About Stone

"I like Rock and Roll, and I don't like much else." - John Lennon

MONSTER MAGNET – New Album, ‘MINDFU*KER,’ Coming in March!

Mindfucker, the first studio album from New Jersey speed-scuzz icons Monster Magnet in nearly five years, will hit stores worldwide March 23, 2018 via Napalm Records. The eleventh effort from Magnet mastermind Dave Wyndorf and Company, Mindfucker promises ten up-tempo, savage tunes that draw equally from the wells of early 70’s hard rock psychedelia and tweaked-out, incendiary Detroit-style garage protopunk.

Continue reading

State of the Art: New Jersey’s BLACK WAIL

Our autumnal excursion through the Garden State concludes in Jersey City, home of the Statue of Liberty, birthplace of funk legends Kool & the Gang, and for nearly four years now, home to chromium swamp creatures Black Wail. These fuzz-faced, big-muffed purveyors of doom boogie have been plying their wares since Spring 2014, over three EP releases and countless live shows, and their forthcoming effort Chromium Homes (Rhyme & Reason Records, in stores December 15) is a raw, rip-snorting blast of sharp hooks, bludgeoning riffs, syrupy-sweet harmonies, and out-and-out heavy metal anguish.

Continue reading

Book Review: BRUCE DICKINSON – ‘What Does This Button Do?’

Bruce Dickinson

What Does This Button Do?

Dey St. Books

Iron Maiden vocalist Bruce Dickinson was raised in a household where a strong work ethic was the most valued of all virtues, and “the only sin was not trying hard.” This minor revelation on page two of his autobiography What Does This Button Do? offers a clear and simple explanation as to how and why Dickinson became one of rock and roll’s true renaissance men. For most folks, being the multi-millionaire lead singer of a world-famous, well-respected, multi-platinum metal band would be enough; for Dickinson, it’s just one of his many pursuits (and it doesn’t even particularly seem to be his favorite). He’s also a commercial pilot, a world-class fencer, a novelist, a screenwriter, a brewer, a radio host, a motivational speaker, and an airline entrepreneur. What Does This Button Do? is a well-written and fast paced look at a few of the past adventures of The Most Interesting Man in the World of Metal.

Continue reading

PHIL CAMPBELL & THE BASTARD SONS – Studio Diary Released, Pre-Order Date Announced

The long-anticipated full-length debut from Welsh hard rockers Phil Campbell and the Bastard Sons, The Age of Absurdity, will see worldwide release via Nuclear Blast Records on January 26, and the band is offering fans a glimpse into the album’s creation with the first episode of their official studio diary. The brief video shows the group, led by veteran Motörhead guitarist Phil Campbell, working on drum sounds with producer Romesh Dodangoda, discussing song structure and lyrics, and tightening the songs up in rehearsal.

Continue reading

Album Review: HOBOSEXUAL – Monolith

Hobosexual

Monolith

Kitchentable Records

Monolith, the stunning third album from Seattle’s Hobosexual, is a tough beast to wrap your head around. How is it that these two guys, Jeff Silva (who plays the everloving shit out of the drums) and Ben Harwood (who does everything else), are able to make a sound this lush and full? How, exactly, were they able to get their hands on my entire music collection from 1983 to 1997? And how in the hell did they figure out how to play it all at once? I’ve listened to this record over and over and over and over in search of an answer, and all I’ve got to show for it is two throbbing eardrums, a blown mind and a thoroughly kicked ass. Monolith is a jaw-dropping genre-smasher, like grinding up and snorting everything you’ve ever like about loud n’ hard heavy rock.

Continue reading

Album Review: BAND OF SPICE – ‘Shadows Remain’

Band of Spice

Shadows Remain

Scarlet Records

Unlike the bloodthirsty beasts and mythical creatures that serve as subject matter for so much of the metal genre, the demons and monsters that occupy the songs on Shadows Remain are all too real. The third album from the namesake project of Kayser and former Spiritual Beggars frontman Christian “Spice” Sjöstrand, Shadows Remain is a harrowing ride that documents the darkest days of the singer/songwriter’s life, a period induced by isolation and the abuse of various substances. It’s a record that wears its soul on its tattered denim sleeve, a brooding bruiser that simultaneously kicks your ass and breaks your heart.

