a death of a thousand cuts.