Jake Oni – vocals
Martin Andres – guitars
Brandon White – guitars
Chase Bryant – bass
Joe Greulich – drums
Johnny D – Xylo-synth
Oni is one of those rare bands that pulls you in with an iron grip and refuses to let go as you get more acquainted with the music that they offer. So heavy, so complex and so unbelievably well played by musicians that not only play, but are masters of their chosen instruments. Hearing only a couple songs off of their upcoming release of Ironshore on Metal Blade Records due out appropriately on Black Friday, November 25th, I was not even a little prepared for the musical spectacle awaiting me when Oni opened for Max and Igor Cavalera’s “Return to Roots Tour” a couple of months ago. Talk about being floored! There is simply no weakness in this band. As over-the-top complicated as their songwriting skills demand, these guys play unbelievably well together, sitting just outside the void of potential chaos lesser bands would yield to while remaining accessible to mere mortals like myself. Thus began my almost obsessive quest to take in all that Oni brings to bear. Now that I have had a pre-release copy of Ironshore for some time, I remain in absolute awe every single time I listen to it. Already hitting my list of best albums this year, here are my thoughts…
Sonic Syndicate is:
Nathan J. Biggs – Lead Vocals
Robin Sjunnesson – Guitars
Michael Bärzén – Bass
Sonic Syndicate has been around since 2005, when guitarist Robin Sjunnesson was only sixteen years old. Shortly thereafter, the band released its debut, Eden Fire on Pivotal Reckordings September 13, 2005. Two years later, after being picked up by Nuclear Blast records, they released Only Human on May 18, 2007. With solid backing, Sonic Syndicate was able to tour non-stop and sharing the stage with international sensations like Nightwish, In Flames, Soilwork and many, many others. As a result, they were awarded Best Newcomer by the Swedish Metal Awards and Bandit Rock Awards 2008 in Stockholm, Sweden.
I’ve always been big on Swedish bands and that does not change here with Domkraft. Domkraft, hailing from Stockholm, Sweden have outdone themselves with this splendid new release. They manage to take that doom/stoner feel and grab you by the throat, asking for your full attention for the complete duration of the album. The End of Electricity, coming out on November 11th on Magnetic Eye Records, is a stellar follow up to their debut self-titled album released in October of 2013. The group continues to get better, and this is no exception, it is a very powerful, gripping record. Continue reading
No Gods No Masters was formed in 2013 in the Netherlands. By the sound of the band you may think that they are from the swamps of Louisiana, as most sludge bands hail from. However, these guys aren’t lacking anything when it comes to sound. The band has brought sludge to the Netherlands. They aren’t your ordinary sludge band, they know what they do and they do it well. The band released a self-titled EP in January of 2013 and it received rave reviews. That EP was released via Torn Flesh Records. Recently, No Gods No Masters have finished recording their debut album ‘Fear In a Handful of Dust’. At the moment the band does not have a label but is negotiating with labels and plan to release on a label in the upcoming months. The album was recorded by Michiel Toenink (Total Infection, Devious) and Olaf Skoreng been mixed and mastered by JB Van Der Wal (Herder, Korpse, Ditch) at the Hewwetover studio. The album released March 4th, 2016. Don’t let the above picture of these gentlemen fool you in their nicest attire, their music is pure gritty, dirty sludge that we all know and love. Continue reading
A domino falls and strikes another, causing a chain reaction that continues until there are no dominoes left to fall. Such is the case with this review of Hair in a G-String (Unfinished but Sweet) by the U.K. artists in the Colin Tench Project. Mr. Tench is also known for his work with Corvus Stone and, wait for it, Coalition. There it is! The first domino! After recently reviewing Coalition’s spectacular new release, Bridge Across Time, I was offered a listen to Colin’s solo project, which is due for CD release on the 28th of November. Refuse new music that is related to a newly found gem? Nah, I’ll pass… Yeah right! Keep believing that! Hell yes I am interested. In a single listen, I was sold. Killer guitar? Check. Good song-writing skills? Absolutely. Entertaining? In freaking spades and in a manner few albums have been able to. So, as he so eloquently puts it on his website: “Who the hell is Colin Tench?”
