Review: GHOST BATH – ‘Starmourner’ [Single Track Stream]

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The name Ghost Bath refers to the act of committing suicide by being submerged in a tub of water, and given the music this band has brought forth on their previous EP and full length releases, it’s an appropriate one.  Ghost Bath, hailing from the state of North Dakota, play an interesting brand of depressing black metal, chock full of rough, howling vocalizations accompanied by razor sharp instrumental passages that send the listener on a trip through the throes of a depressive mind.  The forthcoming  album, Starmourner’ releases April 21st, 2017, via Nuclear Blast, finds Ghost Bath stretching their wings, much like the angelic theme that threads the album, and exploring old and new territory alike.  Continue reading

Louisville Based Order Of Leviathan Roars To Life With ‘Death Worship’ [Album Stream]

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Quickly: what comes to mind when you think of the state of Kentucky? Hillbillies? Country music? Horses and bourbon? Maybe UK basketball? Whatever it is, I highly doubt that death metal is among what pops up.  Defying what outsiders think they know about the Bluegrass State, Louisville (aka Louis-evil) based Order Of Leviathan has launched an all out assault on convention via an “eternal quest for total darkness through transcendent art.”  Founded in March 2012, these guys pulled the band together not for the promise of fame, but to create art purely for the sake of art. 

Comprised of vocalist Nathan Bowling, Levi Crandell-guitar, Derek Tipton-guitar, Dustin Rawlings-bass, and Mike Hargrave-drums, Order Of Leviathan have released two full albums thus far, and have played with such acts as Cannibal Corpse and Cattle Decapitation.  2013 saw their first full length release, “The Infernal Path To Total Darkness”, an absolute BEAST of a debut, and more recently, the sophomore satanica offering of “Death Worship” in August of 2016.  This band of nihilistic misanthropes are only growing in scope and skill, and with razor sharp intent, they’re hellbent on opening your eyes to ultimate nothingness of life.    Continue reading

Review: DOWN THE STONE – ‘Life’ [Official Video]

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DOWN THE STONE formed in 2013 in Italy. The band has retained all of its original members: Lorenzo “Lau” Ricci (guitar and vocals), Jordan “Gio” Conti (guitar), Lorenzo “Abbo” Grassi (bass) and Fabio “Hammer” Catozzi (drums) since their formation. The band has a modern and powerful rock sound, with some major influences from the rock and metal bands of years past. In the year of their formation they released their debut EP ‘Metamorphosis’. That EP was recorded at Frequencies of Monza Studio. In June of 2014, during a concert at the Legend of Milan, they were noticed by Marco Barusso, and he offered to produce their first full album, ‘Life’. Marco Barusso is mostly known for engineering and mixing 4 of fellow Italian band Lacuna Coil’s albums. Fast forward to June 17, 2016 when the band launched “Walking In My Shoes”, the first single from the album, which received excellent feedback. The band then released the album in December of 2016. DOWN THE STONE bring a lot of well-planned elements into their music. It really sits in that grey area between modern and old school metal and it’s the best of both worlds. Continue reading

3Eighty3 Are Up To It Again With “Error Of The Moon”

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Jude Throckmorton – Vocals and Guitar
Matthew Shawn Chapman – Guitars
Zac Stewart – Bass
Kirk Evans – Drums

Error of the Moon

March 31, 2017

After having the band referred to me by my friend ‘Chelle last year, 3Eighty3 has been one of my favorite, go-to bands. Once I reviewed their kick ass debut EP, Raw Fuckin’ Power and added it to my 25 Best Albums of 2016, I have stayed in contact with them and made a couple new friends. Metal tends to do that, as you well know. One big, crazy-ass family! In rolls 2017, and I am pleasantly surprised to find out that in their busy show schedule, the band has managed to write and record a brand spanking new EP called Error of the Moon that is due for release on March 31st, 2017. Like a junkie jones-ing for their next hit, I contacted Matt on the down-low: “Uhh. Hey dude. Ca ca can you hook muh me up with tha that new CD bro? I nuh, nuh NEED some more of stu stuff you you got going on over there in Texas…” Being the cool guy that he is, he sent me the master MP3s as soon as they were completed and on the day that they were being sent out to be pressed. Big thanks my man! Been flat wearing it out ever since. So. Is that sh*t good, you ask? If my family can be used as a gauge (Electronic Dance and Young Alternative fans, the lot of them), my wife and kids f’in HATE it because it is too loud (add whiny tone) and been blasted countless times as I am driving, so, yeah, it is f*cking awesome!