Continue reading

ANVIL: ‘Pounding the Pavement’ – New Album & Tour Details!

 

Since 1978 Anvil have plied their trade, churning out slab after slab of solid metal firepower and blowing out the eardrums of concertgoers worldwide. This tradition will continue on January 19, when the Canadian veterans release Pounding the Pavement worldwide via SPV/Steamhammer Records, then hit the road for a European tour that will carry them through until early spring.

Continue reading

Album Review: UNCLE ACID & THE DEADBEATS – Vol 1 (Reissue)

Uncle Acid and the Deadbeats

Vol 1 (Reissue)

Rise Above Records

Vol 1, the first album to carry the Uncle Acid and the Deadbeats moniker, has acquired a near-mythic status since its original release in February 2010 (not coincidentally, 40 years to the day after Black Sabbath was unleashed upon an unsuspecting world). Written, performed, and recorded entirely by then-unknown mastermind Kevin Starrs, the no-budget album’s entire production run consisted of 30 self-distributed CD-R’s. Starrs used what little profits there were to help fund the recording of the now-classic follow-up effort Blood Lust, and Uncle Acid and the Deadbeats (now a full band) were well on their way to becoming one of the darkest stars in the stoner metal universe. As their popularity grew, so did the reputation of Vol 1; it became highly sought by ravenous collectors, and highly exploited by unscrupulous bootleggers. Despite constant overtures from fans and label executives, Starrs refused to allow its reissue until he was able to personally oversee a thorough remixing and remastering; “It was a DIY project from the beginning,” Starrs explains, “so I wasn’t going to give it up and let someone else mess with it.” After six years on the record-tour treadmill, and with Uncle Acid on a well-deserved break, he fortunately found the time to mess with it himself, and Vol 1 will finally be hitting shelves (via Rise Above Records) and streaming services this Friday the 13th.

Continue reading

Album Review: THE DARKNESS – ‘Pinewood Smile’

 

The Darkness

Pinewood Smile

Cooking Vinyl

There are those who dismiss The Darkness out of hand as little more than a one-hit novelty act doing a faux-operatic glam-metal piss-take. Those unfortunate souls are A) probably not much fun at parties, and B) missing the point entirely. Rock and roll, especially heavy rock, has become a dour and earnest beast in the past quarter-century or so, plodding along a loud but often joyless path, rife with negativity and self-loathing. Since day one, The Darkness have served as an antidote against this encroaching gloom, a glittery, sequined outpost shining brightly in a vast expanse of brutal grey. Misery and introspection certainly have their place, but so do joy and outrageousness and just plain fun, dammit, and that’s where The Darkness come in. Yes, their songs are over-the-top; they’re also expertly crafted nuggets of kick-ass rock and roll, stuffed to bursting with beefy riffs, intricate melodies, and cocksure swagger. And sure, some of their lyrics might be a little silly, but those great big jagged hooks they’re attached to ain’t no joke. Their newest album, Pinewood Smile, is a bawdy buzzsaw with peacock plumage, a devastating roundhouse right from a manicured fist. Outrageous and opulent yet fiery and muscular, it’s the finest album in their catalog so far and unless you’re a real fuddy-duddy, it’s likely one of the best times you’ll have listening to a record this year.

Continue reading

Album Review: ‘The Wild Sounds of LORDS OF ALTAMONT’

 

Lords of Altamont

The Wild Sounds of Lords of Altamont

Heavy Psych Sounds

Since their founding in late 1999, the Lords of Altamont have been preaching the gospel of high RPMs and low morals, the Good News about being bad. Well-versed in the rituals, scriptures and sacraments of the sages and prophets who preceded them, the LA-based congregation has unleashed another electrifying testimonial to the healing powers of rock and roll on their sixth album, The Wild Sounds of Lords of Altamont. It’s a cranked-up, psychedelic biker/garage joyride from Detroit to Berdoo, all virile riffs and swirly Farfisa; you can hear the leather and sunglasses, smell the exhaust fumes and truckstop incense. Vocalist/organist/head shaman Jake Cavaliere, guitarist Daniele Sindaco, bassist Rob Zimmerman, and drummer Steven Van Der Werff are a finely tuned machine, expertly spitting out blasts of santification that baptize you with a shot of whiskey and a punch in the mouth.

Continue reading