Formed in 2007 by guitarist Tosin Abassi, Los Angeles native, Animals as Leaders’ music has become a staple among instrumental/instrumental guitar-based heavy Progressive Rock fans throughout the world. The collective chins of guitarists everywhere simultaneously hit the floor when their self-titled album hit the presses in 2009 which elevated Animals as Leaders into the spotlight as one of the premiere instrumental bands in the world. Upping their game in 2011, Weightless was released to critical and fan acclaim everywhere. Staying on schedule with an album release every three years, The Joy of Motion was released in 2014 which put them on the Billboard charts in position 23, a whopping jump of 69 spots from the previous album’s placing. An extremely impressive showing for any band, much less from a band sans vocalist and bass player. This successful run is about to continue with Animals as Leaders release of The Madness of Many on November 11, 2016 on Sumerian Records and also saves fans an additional year’s wait for more of what they have grown to love.
Recently, Divebomb Records had the brilliant idea of remastering and re-releasing all-but-lost Metal gems from the eighties and nineties in their Bootcamp Series. Albums like Aftermath’s Killing the Future, Holosade’s Hell House, Intrinsic’s “lost album” entitled Nails, Swedish Thrash Metal masters Apocalypse for their debut and Faithless albums, Skeptic Sense’s Mind Versus Soul: The Anthology, Miasmal’s third album, Tides of Omniscience (first time it has been made available in North America) and many, many others seeing the light of day once again, with plans to continue these releases well into the future. Many of these bands have, unfortunately, disappeared into obscurity, broken up and been usurped into other bands or even gotten back together; picking up where they left off years ago. One such band that falls into the third category is Oblivion, who recently released their double CD Cyclogenesis: Songs from the Apocalypse as Divebomb Boot Camp Series #27. What was once old, becomes new again and, in this case, lightening strikes twice as brightly!
OOLUU was forged from the remains of the band Oompalunatiks. Eric Davindra and Asa Holloh were members of the band and Wychdoktor later joined the band during a lineup change. The three had an unbreakable chemistry that remained standing even after Oompalunatiks ceased to exist. In 2013 they rechristened themselves Ooluu and in December of that same year the band truly found their sound and released their first single and video for “Powder-White”. Since that first single the band’s sound has evolved and progressed exponentially. A few months later in February of 2014 the band released their debut EP ‘Mannequin’. The band continued to compose music for future releases but took a hiatus from live performances to further hone their craft. Ooluu has elements of industrial and alternative metal within their sound. The band recently emerged once again and released their latest album ‘Ophus’ on January 23rd, 2016. Continue reading
Show Me Your Universe is a newly formed band from Tours, France. The band was formed in 2015 and their debut EP entitled ‘We’re All Sinners’ was released on July 10th, 2016. Their Post-Hardcore sound has led them to opening for well known bands like Eths, Materia, Beyond the Styx and some others. The band is comprised of 5 members. Jeremy Dubray is the lead vocalist alongside guitarists Cyril Masset and Alexis Collas, drummer David Moreau and bassist Vivien Cheneveau. Continue reading
I hope this isn’t the first you’ve heard of Death Trip. If it is, let me tell you now I’m highly disappointed in you. Death Trip is from the Big Stone Gap, Virginia area of the Appalachian Mountains and while the area may be rural their music certainly echos outside of the hills of Southeastern Virginia. Their first release was 2013’s ‘Distracted’, followed by the sophomore effort ‘So Far, No Good’ in 2015. The band of course wastes no time and now have released their new record, ‘Professional Asshole’, on October 29th. The album is 13 delicious tracks of brutal punk with a side order of hardcore. They meld these styles so well that it is hard to decipher where one ends and the other begins. The style in which they play music seems a bit chaotic at times but that chaos has developed into a finally wrapped gift when it’s fully unveiled to their fans. Continue reading