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Review Of Cellador’s “Off The Grid”

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Cellador is:

Chris Petersen – Vocals, Guitar
James Pickett – Bass
Diego Valadez – Keyboards
Nick McCallister – Drums

Off the Grid (March 10, 2017)

Almost a year ago, shortly after joining the staff I jumped at the chance to cover Cellador for our State of the Art: Colorado series. While the band had started under the name Aposte in Omaha, NE back in 2003 by guitarist and vocalist Chris Peterson, the name was changed to Cellador just over a year later. Once releasing The Burning Blue and Leaving All Behind they caught the ears of Metal Blade Records who immediately signed the band and released Enter Deception in 2006. The album defined the band as one of the best emerging Modern Power Metal bands but by 2009 Cellador cracked, leaving many members behind before moving to Denver, CO in search of their much deserved star. After five years of band reanimation, Honor Forth was finally released in 2011 and quickly became the band’s defining album, launching Cellador to new heights and putting them on major bills around the globe. By 2015 and early into 2016, the band had stabilized and again went into the studio; taking their time to assure a fitting follow up to, now classic, Honor Forth. With the ink barely dry on their contract with Scarlet Records in hand and being under recently acquired new management, Cellador is set to charge their way directly into the Metal throne room once Off the Grid is released into the wild on March 10, 2017!

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Roni’s Review of Old Scratch’s “Feral”

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***** Review by Roni *****

Old Scratch is:

Jeff Worley – Guitar/Vocals

Nick Sheppard – Drums

Rahsaan Lacey – Bass

Lyrics & Music by Jeff Worley

There’s something exhilarating about listening to new music that just grabs you and has you jamming within moments. Fun, fast paced and high energy all describe the debut album Feral by Old Scratch. Guitarist Jeff Worley was the last man standing in Charlotte, NC with the previous version of Old Scratch and it’s rebirth began in January of 2016 as he along with Nick Sheppard on drums and Rahsaan Lacey on bass played their first gig together. I, for one, am grateful that they did so, because just over a year later…I’m getting whiplash from banging my head so hard to their debut album.

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Review: EARTH ROT – ‘Renascentia’

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Formed in only 2014, Earth Rot has really made their mark in the underground scene. The Australian death metal band has released an EP titled ‘Dirt’ in the same year of their formation. A short 6 months later they blew up the underground scene with their first full length LP titled ‘The Black Smoke’. This band offers a black and death metal mix not many bands can pull off with such seamless transition from one to the other. Now the band is back with their new album ‘Renascentia’ just one year after they released their debut album. Earth Rot has evolved and sharpened the craft of blackened death metal and this album shows that. Continue reading

Review: THE LAND OF THE SNOW – ‘Paths of Chaos’ [Album Stream]

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Cover Art by Petulia Mattioli

The Land of the Snow is a new doom/experimental solo project from Switzerland mastermind Joel Gilardini. He has released several 4-6 song records including ‘Blizzards From The Edge Of A Stage’ (2013). They have played shows with bands like Dysrhythmia, Signorina ?Alos, and Bruital Orgasme.The new record ‘Paths of Chaos was released last week via Taxi Driver Records on February 28th. Cover art was created by Petulia Mattioli. The album was mixed by Eraldo Bernocchi  (Sigillum S, Obake, Metallic Taste Of Blood) and featured Jacopo Pierazzuoli on drums. Gilardini does all the guitars, drum programming, and electronics. The album takes you on a journey through music that makes the mind ascend to a higher state. You can buy the new album here or stream it below. Continue reading

Review Of RoadkillSoda’s “Space Echo & Time”

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***** Review by Roni *****

RoadkillSoda is:

Mircea Petrescu “Hothshot Eagle” – vocals and rhythm guitar.

Mihnea Ferezan “Panda Elixir” – guitars and crazy solo’s

Victor Ferezan “Vava” – bass and low end

Mihai Nicolau “Baby Jesus” – drums.

Music by RoadkillSoda.

Lyrics by Mircea Petrescu with “Freebird” lyrics by Mihai Nicolau

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Review: IBYSS – ‘Hate Speech’ (Album Stream)

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IBYSS is two guys. Two guitars, riffs for days, melodic and harsh vocal tones, programmed drums that are on point, and distorted bass. The band was founded at the beginning of 2012 by guitarist Jens (Chord Of Souls) and guitarist Nihil (PaPerCuts). This duo is taking Industrial-Metal back to its underground roots, the German duo celebrates an assault on the progressive-sound-complex of today´s metal world. Rudimental and raw. The band includes echoes and reverb in their sound to make the listener feel as if they were stuck in a cold dark cave, instead of listening to the usual music in the cozy surroundings. IBYSS wants you to feel uncomfortable, they want their music to move you and it’s something that few bands put effort into. The bands first release ‘Obsidian’ was self produced and released in 2014. Since that album the band has released 2 remixed tracks and the single “Monolith” that included the original track and 2 remixed versions in 2015. IBYSS has now released their latest work of art on January 31, 2017. The release was again self recorded and produced by the band and mixed and mastered by Ben Blutzukker. The album’s title has caused sort of an uproar in the bands home country of Germany. The EP titled ‘Hate Speech’ has been refused coverage from most German webzines and even leading print magazines. Refusing to publish any news about the release or even review it because they think our title is too “problematic” or “provocative”. I can easily go back into the metal vaults and find 1000’s of iconic albums that have far more offensive titles. Honestly, the fact that these outlets aren’t covering this album gives it that taboo effect and makes fans want to check it out even more. The title of this EP isn’t the main point here, this band absolutely dominates in their own style, bare witness to all that is IBYSS Continue reading